Product Photography – The Basics

Product Photography – The Basics

Product and fashion photographer June Kim has a tailor-made way about crafting images for her clients. Here, she outlines her workflow for product shoots by detailing her equipment choices and demonstrating how to successfully light a tabletop setup, plus how to create a seamless browsing experience for potential consumers.

Small Subjects with Big Impact: 5 Photography Techniques for Better Kid Portraits

Small Subjects with Big Impact: 5 Photography Techniques for Better Kid Portraits

See how easily you can get memorable kid portraits with these 5 shooting techniques that are approachable enough for beginners while also being stimulating practice for seasoned photographers. These techniques can be applied to any photography style and they will help grow your skills no matter where you are starting from.

Lighting for a Catalog Shoot

Lighting for a Catalog Shoot

For this shoot, I decided to start simply. I began with one light, a Paul C. Buff Einstein light inside a large umbrella. We were shooting in a relatively small studio, however, so the light didn’t completely wrap around the model, leaving a shadow on the wall behind. We wanted almost no shadows – just enough, in fact, to bring out the texture on some of the clothing. The single light delivered a bit too much of a shadow, so we added additional lighting.

Latest Gear at BorrowLenses – July Edition

Latest Gear at BorrowLenses – July Edition

Canon finally has an affordable 4K camera, Tokina’s got some cool Cine zooms for you, and we have the latest addition to the Leica family. It’s that time of the month again folks: here’s the July edition of all the fresh new gear at BorrowLenses! Hive Lighting Wasp Plasma PAR Light Kit Plasma lighting is catching on big-time these days. These kits from Hive Lighting draw relatively little power and, according to Hive, output the equivalent of 400–4,000 watt HMI lamps. Best of all, they have adjustable color temperatures and intensity, giving you a range of between 4,600K to 7,000K. Depending on the accessories you mount, they can put out a blistering 5,000 foot-candles of power at 10 feet. Doing the math, that’s… let’s see… carry the one… a lot of f-stops. Really. The Wasp Par kit comes with one par light, 4 lenses to give you a variety of lighting options, a set of scrims and barn doors. SmallHD Sidewider EVF We recently got the SmallHD 502 monitor into our inventory, and this flip-out frame and loupe is the perfect compliment to that monitor. It mounts – somewhat counterintuitively at first – sideways to the frame, which actually allows you to place the monitor parallel to your camera and gives you more of a run-and-gun-style add-on, which documentary filmmakers will appreciate. Interestingly, unlike other EVF/loupes, this one moves the monitor away from in front of your face, providing you with better situational awareness of your environment. The unit rents with the EVF loupe, a diopter assembly that lets you adjust it from –2 to +4, and a carrying...
Illuminating the Face, by Peter Hurley: A Review

Illuminating the Face, by Peter Hurley: A Review

Back in 2011, photographer Peter Hurley teamed up with our friends over at FStoppers to create a tutorial video called The Art Behind The Headshot. That 4+ hour video more or less became required watching here at BL for anyone shooting any kind of portraiture, not just headshots. In fact, I still refer to it from time to time to prep for a new client; it was equal parts motivational video and coaching tutorial. Now, three years later, Peter Hurley returns with another tutorial called Illuminating The Face. This is the next logical release after The Art Behind The Headshot, and Peter sent us a copy for review. Here’s the one-sentence review: This is yet another home run for Peter Hurley, and if you happen to photograph the human face, regardless of your genre, this needs to be on your “must watch” list of tutorials. What came before… Let’s talk for a moment how Illuminating The Face differs from The Art Behind The Headshot. The Art… was very much a non-technical tutorial. It was a lot like having Peter Hurley coach you on how to interact with your subject, how to direct them, what to look for when pressing that shutter button. That’s not to say that there was nothing technical in that video; Peter did cover his trademark square box lighting technique that had turned heads on the internet and spawned a slew of  copycats and admirers — including, I’m not ashamed to admit, yours truly right here on this blog. Yet The Art… wasn’t a technical tutorial. It was very much a “human” tutorial, and was gloriously welcome at a time when...
BorrowLenses’ Guide to Lighting Sync Cables

BorrowLenses’ Guide to Lighting Sync Cables

Strobes are triggered from your camera to fire every time you hit the shutter button in the following ways: Transmitters designed specifically for that strobe that you connect to the camera, usually via your camera’s hot shoe. Radio transmitters that you connect, usually with small sync cables, to the strobe and to the camera. Long sync cables that physically connect your strobe to your camera. Your camera must have a sync-in port, located usually near the mount or on the side of the body. The following kits come with their own transmitters: Elinchrom BX-Ri 2 500Ws Monolight Kit with Skyport EL Transceiver Profoto D1 Air 500Ws 2 Monolight Studio Kit with Air Remote Bowens Gemini 500R 2 Light Umbrella Kit with Pulsar TX Radio Remote Elinchrom Ranger Quadra Head A Pro Set with Skyport EL Transceiver Broncolor 1200Ws Two Litos Monolight 22 Kit and Senso Power Pack with RFS 2 Transmitter Broncolor 2400Ws Two Litos Monolight 42 Kit and Senso Power Pack RFS 2 Transmitter Otherwise, your strobe or monolight will come with its own 1/8 (or 1/4)-PC sync cable to use with your camera. Small flashes do not come with sync cables. The following kits/strobes do not come with their own transmitters nor do they come with their own sync cables: Profoto B1 500W/s AirTTL Battery Powered Flash Profoto B1 500W/s AirTTL Location Kit Profoto B2 250W/s AirTTL Location Kit They accept 1/8 sync cables but operate best with their own transmitter, which much be rented separately: Profoto Air Remote TTL-C Transmitter for Canon Profoto Air Remote TTL-N Transmitter for Nikon Connecting Strobe and Camera All kits and strobes will come with...
9 Carry On Friendly Photo and Video Accessories for Holiday Plane Travel

9 Carry On Friendly Photo and Video Accessories for Holiday Plane Travel

Plane travel can be a source of anxiety for photographers. Checking bags isn’t safe for most gear and being able to skip the baggage claim carousels is always a bonus anyway – especially around the holidays. There are a lot of small items to shoot with, including high-quality mirrorless cameras, tiny lenses, and small flash gear. However, it is sometimes hard to skimp on support systems, lighting, and storage in order to save space. Rolling bags, tripods, and light stands all tend to be a pain to try and take on a plane. Here are 9 items that you should be able to take on board with you without having to sacrifice your shooting needs. I say “should” because the TSA is a fickle fish – what flies at one airport may not fly at another and, as always, different carriers will be more strict than others. These are my personal favorite items that I have air traveled with for trade shows, overseas vacations, and for smaller gigs without incident (so far!) on both large airliners and regional jets. AlienBees LS1100 Backlight Stand   This little light stand fits into almost any bag – collapsed it is under a foot and a half and extends up to 3 feet. Don’t pack this for lighting portraits of basketball players but for family get-togethers (especially if everyone is sitting around the couch) it is perfect. Think Tank Airport International V2.0 Rolling Camera Bag  This bag is specifically designed to adhere to TSA standards. It combines the soft give of a fabric body (good for inevitable overstuffing) with the protection of a hard...