Building on the Sony NEX System

Sony’s NEX cameras have been taking the mirror less camera market by storm of late, coming out with models that repeatedly and substantially improve on their predecessors. And, as these models have evolved, the number – and quality – of add-ons for them have increased as well. In this article, we’ll take a look at […]

Understanding Softboxes

Off-camera strobes and other forms of lighting have become remarkably approachable over the past few years. The knowledge and information that were once the sole province of pros working with tens of thousands of dollars of equipment in studios or on location is now all over the internet for the taking. We carry a fair […]

Tilt/Shift: Working With Perspective-Control Lenses, Part 2

This is Part 2 of a series on using Tilt-Shift or Perspective-Control lenses. In this part, we look at the “Tilt” functionality of these unique lenses. Part 1, which covered “shift” functionality, can be found here. At some point in time, we’ve all seen photos where the subjects – usually views from high-up of cars, […]

Sony Delivers Big-time with the Nex-6

When rumors of the Sony NEX-6 hit the internet, it was a welcome bit of information for fans who wanted something between the high-end NEX-7 and the more consumer-friendly NEX-5N. There was a real need for a camera that added a few more physical controls for advanced amateurs, for example, who are used to dials […]

Op-Ed: Thoughts on Switching

Last week, I posted Part V of my “Switch” series, which you can find here: I’ve pretty-much laid out my reasons for switching, but I felt compelled to add some kind of postscript to that series. So, here it is.

Get the Missing Manual for Light

 With autumn upon us, daylight hours are fewer and further between. I don’t stop shooting (later sunrises mean I can actually drag myself out of bed at a better hour), but I do take more time to catch up on my reading. Accordingly, I spend some time to put together a list of the best […]

You Don’t Know Jack, the Canon 24-105mm Lens

While we receive many notes of thanks (and sometimes even small gifts) back with our rentals, every so often we receive something that knocks our socks off. We received this letter back with a Canon 24-105 lens.
Dear Borrow Lenses, I am returning this Canon EF 24-105L lens, that you so crueley numbered 20033064. I’ll have you know that this number to you has a name, and his name is Jack. Jack arrived on my doorstep Sept. 27th. I was so excited to meet my new friend. Little did I know we would soon become more. I told Jack we were going to Disney World! He was so excited, he’d been so many places and had heard other lenses and cameras talk of Disney. On October 1st, we arrived and instantly Jack showed me how happy he was. I didn’t have too high of hopes, I thought “maybe I’ll get a few nicer pictures.” He surpassed all expectations. My images were so clear and sharp, such detail. Where have you been all my life Jack?! (Oh, that’s right, cooped up in your backroom! Shame!) I took Jack to more and more parks, he saw shows, rides, animals, and foods he’d never seen before. I was rewarded with pictures I’d never seen my T1i take before. It was inevitable… We fell in love. The 12th came and I couldn’t let him go! Just a few more days! And now it’s over, I want you to know, you may have his body, but he left his soul in my pictures! YOU CAN’T TAKE THAT AWAY! WHAT WE HAVE IS TRUE AND NO DISTANCE CAN CHANGE THAT!!! SHAME ON YOU FOR BREAKING UP TRUE LOVE! =( I’LL NEVER FORGET YOU JACK!!! <3, FeliciaDear Borrow Lenses,
I am returning this Canon EF 24-105L lens, that you so crueley numbered 20033064. I’ll have you know that this number to you has a name, and his name is Jack. Jack arrived on my doorstep Sept. 27th…

Powerful Inspiration for Powerful Portraits

Portrait photography isn’t easy. Anyone can point a camera at a person and make a quick image. If you’re technically accomplished, you can even get your lighting spot-on and make a great-looking photograph. But the best portraits have an intangible quality to them that sets them apart. They have soul, that most overused yet accurate […]

Lock it down

This is how the life of a photographer goes sometimes. You’re driving home on Highway 13, right around dusk. You glance off to your left and note that the moon, at an 8% crescent is going to set shortly, and it’s probably going to do so right behind the San Francisco skyline. So what do […]

Kino Flo Celeb 200 DMX LED Lighting Kit

One of the newest lighting rigs we have here at BorrowLenses is the Celeb 200 LED from Kino Flo. The Celeb features 100 watts of lustrous, soft white light, which can be programmed to display a range between 2700K to 5500K, without changing the light output.

Get the Scoop on Fashion Photography

The world of fashion photography is an insular one, and newcomers to this field are often left floundering in more ways than one. From the basics of technique, to simple advice on how to break into the field, working with models, and managing and handling a business, aspiring fashion photographers often lack a decent starting […]

The Switch: Moving from Canon to Nikon, Part II

I’ve had the D800 for about 2 weeks now, and have shot with it in the studio, out in the Marin Headlands, and a variety of other spots. In this article, I’ll focus on my initial experiences with the Nikon setup, a few of the challenges I faced, and some observations along the way.

The Switch: Moving from Canon to Nikon, Part 0.5

This is a quick ‘n dirty post that’s part of my “Switch” series. Part 1 of the series can be found here. I was in the studio, working on a quick lighting test. The subject was a violin positioned on a tall chair, and I was moving in and out, shooting the whole thing, then […]

The Switch: Moving from Canon to Nikon, Part I

This is Part I of a series on moving from an all-Canon setup to an all-Nikon setup for four weeks. Will I go back to Canon at the end of four weeks? I have no idea… “I’m going to check out a bunch of Nikon gear and go shoot with it for four weeks. Then […]

Sharpness You Can See: Canon EF 24-70mm f/2.8L USM II

The much anticipated release of the Canon EF 24-70mm f/2.8L USM II has been the source of much discussion and debate. While the lens has some notable differences than the original Canon EF 24-70mm f/2.8L USM (we’ll cover those at the end) the #1 attribute of note is its sharpness.

The Leica Diary, Part V – Final Thoughts

After about four weeks of shooting with the Leica M9 and various lenses, I came to a dismaying conclusion. I am not a street photographer. I don’t like street photography. I get nervous, am unsure, and take terrible street photos. And, for most of the time that I had the M9, I was trying to […]

Finding the Photo in the Cruft

I suppose I shouldn’t be surprised by the power of software to bring out something interesting in images that might otherwise be a wash, but wouldn’t you know it, I’m still capable of being amazed. I’m currently shooting with the Nikon D800 of late as part of an assignment (more to come on that later), […]

Tilt/Shift: Working With Perspective-Control Lenses, Part 1

This is Part 1 of a series on using Tilt-Shift or Perspective-Control lenses. In this part, we look at the “Shift” functionality of these unique lenses. Part 2, which covers the “Tilt” functionality of these lenses, can be found here. Anyone who’s ever shot a building or any other structure from the bottom looking up […]

The Leica Diary, Part IV – An Unexpected Thing or Two

In this part, I’ll look at a couple of unexpected things I ran into when shooting with the Leica. Most people who shoot with a Leica assume that the lenses available for it, like the 50mm f/2.5 shown above, are primes. And, for the most part, this is true. I’d certainly had no reason to […]

Hard at Work

Dragging my carcass out of bed at 4:30am on Labor Day, I hauled myself over to the Marin Headlands to shoot for a piece on Tilt-Shift lenses. To my surprise, I found fellow photographer and BorrowLenses.com VP of Marketing Jim Goldstein already there, hard at work as well.

Playing With Canon’s New Big Guns

Canon’s 1Dx and 600mm f/4L IS II lens have been two of the most sought after (and repeatedly delayed) items in their inventory for the past year or so. Now, Canon is finally shipping them with some regularity, and we took this opportunity to put this new combo through its paces. I love photographing birds. […]

The Leica Diary, Part III – Focus

Part I of the Leica Diary can be found here. Part II can be found here. Zone focus. Those are the two key words you need to know about focusing with a Leica. If you’ve used a rangefinder before, you already know this; if you haven’t, then read on. Leica cameras don’t focus like the […]

Notable Storytellers – Sara Lando

Welcome to Notable Storytellers, a feature where we point you to some of the best visual storytellers around, from photographers and videographers to VFX and graphic artists. Sara Lando is an Italian photographer who first came to my attention through her work on David Hobby’s Strobist blog. An occasional contributor there, Sara is a commercial […]

Flashing Above San Francisco

Every so often, we get to talk about our friends, whether they’re doing something awesome in front of a lens, or behind the camera. This time around, it’s both. One of our favorite all-round good guys and awesome photographers, Syl Arena, swung through San Francisco a while back and hung out with our very own […]

Notable Storytellers – Stu Maschwitz

Stu Maschwitz is, to use his own words, “a filmmaker, photographer, and writer, with a passion for kinetic storytelling.” To that, I’ll add that Stu is a prolific director and geek whose blog should be required reading for all video afficionados.

In Their Own Words

Behind-the-scenses, how-tos, and technique tutorials are excellent tools to help photographers get better at their trade. Just as important, however, is listening to and understanding the experiences of the shooters you look up to. Here are a couple of videos along that vein.

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Image #shotwithbl by R. Otaviano with a Sony a7SII | ISO 2000 1/100th of a second.
  • Quick Fire Photo Tip #QFPT
Use a wider aperture for portraits to make your subject pop. Aim for an aperture size around f/2.8 to f/5.6 to make the background behind your subject more blurred out. This will help remove distracting backgrounds and make your subject stand out. You can experiment with even wider apertures, but take care to keep your subject’s eyes in focus.

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