5 Resources to Help Protect Your Photography

5 Resources to Help Protect Your Photography

In an ideal world you will not have to use some of these resources to protect yourself against image theft. However, the use of OPP (other people’s photography) is rampant – sometimes out of malice and sometimes because of a simple misunderstanding or lack of research. Here are 5 things to explore to help you protect your work in the first place and what to do if something unlawful happens to it. Copyright Your Work For $55 a batch (as of this writing, updated July 2014), you can have your photographs registered for copyright. Register Yourself as a Photographer For free you can register yourself with PPA so that others can find you when they are interested in duplicating your work. If you are an ASMP member, you can also get into their Find a Photographer database. Additionally, register yourself with the Plus Registry, which is also a great resource for all things licensing related. Keep Your Rights Nearby Know your rights as a photographer without having a lawyer on speed dial. A U.S. attorney has put together a handy printout to refer to if confronted for taking pictures (UK version here). Prepare to Write a Nastigram Sending a DMCA takedown notice is scary. DMCA Info makes it a little less daunting with plenty of info, including a notice template. Where applicable, you can also request items to be removed from Google products, including a subsection requesting the removal of items because of copyright violation. Further protect yourself with a free account on Lenstag, a gear registry that also offers free DMCA and Model Release documents as well as optional...
Working With Magic Lantern RAW Files

Working With Magic Lantern RAW Files

In case you missed it, we started carrying a version of the Canon 5D Mark III modified with the Magic Lantern firmware modification last year. One of the really cool features of this tweaked body is that you can now shoot 1080p video in RAW format. Still shooters know what this means: better control over white balance and a file that stands up to post-processing really well. RAW is still something of a new bag for video shooters working with DSLRs, however, and there are a few things you should know when you start working with RAW files from the 5D Mark III. Making the Magic Lantern RAW File Usable Let’s start with this: The RAW file you get from the 5D isn’t immediately editable. It’s a single file with a .RAW suffix that none of the popular video editors, neither Final Cut nor Premiere, currently recognize without additional plugins like GingerHDR. So you have to modify this file to work with it. The converters for Magic Lantern RAW files essentially do one thing: they take a single RAW file and split it into a sequence of image files in either DNG, TIF, or JPEG files. Your video clip is then available to you as a folder full of hundreds or thousands of single images, each one representing a single frame of footage. That’s not ideal in that you now have a fairly large number of files to manage, but it’s not too difficult to work with them. But first, you have to get to that point where you have those hundreds of files. For this, you have a...
Sony RX10: Thoughts, Test Shots, and Quick Review

Sony RX10: Thoughts, Test Shots, and Quick Review

Court Leve is a sports, wedding, portrait, and pet photographer. His work has been published in National Geographic Adventure, Powder, Ski, Skiing, Freeskier, Parade Magazine, ForbesLife Mountain Time, Spirit Magazine, Southwest Art, and more. He is a regular contributor to the BL Blog. Sony RX10: Thoughts, Test Shots, and Quick Review by Court Leve Coming from a background in SLR cameras, and owning a number of point-and-shoots over the years, it was interesting to have a chance to use the new Sony RX10. It’s the first ‘bridge’ camera that I’ve used and I was somewhat skeptical about how it would perform. In short, this camera is very impressive and makes for a great all-around camera and an excellent choice as a travel camera. The RX10 is easy to use in either full automatic or manual modes. The design is simple to navigate with the most commonly used controls quickly accessible without having to dive into menus. If you have used the RX100, the RX10 will be a short learning curve. Even if this line of camera is new to you, it will still be a pretty quick study with shutter speed, aperture and ISO controls in logical places. Even when I needed to navigate the menu system it was very straightforward. I used the camera in a number of different situations ranging from a conference in extremely low light, landscape images, portraits, and on my recent trip to Cabo, Mexico. For my trip, I brought my RX100 along with my Nikon D800 with a number of lenses but I wound up only using the RX10 while traveling. The size, weight,...
The Nikon Df: Thoughts, Test Shots, and Quick Review

The Nikon Df: Thoughts, Test Shots, and Quick Review

Jay Cassario is a wedding, engagement, and portrait photographer with additional passion for landscape and star photography, which has earned him publications by National Geographic. He is a regular contributor to SLR Lounge in addition to the BL Blog. The Nikon Df: Thoughts, Test Shots, and Quick Review by Jay Cassario The Nikon Df is a very unique camera. With its vintage look and highly praised sensor, it had a lot of photographers drooling over it before it even hit the shelves. It also had its critics ripping it apart. It can’t be fairly compared to the D800 or the D4 – it’s not meant to be a D800 or D4. Call it a “hipster” camera if you want but there is a lot more to it than just a pretty retro exterior. The Df takes you back to the film days of the 70’s and buried underneath all of those fancy dials is one of the greatest sensors ever produced by Nikon. The sensor used in the Df is the same FX-format CMOS sensor with EXPEED 3 engine that is in the flagship D4 but at about half the price (as of this writing). While it lacks some of the features of the D4, the Df’s combination of exceptional image quality, industry leading low-light capabilities, and vintage looks makes it a special camera that not only takes amazing photos but leaves you feeling a little more like a true photographer, however romantic that may sound, with every click of the shutter. Disclaimer: I shoot both Canon and Nikon but I won’t be making any comparisons to the Canon bodies I own. I actually sold my...
Photography Lessons of 2013 Plus 20 Inspiring Photographs

Photography Lessons of 2013 Plus 20 Inspiring Photographs

Congratulations on one more trip around the sun as a photographer! Shots were taken, lessons were learned – both good and bad. Here are 16 words of wisdom from working photographers along with a favorite shot they took this year. May they inspire you to form a great New Year’s Resolution for your work flow in 2014! “No matter how gloomy it looks, it pays to be on location at sunrise or sunset. For this image, it was grey and completely cloudy, looking like it was going to rain. At the perfect moment, however, a gap appeared in the clouds, letting in two minutes of glorious red sunrise light. Just as quickly as it came, the light disappeared and then it began to pour!” – Ian Plant “2013 was a big year for me. I moved to Los Angeles and had to start all over again. Within the first couple of months, I have been connecting with local creative professionals and have already shot for the December issue of LA Fashion magazine and photographed a couple of personal projects. The main lesson I have learned is to not be afraid of big changes. Staying positive, staying pro-active, seeking opportunities, and making connections is key to success. The harder I work, the luckier I get”. – Julia Kuzmenko McKim “In 2013, I learned a valuable lesson not only about my photography but about myself. No matter who you are, you can help make a difference. This year, I have been leading workshops for The Giving Lens. We work with non-profit organizations in foreign countries in a variety of ways. At the end...
Top 5 Photography Posts on the BorrowLenses Blog

Top 5 Photography Posts on the BorrowLenses Blog

It’s listicle season and we’re celebrating, too, with our top 5 most popular blog posts of 2013! Each one provides a different tip to help make you a better photographer. We hope these tips will help you reach your goals in the coming year! Want more? Visit the blog every week for great advice, tricks, and even special offers on photography, videography, lighting, and more. You can also find great content on our social media pages: Facebook, G+, Twitter, Pinterest, Instagram, YouTube, and...
BorrowLenses Year in Review: The Cameras of 2013

BorrowLenses Year in Review: The Cameras of 2013

2013 is a record year for new camera models at BorrowLenses.com, which means having the biggest selection of models we’ve ever had. There is something for every kind of photographer, from mirrorless pocket cameras to huge 60+ megapixel medium format DLSRs. We selected a bunch of our favorites from this bountiful season. Discover what’s available for exploration in our year-in-review. Mirrorless/MFT/Compact Panasonic’s GX7 boasts in-body stabilization and Light Speed AF all inside a super stylish design with a comfortable rubber grip. Other notable features include an impressive action-stopping 1/8000th of a second shutter ability and flash syncing at 1/320th of a second and a DSLR-esque twin-dial control system. The fully 90 degree tilting viewfinder is also a welcome feature. The GX7 has this crazy 40 FPS mode when using the electronic shutter. However, to use it you are limited to reduced-resolution JPEGs but it’s still a fun option to have. Autofocus on the GX7 is blazingly fast. AF locks onto the subject immediately even in low light where manual focus is often the only option. Continuous AF, however, still tends to hunt around as one would expect with no phase-detect sensors. Overall, the GX7 is comfortable, cool looking, and accommodates a vast array of MFT-mount lenses that are very fast. Pairs well with: Panasonic 35-100mm f/2.8 Lumix G Vario Zoom Lens Fuji’s X100 set the gold standard for retro design when it first came out. Since then it has continued that tradition, packing increasingly advanced technology into the classically designed mirrorless cameras that take their cues more from rangefinders of yesterday than anything else. The success to the X100 is the “s” variant of...
5 Important Photography Business Tips to Start the Year Off Right

5 Important Photography Business Tips to Start the Year Off Right

The holidays are prime season for getting new cameras and lenses. It is also when photographers take stock of their images as well as their income and expenses. Here are 5 important recourses for any business-minded photographer, whether you’re a seasoned shooter looking to hone your business skills or a complete novice who wants to get a jump start on organizing their future. • Never Shoot for Free In this interview with freelance photographer Court Leve, you’ll discover how important it is to find financial value in your work as well as artistic value. • Register Your Gear Insuring your camera equipment is essential but did you know you can also register it for free? Register your serials online with Lenstag and it will send out indexed alerts in the unfortunate event that your gear gets stolen. • Prepare for Taxes One of the less celebrated rewards of owning your own business is having to file taxes for it. Fortunately, there is a lot of online help! • Manage Your Time In the Nutritional Facts of Photography, Jay Cassario breaks down how much time you can expect to spend on each task as a freelance photographer. • Update Your Site SmugMug share some of the rules to a successful website no matter who you used to host your images. We hope these tips will help you reach your goals in the coming year! Want more? Visit the blog every week for great advice, tricks, and even special offers on photography, videography, lighting, and more! Cover Image: “Jump!” by John Loo is licensed under CC...
Things to Know about the Blackmagic Pocket Cinema Camera Raw Update (with Some Sample Footage)

Things to Know about the Blackmagic Pocket Cinema Camera Raw Update (with Some Sample Footage)

The Blackmagic Pocket Cinema Camera is one of the newest additions to our inventory, and is already in demand — every single unit we currently have in our inventory is checked out for the next two weeks at least, so get your orders in as soon as possible. This tiny little package packs a wallop when it comes to delivering outstanding image quality, and as of a couple of weeks ago, it is also the smallest camera in the world that shoots RAW video. We decided to put the BMPCC’s RAW chops to an entirely unscientific test (in low-light, no less) as soon as we had a few spare minutes with a unit in-between your rentals, so check out that video after the jump. Suffice to say that RAW video offers all the advantages that still photographers have enjoyed with RAW images for a while now; the ability to shift white balance, increased exposure latitude, and a fat, robust file that stands up to vigorous post-production. Yet it’s not without its challenges either. Shooting RAW video requires some hefty resources on the shooting and post-production end, and so we thought we’d put together a list of a few things you need to be aware of if you’re going to venture into the land of RAW video. First things first – know WHY you want to shoot RAW. The BMPCC’s ProRes codec is plenty powerful – it has more than twice the bit rate of the Canon 5D Mark III’s All-I codec. Know why you think you need RAW before you shoot it. RAW video takes up a LOT of...
What (Else) to Know When Renting the Hasselblad H4X Medium Format Camera w/ 80MP IQ280 Digital Back

What (Else) to Know When Renting the Hasselblad H4X Medium Format Camera w/ 80MP IQ280 Digital Back

A while back, we did a piece on what to know when renting Hasselblad H4X Medium Format Camera w/ 80MP IQ280 Digital Back. Medium format gear is a pretty different creature from your standard DSLR, even your high-end Canon 1Dx and Nikon D4’s. Like my colleague Alex Huff pointed out, it can be “perhaps a little scary.” Here are a few more things you should keep in mind when shooting with the Medium Format gear, especially with the 80MP IQ280 Phase One back. As Alex mentioned, you will need Capture One to read and work with Phase One’s IQF files. While Capture One is available for free for 60 days, here’s something even better – it’s available for free for an unlimited amount of time in “DB” mode. DB mode restricts you to using Capture One with files from Phase, Mamiya, and Leaf digital backs only, but has the full feature set of Capture One Pro. Alex also mentioned the reverse crop-factor for lenses when you use them with this back. That difference is ridiculously stark when compared to APS-C or even full-frame sensors, let alone Micro 4/3 or smaller. Here’s a shot taken with a 24mm lens. As an image, it’s not particularly remarkable – till you realize that I was standing almost under the tree itself. The reverse crop factor gives you some seriously wide angles. The lenses made by Hasselblad are amazing as far as image quality goes. What they are not, is weather-sealed. I can’t stress this enough, folks – do NOT take these out to Burning Man. Or the beach. I did, and we had...