Quick Video Tip for Beginners: Use a Rubber-band for Smoother Pans

Quick Video Tip for Beginners: Use a Rubber-band for Smoother Pans

If you’re just getting started with shooting video with your DSLRs, there’s a better than even chance that you’re not quite used to making smooth movements with your camera. Here’s a quick tip to help you get started with making one of the most basic moves in cinematography: a side-to-side move with the camera locked down on a tripod with a fluid head (like this Manfrotto kit, available from BorrowLenses.com now) meant specifically for video. Gear used Video tripod and fluid head (I used my own, but you can rent a Manfrotto video head and tripod here). I also used my own 15mm rail system, but you can rent one like the Redrock Micro Eyespy from us. This is completely optional. HD-DSLR. I used the Canon 5D Mark III with a 24-70mm lens. A rubber band First, find yourself a rubber band. You want one that’s a bit sturdy, but not so stiff that it has no give at all. Then, set up your tripod and camera and make sure your focal length, exposure, and focus and are all adjusted to your liking. To execute the pan, slip the rubber band around your video head’s handle and pull in the direction you want. Keep a smooth, even pressure on the rubber band, and stop pulling at the end of your pan, allowing the natural tension of the band to bring the pan to an end (or fade it to black in post, as I did here). Here’s a video that lays the technique out. The footage is ungraded (i.e., no post-production techniques have been applied to it as yet). It’s...
Finally! A new full-frame camera from Nikon

Finally! A new full-frame camera from Nikon

Nikon just announced the D4, and it looks like a doozy, not just an updated version of the D3s. Loads of new features – expanded ISO, clean HDMI out, MUCH better HD video options (1080p at 30, 24 and 25fps). Most importantly, it’ll be the first full-frame sensor camera with full HD capability since the Canon 5D MarkII (the 1Dx isn’t due out till March 2012). A couple of other points of interest. The D4 has an RGB metering sensor, first introduced with the Nikon D7000. The difference here is that besides being an updated version of the D7000’s sensor, the D4’s metering sensor has 91,000 pixels to the D7000’s 2016. Framerate has be upped to 11fps in Continuous High, from 9fps in the D3s. ISO is expandable to 204800. The 91k pixel RGB sensor also features face recognition. You can now record 1080p video in three formats: Full-frame, DX crop and an even smaller crop that uses just 1920×1080 pixels on the sensor. Lots more stuff too, including a headphone jack for monitoring audio, a levels indicator and more. That 1Dx needs to hit the market sooner rather than later, because Nikon has upped the ante with this extremely capable HDDSLR, finally challenging Canon in the video realm. Check out the press release for more details. Here are the specs. UPDATES: Here’s a roundup of D4-related pieces from around the web. Nikon’s James Banfield goes through the video functions of the D4 on DSLR News Shooter. Just in time for the D4, Sony announced a range of XQD cards for the D4. ISO1200 has a lead on a low light video...

From the “You don’t need a $10,000 camera” department…

Here’s something to remind you that you don’t need thousands of dollars’ worth of equipment to do something truly captivating. David HJ. Lindberg’s video of running through mud puddles (below) was shot with a Canon T21 and a 50mm f/1.8 lens. The Beauty of Mud (4000 fps) from David HJ. Lindberg on Vimeo. We really have gotten to the point where ingenuity, perseverance and creativity don’t need to be accompanied by tons of money. The photo gear that David used (T2i and 50mm f/1.8) can be rented for about $60 for three days from BorrowLenses. We also have the T2i for sale for just $450, if you want to buy it. Bottom-line: You’re not really limited by gear anymore – just grab your camera and lens and get out...
Tip of the week: An adaptable camera system

Tip of the week: An adaptable camera system

Every Thursday, we will post a photography-related tip here. These tips are typically inspired by questions we get from our customers. Sometimes we might feature a technique tip, and sometimes a gear recommendation. If there’s something specific you’d like to see in this section, let us know. Email us at blog@borrowlenses.com. Today we’re going to talk about a video camera called the Panasonic AG AF100. The AF100 is from a family of products that adhere to the Micro Four-Thirds standard. So far, Olympus and Panasonic are the two manufacturers making cameras for this standard, but a number of other manufacturers have also signed on to produce add-ons for it. Sigma, Carl Zeiss, Lensbaby and Voigtlander, all venerable manufacturers, have signed on to make lenses for it. But the true power of this standard comes from the manufacturers that have built adapters that let you bring a variety of non Micro Four-Thirds lenses to this platform. Voigtlander and Redrock Micro are some of the companies that make adapters that will let you use Leica, Canon and Nikon lenses on a Micro Four-Thirds camera. The image above is of a Canon-mount CP.2 lens from Zeiss, with an adapter that let us put it on an Olympus E-P2 Micro Four-Thirds camera. There was a little play in the fit, but it worked well enough. The CP.2 was a lens designed specifically for video. With the same adapter shown in the image, you can also adapt that lens to the Panasonic AF100, opening up a wide range of cinematic possibilities. But that’s not all. Take that Nikon F mount adapter we rent and you can take Nikon’s...