The Softbox Cheat Sheet

The Softbox Cheat Sheet

A while back, we put together an article on how to use softboxes with your light of choice. At that time, I mentioned that we’d be putting together a cheat sheet that would allow you to figure out which softbox could go with which light, and what you’d need to make it work. Well, that cheat sheet is here. In the the matrix below, you’ll see the lights we rent down the vertical axis and the softboxes we rent across the horizontal. There’s a legend at the bottom of the table that will indicate if you need something additional to make the combo work. You can click on the image below to enlarge it (warning – it’s a big image), or download the PDF version here. The PDF version has embedded links to direct you to the gear mentioned.   We hope this helps with the constant conundrum of what softbox goes with which light! As always, questions and feedback are welcome in the comments below....
Easy Holiday Photo Booth

Easy Holiday Photo Booth

Holiday events have a way of filling a room. Being tasked with running a party photo booth for friends and family can be daunting, especially if your budget isn’t big and your space isn’t, either. We put together a simple, fun photo booth using portable items that you can rent from BorrowLenses.com.

Understanding Softboxes

Understanding Softboxes

Off-camera strobes and other forms of lighting have become remarkably approachable over the past few years. The knowledge and information that were once the sole province of pros working with tens of thousands of dollars of equipment in studios or on location is now all over the internet for the taking. We carry a fair amount of lighting gear, and given that we cater to the novice as well as the pros, we also answer a number of questions about one particular piece of lighting gear: the softbox. Over the phone, via email, and through our social networking outlets, we respond to queries ranging from the number of stops a box’s diffusion fabric will eat, to “What’s a speedring?” This article is designed to help you understand the various pieces of a softbox and how it is used with a studio light like the Einstein E640 or the Profoto D4 heads we rent. Let’s start with what a softbox is. Basically, it’s a light modifier. Its purpose is to diffuse the lighting coming out of a studio head (or a small flash, but we’ll cover that in a later article) so that you can achieve the soft shadows and gentler light quality you see in so many professionally-taken photographs. Now let’s break down a complete light setup, with softbox. In the image above, you can see the three basic components of a studio light with a softbox. We have the softbox itself, a speedring (which is only barely visible right now), and a studio light. You’ll probably have noticed that the softbox is made by Profoto, while the studio...
Get the Missing Manual for Light

Get the Missing Manual for Light

 With autumn upon us, daylight hours are fewer and further between. I don’t stop shooting (later sunrises mean I can actually drag myself out of bed at a better hour), but I do take more time to catch up on my reading. Accordingly, I spend some time to put together a list of the best photography books that I want to go through each year and will bring you reviews of the ones I liked the most. My (virtual) bookshelf is full of titles I’ve read or plan to read for reviewing or for personal edification. Some, like Brian Smith’s book on portraiture, which I reviewed earlier this week, are for personal edification and review. Some, like Light, Science, and Magic, are on there because the subject matter is of interest. And some are on there because I’ll read even an obituary by one of these authors. Authors like Joe McNally, for example, whose books like Sketching Light and The Moment it Clicks make for fantastic and entertaining reading. Others write books so chock full of information that they become indispensable reference material that I find myself going to pretty often. My friend Syl Arena is an author and teacher who falls into the latter category, and his latest book, Lighting for Digital Photography: From Snapshots to Great Shots is something that I think should be more appropriately titled “Light: The Missing Manual”. This is Syl’s second book; the first, The Speedliter’s Handbook, is now considered to be a sort of bible for Canon Speedlites. It is easily THE definitive book on Canon’s small flashes, and Syl has carved out...
Kino Flo Celeb 200 DMX LED Lighting Kit

Kino Flo Celeb 200 DMX LED Lighting Kit

One of the newest lighting rigs we have here at BorrowLenses is the Celeb 200 LED from Kino Flo. The Celeb features 100 watts of lustrous, soft white light, which can be programmed to display a range between 2700K to 5500K, without changing the light output.

The Switch: Moving from Canon to Nikon, Part I

The Switch: Moving from Canon to Nikon, Part I

This is Part I of a series on moving from an all-Canon setup to an all-Nikon setup for four weeks. Will I go back to Canon at the end of four weeks? I have no idea… “I’m going to check out a bunch of Nikon gear and go shoot with it for four weeks. Then I’ll write a series of articles about it.” I grinned at Jim Goldstein, BorrowLenses.com’s VP of marketing, and my nominal boss. He stared back at me, first with a blank expression, then with a knowing glint in his eye. “You’re looking to switch, aren’t you?” he asked. “And you want to use this idea for a series to test the waters on the other side, dontcha?” He kinda had me there. I’d been eyeing that D800 ever since it was announced, and was eager to give it a try. More importantly, I really was thinking of switching sides. Two of my idols, David Hobby and Joe McNally, both shoot Nikon. Nikon’s CLS (Creative Lighting System) for their external flashes is world-renowned, and is a traditional area of strength for that brand. As someone who uses lighting a lot these days, I had seen what all the fuss was about and wanted to put it through its paces for my own shoots. “Well, no, I’m not looking to switch,” I told Jim. “But if it happens as a result of my experiment, well…” Jim’s a good sport, and we both agreed that it would be worth it to see what a Canon shooter with an open mind would feel about moving wholesale to Nikon gear. So,...

On the Profoto Blog

Our recent Tip of the Week was picked up by the wonderful folks at Profoto and mentioned on their blog. If you haven’t been by there, you’re missing out – they post a ton of great stuff that’s worth looking at even if you never use a single piece of Profoto gear. We warn you though – watching some of their videos will induce a pretty severe case of Profoto lust. Don’t say we didn’t warn you… Visit Profoto’s blog at profoto.com/blog, and check out their mention of our piece...
Tip of the Week – Our favorite lighting videos

Tip of the Week – Our favorite lighting videos

Every week, we post a photography-related tip on our blog. These tips are typically inspired by questions we get from our customers. Sometimes we might feature a technique tip, and sometimes a gear recommendation. If there’s something specific you’d like to see in this section, let us know. Email us at blog@borrowlenses.com. This week, we bring out our favorite lighting videos. Whether it’s about small flashes or studio strobes, lighting is something we get an awful lot of questions about. So, we decided to put together a short list of our favorite lighting-related video tutorials to help you get going. These are paid videos, but are worth every penny, since the instructors are some of the best in the business. Joe McNally’s “Language of Light”: Joe is easily one of the best lighting instructors in the world, and his “Language of Light” DVD set is pure genius. Whether it’s shooting a family portrait, or hanging off the back of a truck to capture speeding downhill skaters, Joe does it all and does it incredibly well. He’s funny, engaging and eloquent, and while he doesn’t make it look easy, he does help you understand his methods and techniques, letting you learn a lot in the process. David Hobby’s “Lighting in Layers”: David Hobby became famous for starting what is now considered to be the bible of small flash photography websites. Strobist.com has become the go-to site for folks looking to learn about lighting with small flash, and to his credit, David pretty-much gives away a ton of information for free there. His “Lighting in Layers” DVD, however, ratchets things up...
Pros you should know: Syl Arena

Pros you should know: Syl Arena

“Pros you should know” is an ongoing Q&A series with photographers that the folks here at BorrowLenses.com admire and follow. Welcome to the first in a series of articles talking about some of the professionals in our field that the folks here at BorrowLenses.com think you should know. Today, we’d like to introduce you to Syl Arena. Syl Arena’s profile is pretty distinctive. If you want to spot him in a crowd, look for a head of fiery red hair. Chances are, if it sticks out in a halo, it’s Syl. Friendly, gregarious and blunt, he’s likely also talking to five people at once about everything from small flashes to motion and more. Syl first gained a steady following as a teacher and photographer when he started into the wilderness that was Canon flash photography at that time. His book, The Speedliter’s Handbook, is now considered required reading for anyone getting into Canon Speedlites, and has been recommended by no less a master than Joe McNally. The level of detail and effort that went into the book is staggering, especially when you consider that Syl was suffering from major back issues at the time. But if you think that speedlites are all that Syl is into, you’d be wrong. As you’ll see below, he’s into a whole lot more, from studio still shoots to location video shoots. Talk to him and you get the sense that Syl isn’t going to be known just as the guy who pretty-much conquered Canon flash photography. We were fortunate to get Syl to take time out of his schedule to answer the Q&A...