Notable Storytellers – Vincent Laforet

Notable Storytellers – Vincent Laforet

Vincent Laforet is a filmmaker and photographer that belongs in any reasonable list of Notable Storytellers. Long before he became one of the pioneers (some, including me, would say he is the pioneer) of making films with video-capable DSLRs, he was a staff photographer for the New York Times – and a Pulitzer-prize-winning photographer at that.

Finally! A new full-frame camera from Nikon

Finally! A new full-frame camera from Nikon

Nikon just announced the D4, and it looks like a doozy, not just an updated version of the D3s. Loads of new features – expanded ISO, clean HDMI out, MUCH better HD video options (1080p at 30, 24 and 25fps). Most importantly, it’ll be the first full-frame sensor camera with full HD capability since the Canon 5D MarkII (the 1Dx isn’t due out till March 2012). A couple of other points of interest. The D4 has an RGB metering sensor, first introduced with the Nikon D7000. The difference here is that besides being an updated version of the D7000’s sensor, the D4’s metering sensor has 91,000 pixels to the D7000’s 2016. Framerate has be upped to 11fps in Continuous High, from 9fps in the D3s. ISO is expandable to 204800. The 91k pixel RGB sensor also features face recognition. You can now record 1080p video in three formats: Full-frame, DX crop and an even smaller crop that uses just 1920×1080 pixels on the sensor. Lots more stuff too, including a headphone jack for monitoring audio, a levels indicator and more. That 1Dx needs to hit the market sooner rather than later, because Nikon has upped the ante with this extremely capable HDDSLR, finally challenging Canon in the video realm. Check out the press release for more details. Here are the specs. UPDATES: Here’s a roundup of D4-related pieces from around the web. Nikon’s James Banfield goes through the video functions of the D4 on DSLR News Shooter. Just in time for the D4, Sony announced a range of XQD cards for the D4. ISO1200 has a lead on a low light video...

From the “You don’t need a $10,000 camera” department…

Here’s something to remind you that you don’t need thousands of dollars’ worth of equipment to do something truly captivating. David HJ. Lindberg’s video of running through mud puddles (below) was shot with a Canon T21 and a 50mm f/1.8 lens. The Beauty of Mud (4000 fps) from David HJ. Lindberg on Vimeo. We really have gotten to the point where ingenuity, perseverance and creativity don’t need to be accompanied by tons of money. The photo gear that David used (T2i and 50mm f/1.8) can be rented for about $60 for three days from BorrowLenses. We also have the T2i for sale for just $450, if you want to buy it. Bottom-line: You’re not really limited by gear anymore – just grab your camera and lens and get out...
Tip of the week: An adaptable camera system

Tip of the week: An adaptable camera system

Every Thursday, we will post a photography-related tip here. These tips are typically inspired by questions we get from our customers. Sometimes we might feature a technique tip, and sometimes a gear recommendation. If there’s something specific you’d like to see in this section, let us know. Email us at blog@borrowlenses.com. Today we’re going to talk about a video camera called the Panasonic AG AF100. The AF100 is from a family of products that adhere to the Micro Four-Thirds standard. So far, Olympus and Panasonic are the two manufacturers making cameras for this standard, but a number of other manufacturers have also signed on to produce add-ons for it. Sigma, Carl Zeiss, Lensbaby and Voigtlander, all venerable manufacturers, have signed on to make lenses for it. But the true power of this standard comes from the manufacturers that have built adapters that let you bring a variety of non Micro Four-Thirds lenses to this platform. Voigtlander and Redrock Micro are some of the companies that make adapters that will let you use Leica, Canon and Nikon lenses on a Micro Four-Thirds camera. The image above is of a Canon-mount CP.2 lens from Zeiss, with an adapter that let us put it on an Olympus E-P2 Micro Four-Thirds camera. There was a little play in the fit, but it worked well enough. The CP.2 was a lens designed specifically for video. With the same adapter shown in the image, you can also adapt that lens to the Panasonic AF100, opening up a wide range of cinematic possibilities. But that’s not all. Take that Nikon F mount adapter we rent and you can take Nikon’s...