Filter Size Guide

Filter Size Guide

Filters are optional accessories that can either be screwed onto, dropped in front of, or dropped into lenses. They are usually made of glass with a metal or plastic frame. We put UV filters on almost all of our lenses going out on rental because even cheap filters help protect the front element during transport. Not keeping them on, or at least putting them back on when shipping back, can cost you! However, most people use filters for artistic reasons. They either want to restrict the amount of light coming into the lens, as in the case of neutral density filters, or they are trying to cut out glare with polarizing filters. There are strong UV filters that cut out visible light in the violet end of the spectrum (reducing haze) and there are graduated filters used to cut down exposure on only part of the frame – and many more! You can even stack them, though we kind of overdo it. Most of the time you’ll be encountering screw-on filters. Make sure you are renting the right size with the right-sized lens. Usually the front element of any lens will tell you its filter size (the lens cap is also telling) but here are some handy guides to help you find the correct pairing: Lens to Filter Chart – Canon with even more information here. Lens to Filter Chart – Nikon with even more information here. Lens to Filter Chart – Sony Lens to Filter Chat – Tamron Lens Chart (see Filter Size column) –...
Nikon D4s: Thoughts, Test Shots, and Quick Review

Nikon D4s: Thoughts, Test Shots, and Quick Review

Court Leve is a sports, wedding, portrait, and pet photographer. His work has been published in National Geographic Adventure, Powder, Ski, Skiing, Freeskier, Parade Magazine, ForbesLife Mountain Time, Spirit Magazine, Southwest Art, and more. He is a regular contributor to the BL Blog. Nikon D4s: Thoughts, Test Shots, and Quick Review by Court Leve Like most new iterations of Nikon’s pro bodies, the D4s is yet another leap forward in imaging. In my case, coming from a D3s to a D4s ,the improvements are quite noticeable. If you are a current D4 user, the differences will be more subtle but still noteworthy especially for those shooting video. It’s hard to believe a camera can make the D3s feel somewhat antiquated but the D4s does just that. While the D3s is more than capable for just about any situation, the D4s ups the ante yet again. The main areas of improvement are autofocus, low light capabilities, faster frames per second, and better handling. First is the handling of the camera. The added sub buttons are a welcome addition. The reach is shortened and response time quicker when selecting autofocus points.  The body has a few different tweaks and has a great solid feel. The new autofocus is simply amazing, extremely fast and accurate. While shooting a free skiing event I was capturing athletes coming towards me blind over a jump. I was able to instantly capture the skier in mid air while traveling towards me using my 80-400mm at 400mm and achieve nearly a 100% focus accuracy rate. Also helpful was the improved frame rate of 11fps and a nearly non-existent blackout time while...
Fuji X-T1: First Impressions

Fuji X-T1: First Impressions

One of the most eagerly awaited cameras of the year arrived earlier this month, and I took some time to put it through its paces. A more detailed review will follow, but I’ve worked with it long enough to put forth a few first impressions. The tl;dr version of it is this: the Fuji X-T1 is the best camera Fuji has ever made, and is the best mirrorless camera on the market. In my personal opinion, anyway. I’ve been a Fuji fan since the X100s came out, and eventually started using the X-E1 and X-E2 as my primary stills cameras (with a D800E for specific projects requiring high megapixel images and the Canon 5D MKIII for video). When the X-T1 was first announced, I looked at the images leaking onto the web and my first impression was, “WTF??” Looking at it, you can see that it kind of harkens back to retro SLR cameras. To me, it looks a bit like a blunt-top version of the Fuji STX series of film SLRs, and at least at first, it wasn’t something that caught my attention the way the rangefinder aesthetic of the previous X cameras did. Then I got one in my hands and my first thought was, “uhhh… what…?” On the one hand, this is most definitely a Fuji camera. It has loads of dials means you rarely have to drop into a menu once you set it up right. There’s a nice, firm heft to it that we’re used to with the X-E and X-Pro series. It’s small and light despite feeling dense. It is, in other words,...
Get a Gear Education from Pro Photographers at SmugMug Academy

Get a Gear Education from Pro Photographers at SmugMug Academy

Knowing what to expect from a camera or lens is tricky, which is why renting is so invaluable to photographers big and small. However, it’s still hard to know what you’re getting even when renting, which is why we’re stoked about SmugMug Academy – a simple and personal review site put together by people who are passionate about photography. It maintains the core values of SmugMug by providing a resource maintained by folks who actually shoot from subjects ranging from landscapes to kids sports. You do not have to have a SmugMug account to take advantage of the reviews. The page is designed to inform and is open to everyone. Each review is equipped with a bio about the reviewer so that you can get a sense for who they are and what they like to shoot. This can help you divine if a piece of gear is right for your style of shooting. SmugMug Academy is more than just reviews. You can get business tips, shooting guidelines, and video tutorials there, too. Think of SmugMug Academy as the site equivalent of just being able to ask your photography friend, “Should I rent this lens?” BorrowLenses.com has not asked these photographers to write in any particular way, rent certain items over others, or to boast certain gear as being favorable. They are photographers writing about our gear as they see it from their own shooting experiences in a simple and honest way and they review items as they use them for real events like vacations, hockey games, or candids. Keep this page handy for future reference. It is being...
Sony RX10: Thoughts, Test Shots, and Quick Review

Sony RX10: Thoughts, Test Shots, and Quick Review

Court Leve is a sports, wedding, portrait, and pet photographer. His work has been published in National Geographic Adventure, Powder, Ski, Skiing, Freeskier, Parade Magazine, ForbesLife Mountain Time, Spirit Magazine, Southwest Art, and more. He is a regular contributor to the BL Blog. Sony RX10: Thoughts, Test Shots, and Quick Review by Court Leve Coming from a background in SLR cameras, and owning a number of point-and-shoots over the years, it was interesting to have a chance to use the new Sony RX10. It’s the first ‘bridge’ camera that I’ve used and I was somewhat skeptical about how it would perform. In short, this camera is very impressive and makes for a great all-around camera and an excellent choice as a travel camera. The RX10 is easy to use in either full automatic or manual modes. The design is simple to navigate with the most commonly used controls quickly accessible without having to dive into menus. If you have used the RX100, the RX10 will be a short learning curve. Even if this line of camera is new to you, it will still be a pretty quick study with shutter speed, aperture and ISO controls in logical places. Even when I needed to navigate the menu system it was very straightforward. I used the camera in a number of different situations ranging from a conference in extremely low light, landscape images, portraits, and on my recent trip to Cabo, Mexico. For my trip, I brought my RX100 along with my Nikon D800 with a number of lenses but I wound up only using the RX10 while traveling. The size, weight,...
The Nikon Df: Thoughts, Test Shots, and Quick Review

The Nikon Df: Thoughts, Test Shots, and Quick Review

Jay Cassario is a wedding, engagement, and portrait photographer with additional passion for landscape and star photography, which has earned him publications by National Geographic. He is a regular contributor to SLR Lounge in addition to the BL Blog. The Nikon Df: Thoughts, Test Shots, and Quick Review by Jay Cassario The Nikon Df is a very unique camera. With its vintage look and highly praised sensor, it had a lot of photographers drooling over it before it even hit the shelves. It also had its critics ripping it apart. It can’t be fairly compared to the D800 or the D4 – it’s not meant to be a D800 or D4. Call it a “hipster” camera if you want but there is a lot more to it than just a pretty retro exterior. The Df takes you back to the film days of the 70’s and buried underneath all of those fancy dials is one of the greatest sensors ever produced by Nikon. The sensor used in the Df is the same FX-format CMOS sensor with EXPEED 3 engine that is in the flagship D4 but at about half the price (as of this writing). While it lacks some of the features of the D4, the Df’s combination of exceptional image quality, industry leading low-light capabilities, and vintage looks makes it a special camera that not only takes amazing photos but leaves you feeling a little more like a true photographer, however romantic that may sound, with every click of the shutter. Disclaimer: I shoot both Canon and Nikon but I won’t be making any comparisons to the Canon bodies I own. I actually sold my...
Top 5 Photography Posts on the BorrowLenses Blog

Top 5 Photography Posts on the BorrowLenses Blog

It’s listicle season and we’re celebrating, too, with our top 5 most popular blog posts of 2013! Each one provides a different tip to help make you a better photographer. We hope these tips will help you reach your goals in the coming year! Want more? Visit the blog every week for great advice, tricks, and even special offers on photography, videography, lighting, and more. You can also find great content on our social media pages: Facebook, G+, Twitter, Pinterest, Instagram, YouTube, and...
BorrowLenses Year in Review: The Cameras of 2013

BorrowLenses Year in Review: The Cameras of 2013

2013 is a record year for new camera models at BorrowLenses.com, which means having the biggest selection of models we’ve ever had. There is something for every kind of photographer, from mirrorless pocket cameras to huge 60+ megapixel medium format DLSRs. We selected a bunch of our favorites from this bountiful season. Discover what’s available for exploration in our year-in-review. Mirrorless/MFT/Compact Panasonic’s GX7 boasts in-body stabilization and Light Speed AF all inside a super stylish design with a comfortable rubber grip. Other notable features include an impressive action-stopping 1/8000th of a second shutter ability and flash syncing at 1/320th of a second and a DSLR-esque twin-dial control system. The fully 90 degree tilting viewfinder is also a welcome feature. The GX7 has this crazy 40 FPS mode when using the electronic shutter. However, to use it you are limited to reduced-resolution JPEGs but it’s still a fun option to have. Autofocus on the GX7 is blazingly fast. AF locks onto the subject immediately even in low light where manual focus is often the only option. Continuous AF, however, still tends to hunt around as one would expect with no phase-detect sensors. Overall, the GX7 is comfortable, cool looking, and accommodates a vast array of MFT-mount lenses that are very fast. Pairs well with: Panasonic 35-100mm f/2.8 Lumix G Vario Zoom Lens Fuji’s X100 set the gold standard for retro design when it first came out. Since then it has continued that tradition, packing increasingly advanced technology into the classically designed mirrorless cameras that take their cues more from rangefinders of yesterday than anything else. The success to the X100 is the “s” variant of...
Things to Know about the Blackmagic Pocket Cinema Camera Raw Update (with Some Sample Footage)

Things to Know about the Blackmagic Pocket Cinema Camera Raw Update (with Some Sample Footage)

The Blackmagic Pocket Cinema Camera is one of the newest additions to our inventory, and is already in demand — every single unit we currently have in our inventory is checked out for the next two weeks at least, so get your orders in as soon as possible. This tiny little package packs a wallop when it comes to delivering outstanding image quality, and as of a couple of weeks ago, it is also the smallest camera in the world that shoots RAW video. We decided to put the BMPCC’s RAW chops to an entirely unscientific test (in low-light, no less) as soon as we had a few spare minutes with a unit in-between your rentals, so check out that video after the jump. Suffice to say that RAW video offers all the advantages that still photographers have enjoyed with RAW images for a while now; the ability to shift white balance, increased exposure latitude, and a fat, robust file that stands up to vigorous post-production. Yet it’s not without its challenges either. Shooting RAW video requires some hefty resources on the shooting and post-production end, and so we thought we’d put together a list of a few things you need to be aware of if you’re going to venture into the land of RAW video. First things first – know WHY you want to shoot RAW. The BMPCC’s ProRes codec is plenty powerful – it has more than twice the bit rate of the Canon 5D Mark III’s All-I codec. Know why you think you need RAW before you shoot it. RAW video takes up a LOT of...