Kino Flo Celeb 200 DMX LED Lighting Kit

One of the newest lighting rigs we have here at BorrowLenses is the Celeb 200 LED from Kino Flo. The Celeb features 100 watts of lustrous, soft white light, which can be programmed to display a range between 2700K to 5500K, without changing the light output.

Get the Scoop on Fashion Photography

The world of fashion photography is an insular one, and newcomers to this field are often left floundering in more ways than one. From the basics of technique, to simple advice on how to break into the field, working with models, and managing and handling a business, aspiring fashion photographers often lack a decent starting […]

The Switch: Moving from Canon to Nikon, Part II

I’ve had the D800 for about 2 weeks now, and have shot with it in the studio, out in the Marin Headlands, and a variety of other spots. In this article, I’ll focus on my initial experiences with the Nikon setup, a few of the challenges I faced, and some observations along the way.

The Switch: Moving from Canon to Nikon, Part 0.5

This is a quick ‘n dirty post that’s part of my “Switch” series. Part 1 of the series can be found here. I was in the studio, working on a quick lighting test. The subject was a violin positioned on a tall chair, and I was moving in and out, shooting the whole thing, then […]

The Switch: Moving from Canon to Nikon, Part I

This is Part I of a series on moving from an all-Canon setup to an all-Nikon setup for four weeks. Will I go back to Canon at the end of four weeks? I have no idea… “I’m going to check out a bunch of Nikon gear and go shoot with it for four weeks. Then […]

Sharpness You Can See: Canon EF 24-70mm f/2.8L USM II

The much anticipated release of the Canon EF 24-70mm f/2.8L USM II has been the source of much discussion and debate. While the lens has some notable differences than the original Canon EF 24-70mm f/2.8L USM (we’ll cover those at the end) the #1 attribute of note is its sharpness.

The Leica Diary, Part V – Final Thoughts

After about four weeks of shooting with the Leica M9 and various lenses, I came to a dismaying conclusion. I am not a street photographer. I don’t like street photography. I get nervous, am unsure, and take terrible street photos. And, for most of the time that I had the M9, I was trying to […]

Finding the Photo in the Cruft

I suppose I shouldn’t be surprised by the power of software to bring out something interesting in images that might otherwise be a wash, but wouldn’t you know it, I’m still capable of being amazed. I’m currently shooting with the Nikon D800 of late as part of an assignment (more to come on that later), […]

Tilt/Shift: Working With Perspective-Control Lenses, Part 1

This is Part 1 of a series on using Tilt-Shift or Perspective-Control lenses. In this part, we look at the “Shift” functionality of these unique lenses. Part 2, which covers the “Tilt” functionality of these lenses, can be found here. Anyone who’s ever shot a building or any other structure from the bottom looking up […]

The Leica Diary, Part IV – An Unexpected Thing or Two

In this part, I’ll look at a couple of unexpected things I ran into when shooting with the Leica. Most people who shoot with a Leica assume that the lenses available for it, like the 50mm f/2.5 shown above, are primes. And, for the most part, this is true. I’d certainly had no reason to […]

Hard at Work

Dragging my carcass out of bed at 4:30am on Labor Day, I hauled myself over to the Marin Headlands to shoot for a piece on Tilt-Shift lenses. To my surprise, I found fellow photographer and BorrowLenses.com VP of Marketing Jim Goldstein already there, hard at work as well.

Playing With Canon’s New Big Guns

Canon’s 1Dx and 600mm f/4L IS II lens have been two of the most sought after (and repeatedly delayed) items in their inventory for the past year or so. Now, Canon is finally shipping them with some regularity, and we took this opportunity to put this new combo through its paces. I love photographing birds. […]

The Leica Diary, Part III – Focus

Part I of the Leica Diary can be found here. Part II can be found here. Zone focus. Those are the two key words you need to know about focusing with a Leica. If you’ve used a rangefinder before, you already know this; if you haven’t, then read on. Leica cameras don’t focus like the […]

Notable Storytellers – Sara Lando

Welcome to Notable Storytellers, a feature where we point you to some of the best visual storytellers around, from photographers and videographers to VFX and graphic artists. Sara Lando is an Italian photographer who first came to my attention through her work on David Hobby’s Strobist blog. An occasional contributor there, Sara is a commercial […]

Flashing Above San Francisco

Every so often, we get to talk about our friends, whether they’re doing something awesome in front of a lens, or behind the camera. This time around, it’s both. One of our favorite all-round good guys and awesome photographers, Syl Arena, swung through San Francisco a while back and hung out with our very own […]

Notable Storytellers – Vincent Laforet

Vincent Laforet is a filmmaker and photographer that belongs in any reasonable list of Notable Storytellers. Long before he became one of the pioneers (some, including me, would say he is the pioneer) of making films with video-capable DSLRs, he was a staff photographer for the New York Times – and a Pulitzer-prize-winning photographer at that.

Notable Storytellers – Stu Maschwitz

Stu Maschwitz is, to use his own words, “a filmmaker, photographer, and writer, with a passion for kinetic storytelling.” To that, I’ll add that Stu is a prolific director and geek whose blog should be required reading for all video afficionados.

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