Field Report: Sony a7S II S-Log2 vs S-Log3 Test

Field Report: Sony a7S II S-Log2 vs S-Log3 Test

The Sony a7SII has a couple of neat features that make it a worthy upgrade over its predecessor. It still has the same class-leading low-light performance but adds in-camera 4K recording and a new S-Log3 shooting mode – something that’s typically found on Sony’s more expensive video cameras. This clearly makes the Mark II version of the a7S as a very video-centric ILC, so we took it out to see just how different the S-Log3 mode was from the S-Log2.

Color Grading Made Eas(ier) with FilmConvert

Color Grading Made Eas(ier) with FilmConvert

The field of film emulation software has some pretty well-established players in both the video and stills worlds. On the still photography side, there’s Google’s Nik Collection software, VSCO’s Film Series of plugins, and a variety of others. On the video side, however, things are… somewhat more complex (as all things video generally are).

Using ND Filters for Video

Using ND Filters for Video

There are more than a dozen Neutral Density filters available under the Video section of our website, ranging from screw-on fixed-value ND filters to high-end Schneider rectangular filters for matte box stages. In this video, we walk you through why you’ll want an ND filter when shooting video and what your options are.

Understanding Video Resolutions

Understanding Video Resolutions

SD. HD. Full HD. Quad HD. UHD. 4K. DCI4K. Something-point-something-K. Video resolutions are confusing enough for consumers but as a content creator they are even more confounding. Here at BorrowLenses, we carry cameras that shoot everything from 720p HD all the way out to 6K. That variety can be somewhat confusing when you’re trying to sort out just which camera you need to rent and what resolution to actually shoot at once you’ve rented it. And that’s before you begin diving into the world of aspect ratios, too.

Latest Gear at BorrowLenses – July Edition

Latest Gear at BorrowLenses – July Edition

Canon finally has an affordable 4K camera, Tokina’s got some cool Cine zooms for you, and we have the latest addition to the Leica family. It’s that time of the month again folks: here’s the July edition of all the fresh new gear at BorrowLenses! Hive Lighting Wasp Plasma PAR Light Kit Plasma lighting is catching on big-time these days. These kits from Hive Lighting draw relatively little power and, according to Hive, output the equivalent of 400–4,000 watt HMI lamps. Best of all, they have adjustable color temperatures and intensity, giving you a range of between 4,600K to 7,000K. Depending on the accessories you mount, they can put out a blistering 5,000 foot-candles of power at 10 feet. Doing the math, that’s… let’s see… carry the one… a lot of f-stops. Really. The Wasp Par kit comes with one par light, 4 lenses to give you a variety of lighting options, a set of scrims and barn doors. SmallHD Sidewider EVF We recently got the SmallHD 502 monitor into our inventory, and this flip-out frame and loupe is the perfect compliment to that monitor. It mounts – somewhat counterintuitively at first – sideways to the frame, which actually allows you to place the monitor parallel to your camera and gives you more of a run-and-gun-style add-on, which documentary filmmakers will appreciate. Interestingly, unlike other EVF/loupes, this one moves the monitor away from in front of your face, providing you with better situational awareness of your environment. The unit rents with the EVF loupe, a diopter assembly that lets you adjust it from –2 to +4, and a carrying...
Chasing Monkeys in Colombia for Nat Geo

Chasing Monkeys in Colombia for Nat Geo

Colorado-based DP and Director Danny Schmidt recently traveled to Colombia on behalf of National Geographic to obtain footage of the albino brown spider monkey. Equipped with a slew of video gear from Borrowlenses and a qualified crew, they had 8 days to gather the footage needed to tell the story of this beautiful and endangered species.  Chasing Monkeys in Colombia for Nat Geo by Danny Schmidt The Mission The world of wildlife filmmaking is full of unknowns. Will I see any animals? Will I capture interesting behavior? Will the weather cooperate? We generally go into the field equipped with the right gear, a lot of research, and a general willingness to suffer to get the shot. But beyond those things, we just hope that we actually see an animal when are cameras are rolling. On a recent trip to Colombia in search of albino brown spider monkeys, the odds were definitely not in our favor. There are only two (yes, two) of these albinos known to exist in the wild and we had a short window to find them and tell their story. Brown spider monkeys are critically endangered and their habitat is severely fragmented. This has caused genetic bottlenecking and, as a result, albinism in one of the family groups. These albinos are incredibly beautiful but they bring a pretty sobering message about the fate of a species when populations become isolated. Our mission was to find the monkeys, tell their story through the voice of the local researcher, and create a portrait of the stunning biodiversity of this threatened area. We had 8 days to do it. Without the help of the...