Nikon’s old 500mm and 600mm f/4 lenses were excellent bits of glass (though calling them “bits” is an understatement). But what’s good can always be improved and Nikon has done just that with this pair. By incorporating flourite elements into the design, they’ve made them between 20% and 25% lighter, which makes these two the lightest lenses in their focal length/aperture in the world.
I’m kind of a big fan of Canon and Nikon’s long glass. More than once I’ve taken either Nikon’s 800mm or 600mm lenses with a fast body, or Canon’s 600mm. On these occasions my subjects are usually birds and often birds in flight, as they tend to challenge even the best gear out there.
Landscape shooters love their wide-angle lenses. From the amazing Nikon 14–24mm f/2.8 to the new Canon 11–24mm f/4, it’s usually the wides that get everyone excited about landscape photography. Every so often, however, it pays to change things up.
We’re feeling like standing outside the door of our San Carlos or Waltham headquarters and yelling, “New gear! Get your new gear! Fresh off the FedEx truck, new gear!”
To marry that Nikon lens to my 5D Mark II, I used this Nikon G lens to Canon adapter. I added a lens hood I own to the setup to avoid some glare I was getting off an overhead light and this is what it looked like…
The Panasonic GH4 is an amazing little camera. One thing that stood out to me in all the signal and noise out there was that this camera isn’t a great performer at high ISO. My initial quick tests bore that out. But I wanted to know if I could shoot at night, in a place like San Francisco’s Fisherman’s Wharf, and still walk away with usable footage?