Learn about the techniques used to make a 7-episode web series, including lighting tricks, transforming a space into a set, and working within a very lean budget.
The Panasonic EVA1 is the most exciting camera in this price range to come out in quite some time. Find out what I loved (and didn’t love) in this hands-on review.
A Canon C100 owner’s take on the pros and cons of upgrading to the Canon C200 – who is this camera really for and what are its biggest strengths? Learn more in this hands-on overview where I discuss codecs, grading, outputs, modularity, and more.
Normally a C100 shooter, I was faced with some circumstances that dictated I should shoot with the Sony FS5 instead. Here are some of the reasons why this was the best choice for this particular project. My findings might help you choose the next video camera for your project. I talk about S-Log 3, ISO, footage monitoring, and more.
So, you want to try rack focusing with a follow focus unit but you have no idea what any of that means. How do you set them up? How do they even work? Worry not! I’m here to help you navigate these murky waters so you can come out looking sharp.
Using only 3 lights, I’ll demonstrate how to set up for 3 popular lighting styles for interviews. I’ve done a lot of experimenting, especially with limited resources. This guide will hopefully help you gain confidence to create an appropriate lighting design for different moods and small locations. By no means will this be an exhaustive masterclass, but I’ll outline some tips, tricks and observations that I’ve developed over years of pointing cameras at faces.