Get the Scoop on Fashion Photography

The world of fashion photography is an insular one, and newcomers to this field are often left floundering in more ways than one. From the basics of technique, to simple advice on how to break into the field, working with models, and managing and handling a business, aspiring fashion photographers often lack a decent starting […]

The Switch: Moving from Canon to Nikon, Part II

I’ve had the D800 for about 2 weeks now, and have shot with it in the studio, out in the Marin Headlands, and a variety of other spots. In this article, I’ll focus on my initial experiences with the Nikon setup, a few of the challenges I faced, and some observations along the way.

The Switch: Moving from Canon to Nikon, Part 0.5

This is a quick ‘n dirty post that’s part of my “Switch” series. Part 1 of the series can be found here. I was in the studio, working on a quick lighting test. The subject was a violin positioned on a tall chair, and I was moving in and out, shooting the whole thing, then […]

The Switch: Moving from Canon to Nikon, Part I

This is Part I of a series on moving from an all-Canon setup to an all-Nikon setup for four weeks. Will I go back to Canon at the end of four weeks? I have no idea… “I’m going to check out a bunch of Nikon gear and go shoot with it for four weeks. Then […]

Sharpness You Can See: Canon EF 24-70mm f/2.8L USM II

The much anticipated release of the Canon EF 24-70mm f/2.8L USM II has been the source of much discussion and debate. While the lens has some notable differences than the original Canon EF 24-70mm f/2.8L USM (we’ll cover those at the end) the #1 attribute of note is its sharpness.

The Leica Diary, Part V – Final Thoughts

After about four weeks of shooting with the Leica M9 and various lenses, I came to a dismaying conclusion. I am not a street photographer. I don’t like street photography. I get nervous, am unsure, and take terrible street photos. And, for most of the time that I had the M9, I was trying to […]

Finding the Photo in the Cruft

I suppose I shouldn’t be surprised by the power of software to bring out something interesting in images that might otherwise be a wash, but wouldn’t you know it, I’m still capable of being amazed. I’m currently shooting with the Nikon D800 of late as part of an assignment (more to come on that later), […]

Tilt/Shift: Working With Perspective-Control Lenses, Part 1

This is Part 1 of a series on using Tilt-Shift or Perspective-Control lenses. In this part, we look at the “Shift” functionality of these unique lenses. Part 2, which covers the “Tilt” functionality of these lenses, can be found here. Anyone who’s ever shot a building or any other structure from the bottom looking up […]

The Leica Diary, Part IV – An Unexpected Thing or Two

In this part, I’ll look at a couple of unexpected things I ran into when shooting with the Leica. Most people who shoot with a Leica assume that the lenses available for it, like the 50mm f/2.5 shown above, are primes. And, for the most part, this is true. I’d certainly had no reason to […]

Hard at Work

Dragging my carcass out of bed at 4:30am on Labor Day, I hauled myself over to the Marin Headlands to shoot for a piece on Tilt-Shift lenses. To my surprise, I found fellow photographer and BorrowLenses.com VP of Marketing Jim Goldstein already there, hard at work as well.

Playing With Canon’s New Big Guns

Canon’s 1Dx and 600mm f/4L IS II lens have been two of the most sought after (and repeatedly delayed) items in their inventory for the past year or so. Now, Canon is finally shipping them with some regularity, and we took this opportunity to put this new combo through its paces. I love photographing birds. […]

The Leica Diary, Part III – Focus

Part I of the Leica Diary can be found here. Part II can be found here. Zone focus. Those are the two key words you need to know about focusing with a Leica. If you’ve used a rangefinder before, you already know this; if you haven’t, then read on. Leica cameras don’t focus like the […]

Notable Storytellers – Sara Lando

Welcome to Notable Storytellers, a feature where we point you to some of the best visual storytellers around, from photographers and videographers to VFX and graphic artists. Sara Lando is an Italian photographer who first came to my attention through her work on David Hobby’s Strobist blog. An occasional contributor there, Sara is a commercial […]

Flashing Above San Francisco

Every so often, we get to talk about our friends, whether they’re doing something awesome in front of a lens, or behind the camera. This time around, it’s both. One of our favorite all-round good guys and awesome photographers, Syl Arena, swung through San Francisco a while back and hung out with our very own […]

Notable Storytellers – Stu Maschwitz

Stu Maschwitz is, to use his own words, “a filmmaker, photographer, and writer, with a passion for kinetic storytelling.” To that, I’ll add that Stu is a prolific director and geek whose blog should be required reading for all video afficionados.

In Their Own Words

Behind-the-scenses, how-tos, and technique tutorials are excellent tools to help photographers get better at their trade. Just as important, however, is listening to and understanding the experiences of the shooters you look up to. Here are a couple of videos along that vein.

The Leica Diary, Part 1: Introduction

These days, it looks like every major camera manufacturer is coming out with a new addition to the MILC (Mirrorless Interchangeable Lens Camera) class of bodies and lenses. The latest, of course, is Canon, with its EOS-M camera. These units, typically smaller than your average DSLRs, have been getting better and better, packing some serious […]

The Internet is Awesome

Google’s Marissa Mayer was recently hired on to helm Yahoo! as their CEO, and photographers who care immensely about Yahoo!’s beleaguered Flickr photo service decided to send her a message. The folks at Yahoo! responded with a kind of “Help us help you” message, and posted the following: Though it isn’t exactly what some folks […]

Zack Arias on DigitalRev

Just a quick “You gotta see this” post for you today. The folks at DigitalRev.com had Zack Arias on their show last week. Zack, who is visiting Hong Kong for a workshop with Joe McNally, appeared on the show that he calls the Top Gear of photography. DigitalRev does a segment called “Pro Photographer, Cheap […]

On the Profoto Blog

Our recent Tip of the Week was picked up by the wonderful folks at Profoto and mentioned on their blog. If you haven’t been by there, you’re missing out – they post a ton of great stuff that’s worth looking at even if you never use a single piece of Profoto gear. We warn you […]

Op-Ed: Giving Respect Where It’s Due

From time to time, we offer up Op-Ed pieces on various aspects of photography for your consideration. Please note that these articles are the personal opinion of the writer, not necessarily of BorrowLenses.com.  I’m going to start this post off by sharing a video created by Zack Arias. Next up, read this post, also from […]

Get Your Gear On With the Canon 1Dx

We’ve been waiting for this bit of kit for a long, long time. The 1Dx is finally here, and we run through a bunch of the features of Canon’s flagship body. This full-frame camera is set to replace the 1D mkiV and the 1Ds mk III. We show off the high frame-rate, some AF features, compare […]

Photo Finds – June 11, 2012: Zack Arias

Welcome to Photo Finds, a feature where we point you to some of the best photography around the web. This week’s Photo Finds is a very specific one. We’re not just going to talk about a specific photographer; we’re going to talk about a specific photographer shooting a specific genre. A lot of you have […]

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2. Choose a proper lens. For cropped sensor cameras a telephoto lens around 10-200mm will cover a lot of what you need for landscapes. One with image stabilization helps too.
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  • #QFPT Pet Photography: Pets are full of personality and tend to reflect your emotions, so act accordingly depending on the photo you want.

Some pets can be very active too, so a short telephoto lens can help if you’re backed up against a wall. Shoot in shutter priority mode and hover around 1/125 sec to 1/500 sec depending on the pet. Lastly, similar to human subjects keep focus on the eyes sharp.

What are your tricks for great pet photography?

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