Your Gear Guide for Better Wedding Photography

Your Gear Guide for Better Wedding Photography

Find your perfect match in time for your next (or first) big wedding shoot. Many of you are probably worried about not bringing the right equipment with you. We have thousands of items for you to rent but only certain items are ideal for weddings. This list will help you narrow it down to just the essentials to fit your shooting style. Take note of these 10 tips that will help you complete your skills.

Planning for Safari: Photography Tips and Tricks

Planning for Safari: Photography Tips and Tricks

It’s safe to say that an African safari is on most wildlife photographers’ destination wish list. It is a trip many will never get the chance to do due to the extensive travel and time requirements as well as the significant financial expense. However, for those lucky enough to set out on the incredible journey it’s not as simple as picking a destination, hotel, and plane ticket. There is a significant amount of preparation and planning that must be done ahead of time.

Photography Tips: Getting the Perfect Ski Shot

Photography Tips: Getting the Perfect Ski Shot

Ian Coble is a commercial sports photographer based in Seattle, WA. His imagery and style have been used in campaigns for Patagonia, Columbia, Atlas Snowshoes, Brooks Running, Smith Optics, Cascade Designs, Red Bull and many others. Below he shares his tips for getting the perfect snow sports shot. Photography Tips: Getting the Perfect Ski Shot by Ian Coble Taking photos on your adventures can be incredibly rewarding but it can also be incredibly frustrating. You spend all day shooting your friends on an amazing outing and come home eager to look at your work. But as you review your images you find that they’re blurry, underexposed, or just plain boring—definitely not the way that you remember the excitement of the day. This tutorial will help you minimize those frustrations with some tech tips to follow the next time you take your camera on a ski or snowboard outing. Continue on for some expert advice just in time for the spring skiing season (and an unexpected dump in Tahoe)! Communicate Your Plan The number one piece of advice I can offer is to plan your shots and communicate that plan to whomever you’re shooting. Just having someone ski down past you while you snap photos is a quick way to guarantee sub-par shots. Talk to your subject before you have them ski down. Tell them what you’re looking for and your chances of getting a shot will drastically go up. Granted, this takes more time and some subjects may get frustrated by the delays. But if you’re after amazing photos, it’s absolutely required. I’ve never had an athlete complain about the...
Are You Afraid Of The Dark? Tips To Shoot Your Best Concert Yet!

Are You Afraid Of The Dark? Tips To Shoot Your Best Concert Yet!

Many photographers merge into a great photographic passion first by their inspirations of concert and band photography. Musicians and photographers are like cousins; we are enthused by the instruments we use, constantly searching for ways to make our mark, and feed off one another’s talent to express emotion. If you are among those who aspire to shoot concerts you may know already that the task is one of the most challenging in the industry, especially for beginners learning their craft. If you have interest in this fun yet competitive field and are just beginning or interested in improving – look no further! We have interviewed some of Borrowlenses.com‘s resident concert photographers for their tips and tricks including what equipment they recommend, how to get the best shot possible, and the leg work it takes to grant you access to get the optimal shot. Getting the Gig If you’re interested in getting started in concert photography, chances are you are already involved in some type of  music or performance scene. In the very beginning, asking friends to photograph them is a win win for both parties and gives you an immediate intimacy with your subject, thus propelling your new portfolio. There are definite challenges shooting in smaller, low lit venues. However, the greater likelihood of being allowed up close with little restrictions offers a playground to experiment with your camera settings. Once you have gotten your feet wet and ready for bigger gigs, NETWORK. Go crazy emailing PR firms, music labels, the bands, managers and management companies, and venues. Creating relationships within this sector of the music industry can afford you press...
Move Your Lightroom Library to a New Hard Drive

Move Your Lightroom Library to a New Hard Drive

Seán Duggan is a fine art photographer, author, educator, and an Adobe Certified Creative Suite Expert with extensive experience in both the traditional and digital darkroom. His latest article guides novice Lightroom users and those confused when linking a Lightroom library with  an updated hard drive configuration. Continue on if you have ever experienced those perplexing question marks when attempting to work with a previously imported file within Lightroom. Move Your Lightroom Library to a New Hard Drive by Seán Duggan One sure thing about digital photography is that, like the universe, your image library and the amount of hard drive space it requires is always expanding. And, if you’ve upgraded to a camera with more megapixels, it may be expanding faster than you originally thought it would! As your image archive grows you’ll eventually run out of space on your current hard drive or drives and you’ll need to move the files onto newer and larger capacity storage media. In this short episode of the Lightroom Viewfinder, I will show you how to move your Lightroom image library onto a new hard drive and then re-link everything to the Lightroom catalog file so you don’t run into those vexing question marks that appear when Lightroom can’t find the folder it’s looking for. Seán Duggan is the co-author of Photoshop Masking & Composting, Real World Digital Photography, and The Creative Digital Darkroom. He is on the faculty of the School of Visual Arts in New York City and leads workshops all around the world. See all of Duggan’s Lightroom tips below: • Lightroom Keywording Tips • Take Control of Lightroom’s Import Dialog • Adding Value to Your Image Archive with Keywords •...
A Trip to the Bottom of the World: Photographing Antarctica

A Trip to the Bottom of the World: Photographing Antarctica

It goes without saying that someone interested in traveling to Antarctica can’t simply go online, book a flight and hotel, pack their bags, and shove off like they would for most other international destinations. It can be a daunting task trying to find a reputable tour company that is a good fit for you. I’ve been to Antarctica multiple times and have traveled with more than one tour company. Personally, I recommend Polar Latitudes for someone who has a keen interest in photography. Among other eco-experts at your disposal, Polar Latitudes has a staffed professional photographer on each voyage to instruct its expedition members both onboard and out in the field. It really doesn’t matter if you’ve never picked up a camera or are a professional yourself. You will undoubtedly come back home with the best images possible and expand your technical knowledge. Best Time to Travel For starters, I would avoid the Austral winter, unless you are a research professional who doesn’t have the luxury of picking a time of year to travel. Having said that, there isn’t a “best time” to travel to Antarctica but what you are able to photograph will depend on the time of the year. The Antarctic tour season typically runs from November to March (remember, the seasons are reversed from those in the northern hemisphere). Generally, penguins are on their nests with eggs or giving birth to baby chicks from November to January. Newborn chicks (like the one pictured below at Port Lockroy, Antarctica) can usually be photographed towards the end of the season in January through March. Traveling with Kids Given...
Take Control of Lightroom’s Import Dialog

Take Control of Lightroom’s Import Dialog

Seán Duggan is a fine art photographer, author, educator, and an Adobe Certified Creative Suite Expert with extensive experience in both the traditional and digital darkroom. His latest article guides novice Lightroom users and anyone having trouble or confusion with the import process. Continue on if you have ever experienced images not ending up where they are intended or in redundant, misplaced nested folders after importing.   Take Control of Lightroom’s Import Dialog by Seán Duggan If you’ve ever imported files into Lightroom and had the files end up in the wrong place, or the import resulted in the creation of redundant nested folders that created confusion in your image archive, this new tutorial video is for you! It shows you how to take control of the Lightroom import process by understanding how the options in the Destination panel affect where the images go and whether or not any nested subfolders are created. Once you know how this panel works, you’ll be the one in the driver’s seat of the Import Dialog, not Lightroom. I also cover how to save Import Presets to improve the speed and accuracy of the import process. Seán Duggan is the co-author of Photoshop Masking & Composting, Real World Digital Photography, and The Creative Digital Darkroom. He is on the faculty of the School of Visual Arts in New York City and leads workshops all around the world. See all of Duggan’s Lightroom tips below: • Lightroom Keywording Tips • Adding Value to Your Image Archive with Keywords • Adobe Lightroom Tips for Beginners: Merging a Travel Catalog with your Main Catalog • Adobe Lightroom Tips for Beginners: The Island of Lost Files • The Lightroom-Photoshop Connection:...
Traveling Cross Country? Tips to Photograph Your Trip: Part 2

Traveling Cross Country? Tips to Photograph Your Trip: Part 2

Shortly after finishing a cross country trip to relocate to a new part of the country, I reflected on some practical photographic lessons I learned. We had to get across the country quickly by car and it is hard to photograph under those circumstance. I compiled some tips for others who may be faced with a similar trip and who want to take pictures along the way. The following are helpful tips for the cross country traveling photographer. Packing a Bag: Bring What You Know, Pack Light I logged a lot of internet hours trying to decide what was best to include in my camera bag before departing. What I ultimately decided on was to pack simple and not include any new systems that may trip me up when trying to act fast. I was very interested in shooting with a mirrorless camera. However, on the test run I decided against it because I was just not familiar enough with it. I knew it was better for me to be able to quickly navigate my settings than to sacrifice for weight and size. Had I gotten comfortable with a more compact system and felt confident that I would be able to act fast with it, I would have certainly opted for a small form factor! Instead I chose a Nikon D7100 for its relatively lightweight body, familiar DSLR controls, and 24MP count with an option to shoot video. The crop sensor was a conscious decision as I am still very excited about using the Sigma 18-35mm f/1.8 DC zoom lens and wanted to put it to the the ulitmate test while on the road (it performed fantastically)! The...
Traveling Cross Country? Tips to Photograph Your Trip: Part 1

Traveling Cross Country? Tips to Photograph Your Trip: Part 1

Upon embarking on my first cross-country road trip, I went to the internet in search of tips suggested by fellow photographers who have also made this iconic exploration. To my surprise, there were few contemporary articles published depicting the experience of others in relation to the photographic aspect of the trip. In my search, however, I did come across a wonderfully inspiring photographer, Amelia Fletcher, who, with the help of a crowd-funding website, trekked across the country on a sole mission to photograph its landscape and inhabitants. This type of trek, of course, is nothing new. It follows in the footsteps of world renowned photographers such as Robert Frank, Lee Friedlander, Gary Winogrand, and William Eggleston just to name a few (do yourself a favor and look these up!). In this first of a 2 part series, fine art photographer Amelia Fletcher was generous with her time after her trip and answered a few questions for us. Continue reading to discover what she had in her camera bag, how she approached subjects to photograph, and what her best successes and failures were. Tips to Photograph Your Trip: Part 1 BL: What were your photographic intentions and/or goals when you first set out to cross the country by car? AF: My photographic goals were comparable to my other hopes for the trip. I wanted to put myself out there, experience different cultures and ways of life here in the United States, and see this beautiful country we live in as best I could. My hope was that my photos would reflect all of that. Everyone and everything I photographed has some...
Small Business Start Up & Tax Tips for Photographers and Videographers

Small Business Start Up & Tax Tips for Photographers and Videographers

Get a jump start on the impending tax season! If you are considering taking your photography/videography to the next level and becoming a business, you will need to know a few things about taxes. Below is a brief list of things to consider, followed by some links to more in-depth guides. • Determine if your photography/videography officially counts as a hobby or a for-profit endeavor. Here is a guide from the IRS to help you. • If your work is more than a hobby, determine if you should be a Sole Proprietorship, a Partnership, a Limited Liability Company (LLC), an S Corp, or a Corporation. • Get your EIN number. You can apply for one here. • Find a Certified Public Accountant (CPA) with existing clients who are photographers/videographers. • Have ready a tally of income, expenses (travel, equipment, props, software, domain costs, and advertising). Even rentals are potentially tax deductible so save your BorrowLenses receipts! • For any independent contractor you hire for more than $600 in one year, you’ll need to fill out a 1099 form for both that person and the government. For more information, check out the following articles: Special Tax Advice: How Photographers Can Get The Right Look From The I.R.S. Photographer’s Corner: Tips for Tax Time The 7 Common Tax Mistakes Made by Photographers 5 Super Simple Accounting Tips for Photographers Wedding Photographer Tax Tips Also check out 5 Important Photography Business Tips to Start the Year Off Right. Disclaimer: The information contained on this post is provided for reference purposes only and is not a substitute for obtaining accounting, tax, or financial advice from a professional tax planner or financial...