Photography Lessons of 2013 Plus 20 Inspiring Photographs

Photography Lessons of 2013 Plus 20 Inspiring Photographs

Congratulations on one more trip around the sun as a photographer! Shots were taken, lessons were learned – both good and bad. Here are 16 words of wisdom from working photographers along with a favorite shot they took this year. May they inspire you to form a great New Year’s Resolution for your work flow in 2014! “No matter how gloomy it looks, it pays to be on location at sunrise or sunset. For this image, it was grey and completely cloudy, looking like it was going to rain. At the perfect moment, however, a gap appeared in the clouds, letting in two minutes of glorious red sunrise light. Just as quickly as it came, the light disappeared and then it began to pour!” – Ian Plant “2013 was a big year for me. I moved to Los Angeles and had to start all over again. Within the first couple of months, I have been connecting with local creative professionals and have already shot for the December issue of LA Fashion magazine and photographed a couple of personal projects. The main lesson I have learned is to not be afraid of big changes. Staying positive, staying pro-active, seeking opportunities, and making connections is key to success. The harder I work, the luckier I get”. – Julia Kuzmenko McKim “In 2013, I learned a valuable lesson not only about my photography but about myself. No matter who you are, you can help make a difference. This year, I have been leading workshops for The Giving Lens. We work with non-profit organizations in foreign countries in a variety of ways. At the end...
Top 5 Photography Posts on the BorrowLenses Blog

Top 5 Photography Posts on the BorrowLenses Blog

It’s listicle season and we’re celebrating, too, with our top 5 most popular blog posts of 2013! Each one provides a different tip to help make you a better photographer. We hope these tips will help you reach your goals in the coming year! Want more? Visit the blog every week for great advice, tricks, and even special offers on photography, videography, lighting, and more. You can also find great content on our social media pages: Facebook, G+, Twitter, Pinterest, Instagram, YouTube, and...
BorrowLenses Year in Review: The Cameras of 2013

BorrowLenses Year in Review: The Cameras of 2013

2013 is a record year for new camera models at BorrowLenses.com, which means having the biggest selection of models we’ve ever had. There is something for every kind of photographer, from mirrorless pocket cameras to huge 60+ megapixel medium format DLSRs. We selected a bunch of our favorites from this bountiful season. Discover what’s available for exploration in our year-in-review. Mirrorless/MFT/Compact Panasonic’s GX7 boasts in-body stabilization and Light Speed AF all inside a super stylish design with a comfortable rubber grip. Other notable features include an impressive action-stopping 1/8000th of a second shutter ability and flash syncing at 1/320th of a second and a DSLR-esque twin-dial control system. The fully 90 degree tilting viewfinder is also a welcome feature. The GX7 has this crazy 40 FPS mode when using the electronic shutter. However, to use it you are limited to reduced-resolution JPEGs but it’s still a fun option to have. Autofocus on the GX7 is blazingly fast. AF locks onto the subject immediately even in low light where manual focus is often the only option. Continuous AF, however, still tends to hunt around as one would expect with no phase-detect sensors. Overall, the GX7 is comfortable, cool looking, and accommodates a vast array of MFT-mount lenses that are very fast. Pairs well with: Panasonic 35-100mm f/2.8 Lumix G Vario Zoom Lens Fuji’s X100 set the gold standard for retro design when it first came out. Since then it has continued that tradition, packing increasingly advanced technology into the classically designed mirrorless cameras that take their cues more from rangefinders of yesterday than anything else. The success to the X100 is the “s” variant of...
5 Important Photography Business Tips to Start the Year Off Right

5 Important Photography Business Tips to Start the Year Off Right

The holidays are prime season for getting new cameras and lenses. It is also when photographers take stock of their images as well as their income and expenses. Here are 5 important recourses for any business-minded photographer, whether you’re a seasoned shooter looking to hone your business skills or a complete novice who wants to get a jump start on organizing their future. • Never Shoot for Free In this interview with freelance photographer Court Leve, you’ll discover how important it is to find financial value in your work as well as artistic value. • Register Your Gear Insuring your camera equipment is essential but did you know you can also register it for free? Register your serials online with Lenstag and it will send out indexed alerts in the unfortunate event that your gear gets stolen. • Prepare for Taxes One of the less celebrated rewards of owning your own business is having to file taxes for it. Fortunately, there is a lot of online help! • Manage Your Time In the Nutritional Facts of Photography, Jay Cassario breaks down how much time you can expect to spend on each task as a freelance photographer. • Update Your Site SmugMug share some of the rules to a successful website no matter who you used to host your images. We hope these tips will help you reach your goals in the coming year! Want more? Visit the blog every week for great advice, tricks, and even special offers on photography, videography, lighting, and more! Cover Image: “Jump!” by John Loo is licensed under CC...
The Five Best Lenses For the Blackmagic Pocket Cinema Camera

The Five Best Lenses For the Blackmagic Pocket Cinema Camera

I’ve been playing with the BMPCC (Blackmagic Pocket Cinema Camera) for a few weeks now, and have, after much experimentation, finally narrowed the massive selection available for this camera (especially via adapters of various sorts) down to my 5 essential picks. Here they are, in no particular order… Best General-Purpose Lens: Panasonic 12-35mm f/2.8 This is one of those lenses that isn’t just good for the BMPCC; it’s awesome for just about any Micro 4/3 camera. Featuring a focal length of 24-70mm on a standard Micro 4/3 camera like the Olympus OM-D EM-1, a fast f/2.8 aperture, and optical image stabilization, this lens lends itself perfectly for BMPCC shooters. Given the Blackmagic’s 3x crop factor, this lens becomes a still-slightly-wide 36-105mm. Moreover, given the fact that the BMPCC has an active M4/3 mount, the image stabilization works just fine. In short, this is your desert island lens; it’ll work for almost every common scenario you might come across. Best Compact Lens: Olympus 12mm f/2.0   You’d think I’d pick one of the pancake lenses available from Panasonic or Olympus, like the 20mm f/1.7 from Panasonic. To be sure, that’s a solid performer, but I chose the 12mm for 2 key reasons. The first is that it’s still a pretty compact lens, and has a nice, fast f/2.0 aperture with the equivalent of a 36mm focal length. The second is that it’s a lens that lends itself a bit better for the BMPCC in terms of focus. Although the Blackmagic Pocket Camera does have a basic autofocus feature, most video shooters will find themselves using manual focus to nail things...
Things to Know about the Blackmagic Pocket Cinema Camera Raw Update (with Some Sample Footage)

Things to Know about the Blackmagic Pocket Cinema Camera Raw Update (with Some Sample Footage)

The Blackmagic Pocket Cinema Camera is one of the newest additions to our inventory, and is already in demand — every single unit we currently have in our inventory is checked out for the next two weeks at least, so get your orders in as soon as possible. This tiny little package packs a wallop when it comes to delivering outstanding image quality, and as of a couple of weeks ago, it is also the smallest camera in the world that shoots RAW video. We decided to put the BMPCC’s RAW chops to an entirely unscientific test (in low-light, no less) as soon as we had a few spare minutes with a unit in-between your rentals, so check out that video after the jump. Suffice to say that RAW video offers all the advantages that still photographers have enjoyed with RAW images for a while now; the ability to shift white balance, increased exposure latitude, and a fat, robust file that stands up to vigorous post-production. Yet it’s not without its challenges either. Shooting RAW video requires some hefty resources on the shooting and post-production end, and so we thought we’d put together a list of a few things you need to be aware of if you’re going to venture into the land of RAW video. First things first – know WHY you want to shoot RAW. The BMPCC’s ProRes codec is plenty powerful – it has more than twice the bit rate of the Canon 5D Mark III’s All-I codec. Know why you think you need RAW before you shoot it. RAW video takes up a LOT of...
What (Else) to Know When Renting the Hasselblad H4X Medium Format Camera w/ 80MP IQ280 Digital Back

What (Else) to Know When Renting the Hasselblad H4X Medium Format Camera w/ 80MP IQ280 Digital Back

A while back, we did a piece on what to know when renting Hasselblad H4X Medium Format Camera w/ 80MP IQ280 Digital Back. Medium format gear is a pretty different creature from your standard DSLR, even your high-end Canon 1Dx and Nikon D4’s. Like my colleague Alex Huff pointed out, it can be “perhaps a little scary.” Here are a few more things you should keep in mind when shooting with the Medium Format gear, especially with the 80MP IQ280 Phase One back. As Alex mentioned, you will need Capture One to read and work with Phase One’s IQF files. While Capture One is available for free for 60 days, here’s something even better – it’s available for free for an unlimited amount of time in “DB” mode. DB mode restricts you to using Capture One with files from Phase, Mamiya, and Leaf digital backs only, but has the full feature set of Capture One Pro. Alex also mentioned the reverse crop-factor for lenses when you use them with this back. That difference is ridiculously stark when compared to APS-C or even full-frame sensors, let alone Micro 4/3 or smaller. Here’s a shot taken with a 24mm lens. As an image, it’s not particularly remarkable – till you realize that I was standing almost under the tree itself. The reverse crop factor gives you some seriously wide angles. The lenses made by Hasselblad are amazing as far as image quality goes. What they are not, is weather-sealed. I can’t stress this enough, folks – do NOT take these out to Burning Man. Or the beach. I did, and we had...
The Nutritional Facts of a Successful Photography Business

The Nutritional Facts of a Successful Photography Business

Jay Cassario is a wedding, engagement, and portrait photographer with additional passion for landscape and star photography, which has earned him publications by National Geographic. He is a regular contributor to SLR Lounge. The Nutritional Facts of a Successful Photography Business by Jay Cassario, reprinted with permission The Nutritional Facts As a certified personal trainer and nutritionist for many years, I spent a lot of time teaching the importance of reading the Nutritional Facts on food products. It not only tells you exactly what ingredients make up that food product but it gives the percentage of each. I was often surprised at how many clients of mine never paid any attention to the food label, nor understood how to read it. Almost all of them just went by what was written on the front of the packaging. I always stressed to my clients the importance of reading the nutritional facts because some companies will cheat and name their products in a deceiving manner. Just because a food product says the word “healthy” it doesn’t necessarily tell you anything about what’s in it. Now almost two years into my photography business, I’ve started receiving more and more emails and Facebook messages regarding advice on starting a successful business. With society pushing photography as a means of documenting and sharing the happenings in our lives, it’s easy to see why. The popularity of photography has sky rocketed over the past few years. We no longer need to spend a lot of money for a decent digital camera, our smart phones are now just as capable as nice point and shoots were...
9 Carry On Friendly Photo and Video Accessories for Holiday Plane Travel

9 Carry On Friendly Photo and Video Accessories for Holiday Plane Travel

Plane travel can be a source of anxiety for photographers. Checking bags isn’t safe for most gear and being able to skip the baggage claim carousels is always a bonus anyway – especially around the holidays. There are a lot of small items to shoot with, including high-quality mirrorless cameras, tiny lenses, and small flash gear. However, it is sometimes hard to skimp on support systems, lighting, and storage in order to save space. Rolling bags, tripods, and light stands all tend to be a pain to try and take on a plane. Here are 9 items that you should be able to take on board with you without having to sacrifice your shooting needs. I say “should” because the TSA is a fickle fish – what flies at one airport may not fly at another and, as always, different carriers will be more strict than others. These are my personal favorite items that I have air traveled with for trade shows, overseas vacations, and for smaller gigs without incident (so far!) on both large airliners and regional jets. AlienBees LS1100 Backlight Stand   This little light stand fits into almost any bag – collapsed it is under a foot and a half and extends up to 3 feet. Don’t pack this for lighting portraits of basketball players but for family get-togethers (especially if everyone is sitting around the couch) it is perfect. Think Tank Airport International V2.0 Rolling Camera Bag  This bag is specifically designed to adhere to TSA standards. It combines the soft give of a fabric body (good for inevitable overstuffing) with the protection of a hard...
10 Tips for Better Architectural Photographs from a Former Architect

10 Tips for Better Architectural Photographs from a Former Architect

Architect-turned-photographer John Cooper has spent the last year converting his three decades of building experience into high quality architectural images.  Despite already having the knowledge of a registered architect and member of the American Institute of Architects, Cooper has learned a lot through trial and error after changing roles and capturing the structures he once helped to create. Here are his 10 pieces of advice for aspiring architectural photographers. 10 Tips for Better Architectural Photographs from a Former Architect Architectural photography should be a prerequisite for all photographers. It covers all of the basics of available-light shooting in one subject matter. Understanding these principles, and heeding some of these extra bits of advice, will improve all of your photography – not just architectural photography! 1. Obtain permission to be on location. I totally agree with our legal right to photograph public spaces but things are different in actual practice. At 4:30 in the morning it is much easier to show a permission slip/pass than to discuss the Constitution. 2. Shoot only in “blue” and “golden” hours. It may seem restrictive (and it took me a long time to be convinced) but the quality of light really is just better during these early morning and early evening hours. The blue hour is the hour preceding sunrise and the one following sunset while the golden hour is the first and last hour of sunlight in a day. Check the times throughout the year to find out when it is optimal to take advantage of these magical hours. 3. Scout your location and check a few problem questions off a list: What is the...