Canon has added yet another camera to their cinema line, the 1D C. This addition gives professional and novice filmmakers alike a formidable number of shooting choices, not to mention access to a wide variety of cine-lenses. Get our take on it!
Take a picture of the same scene at two different times of day and blend in post for a unique look that still stays true to the environment you are capturing. Learn more in this quick how-to!
Steve McCurry is one of the most prolific photographers alive today. His photograph for National Geographic’s June 1985 cover of Sharbat Gula (also know as the “Afghan Girl”) is one of the most recognizable portraits in history, and his imagery has graced NatGeo’s pages many, many times since. McCurry has repeatedly proven himself an absolute […]
The Canon MP-E 65mm Macro Lens is more than a lens–it is like a portable microscope with the ability to fill an entire 35mm frame with the texture of something as small as a grain of rice. Learn more about one of BorrowLenses.com’s most unique lenses!
When we recently received the Olympus OM-D E-M5 (there’s a mouthful for you) in our warehouse, I wasted absolutely no time in snagging one of the bodies and taking it for a whirl. My “whirls” usually last a few weeks so that I can put the camera to use in a variety of different ways, […]
Photographer Jeff Cable discovered something interesting about the 5D Mark III when he was doing some high-speed shooting–it’s slow, but only under certain circumstances. Click here to read more about when and when you should not use the SD slot in the 5D Mark III.
A while back, we put together an article on how to use softboxes with your light of choice. At that time, I mentioned that we’d be putting together a cheat sheet that would allow you to figure out which softbox could go with which light, and what you’d need to make it work. Well, that […]
Holiday events have a way of filling a room. Being tasked with running a party photo booth for friends and family can be daunting, especially if your budget isn’t big and your space isn’t, either. We put together a simple, fun photo booth using portable items that you can rent from BorrowLenses.com.
Final Update and Winners of the BorrowLenses.com Gift Certificate, Friday, December 7, 2012 11:35 AM Okay, we found the cause of the D600 bodies’ overexposure. Turns out, it WAS damage, not a defect. In the damaged bodies, the little prong that actually pushes the aperture closed was bent, as you can see in the image below. The […]
Sony’s NEX cameras have been taking the mirror less camera market by storm of late, coming out with models that repeatedly and substantially improve on their predecessors. And, as these models have evolved, the number – and quality – of add-ons for them have increased as well. In this article, we’ll take a look at […]
Off-camera strobes and other forms of lighting have become remarkably approachable over the past few years. The knowledge and information that were once the sole province of pros working with tens of thousands of dollars of equipment in studios or on location is now all over the internet for the taking. We carry a fair […]
This is Part 2 of a series on using Tilt-Shift or Perspective-Control lenses. In this part, we look at the “Tilt” functionality of these unique lenses. Part 1, which covered “shift” functionality, can be found here. At some point in time, we’ve all seen photos where the subjects – usually views from high-up of cars, […]
When rumors of the Sony NEX-6 hit the internet, it was a welcome bit of information for fans who wanted something between the high-end NEX-7 and the more consumer-friendly NEX-5N. There was a real need for a camera that added a few more physical controls for advanced amateurs, for example, who are used to dials […]
Last week, I posted Part V of my “Switch” series, which you can find here: I’ve pretty-much laid out my reasons for switching, but I felt compelled to add some kind of postscript to that series. So, here it is.
With autumn upon us, daylight hours are fewer and further between. I don’t stop shooting (later sunrises mean I can actually drag myself out of bed at a better hour), but I do take more time to catch up on my reading. Accordingly, I spend some time to put together a list of the best […]
While we receive many notes of thanks (and sometimes even small gifts) back with our rentals, every so often we receive something that knocks our socks off. We received this letter back with a Canon 24-105 lens.
Dear Borrow Lenses, I am returning this Canon EF 24-105L lens, that you so crueley numbered 20033064. I’ll have you know that this number to you has a name, and his name is Jack. Jack arrived on my doorstep Sept. 27th. I was so excited to meet my new friend. Little did I know we would soon become more. I told Jack we were going to Disney World! He was so excited, he’d been so many places and had heard other lenses and cameras talk of Disney. On October 1st, we arrived and instantly Jack showed me how happy he was. I didn’t have too high of hopes, I thought “maybe I’ll get a few nicer pictures.” He surpassed all expectations. My images were so clear and sharp, such detail. Where have you been all my life Jack?! (Oh, that’s right, cooped up in your backroom! Shame!) I took Jack to more and more parks, he saw shows, rides, animals, and foods he’d never seen before. I was rewarded with pictures I’d never seen my T1i take before. It was inevitable… We fell in love. The 12th came and I couldn’t let him go! Just a few more days! And now it’s over, I want you to know, you may have his body, but he left his soul in my pictures! YOU CAN’T TAKE THAT AWAY! WHAT WE HAVE IS TRUE AND NO DISTANCE CAN CHANGE THAT!!! SHAME ON YOU FOR BREAKING UP TRUE LOVE! =( I’LL NEVER FORGET YOU JACK!!! <3, FeliciaDear Borrow Lenses,
I am returning this Canon EF 24-105L lens, that you so crueley numbered 20033064. I’ll have you know that this number to you has a name, and his name is Jack. Jack arrived on my doorstep Sept. 27th…
This is the conclusion of a 5-part series on an experimental switch from Canon to Nikon. I guess the big question on everyone’s mind is, “Did you switch or not?” Well, read on, gentle reader.
Portrait photography isn’t easy. Anyone can point a camera at a person and make a quick image. If you’re technically accomplished, you can even get your lighting spot-on and make a great-looking photograph. But the best portraits have an intangible quality to them that sets them apart. They have soul, that most overused yet accurate […]
This is how the life of a photographer goes sometimes. You’re driving home on Highway 13, right around dusk. You glance off to your left and note that the moon, at an 8% crescent is going to set shortly, and it’s probably going to do so right behind the San Francisco skyline. So what do […]
This is Part IV of a series on moving from an all-Canon setup to an all-Nikon setup for four weeks. Will I go back to Canon at the end of four weeks? I have no idea… On this edition of “The Switch”, I took a brief sojourn back to Canonland with the 5D Mark III […]
One of the newest lighting rigs we have here at BorrowLenses is the Celeb 200 LED from Kino Flo. The Celeb features 100 watts of lustrous, soft white light, which can be programmed to display a range between 2700K to 5500K, without changing the light output.
The world of fashion photography is an insular one, and newcomers to this field are often left floundering in more ways than one. From the basics of technique, to simple advice on how to break into the field, working with models, and managing and handling a business, aspiring fashion photographers often lack a decent starting […]
The new Zeiss 15mm f/2.8 Distagon T* ZE for Canon is an ultrasharp, full frame lens that controls distortion much better than its other ultrawide peers. Check out our test images to see why.
This is Part III of a series on moving from an all-Canon setup to an all-Nikon setup for four weeks. Will I go back to Canon at the end of four weeks? I have no idea… In this part, I’m going to focus on just one thing: Nikon’s external flash system.
I’ve had the D800 for about 2 weeks now, and have shot with it in the studio, out in the Marin Headlands, and a variety of other spots. In this article, I’ll focus on my initial experiences with the Nikon setup, a few of the challenges I faced, and some observations along the way.
This is a quick ‘n dirty post that’s part of my “Switch” series. Part 1 of the series can be found here. I was in the studio, working on a quick lighting test. The subject was a violin positioned on a tall chair, and I was moving in and out, shooting the whole thing, then […]
This is Part I of a series on moving from an all-Canon setup to an all-Nikon setup for four weeks. Will I go back to Canon at the end of four weeks? I have no idea… “I’m going to check out a bunch of Nikon gear and go shoot with it for four weeks. Then […]
The much anticipated release of the Canon EF 24-70mm f/2.8L USM II has been the source of much discussion and debate. While the lens has some notable differences than the original Canon EF 24-70mm f/2.8L USM (we’ll cover those at the end) the #1 attribute of note is its sharpness.
After about four weeks of shooting with the Leica M9 and various lenses, I came to a dismaying conclusion. I am not a street photographer. I don’t like street photography. I get nervous, am unsure, and take terrible street photos. And, for most of the time that I had the M9, I was trying to […]
I suppose I shouldn’t be surprised by the power of software to bring out something interesting in images that might otherwise be a wash, but wouldn’t you know it, I’m still capable of being amazed. I’m currently shooting with the Nikon D800 of late as part of an assignment (more to come on that later), […]
This is Part 1 of a series on using Tilt-Shift or Perspective-Control lenses. In this part, we look at the “Shift” functionality of these unique lenses. Part 2, which covers the “Tilt” functionality of these lenses, can be found here. Anyone who’s ever shot a building or any other structure from the bottom looking up […]
In this part, I’ll look at a couple of unexpected things I ran into when shooting with the Leica. Most people who shoot with a Leica assume that the lenses available for it, like the 50mm f/2.5 shown above, are primes. And, for the most part, this is true. I’d certainly had no reason to […]
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