Unless you’re a full time filmmaker, you’re only video gear is probably a humble DSLR and a tripod. Technically, this is all you need and there are many excellent examples of bare-bones filmmakers with groundbreaking work. There are obstacles with this approach, however.
San Francisco-based freelance filmmaker and photographer Matt Maniego recently had the opportunity to see how the new Sony FS7 would stand up to the standard of his professional shooting needs.
I’m kind of a big fan of Canon and Nikon’s long glass. More than once I’ve taken either Nikon’s 800mm or 600mm lenses with a fast body, or Canon’s 600mm. On these occasions my subjects are usually birds and often birds in flight, as they tend to challenge even the best gear out there.
Landscape shooters love their wide-angle lenses. From the amazing Nikon 14–24mm f/2.8 to the new Canon 11–24mm f/4, it’s usually the wides that get everyone excited about landscape photography. Every so often, however, it pays to change things up.
Mark Shastany recently took a trip to the Catskills, NY and needed a lightweight solution that matched his personal standard of quality output. He graciously shared what he chose to bring, why, and what in hindsight he’d consider amending to make his kit more efficient and lightweight for next time!
We’re feeling like standing outside the door of our San Carlos or Waltham headquarters and yelling, “New gear! Get your new gear! Fresh off the FedEx truck, new gear!”
Matt Maniego’s specialty time lapse work has been featured by the San Francisco Giants, the 49ers, and the Golden State Warriors, as well as the Pac-12 Network, Comcast SportsNet, and the NFL Network, just to name a few. Here he takes us along for the ride and shares his tips for getting the perfect time lapse.
To marry that Nikon lens to my 5D Mark II, I used this Nikon G lens to Canon adapter. I added a lens hood I own to the setup to avoid some glare I was getting off an overhead light and this is what it looked like…