Q&A with Red Bull Photographer Garth Milan

Q&A with Red Bull Photographer Garth Milan

Garth Milan is a famous action sports photographer and a customer of BorrowLenses. Milan originally started photographing action sports because of his own interest in skateboarding, mountain biking, and motorcycle riding. This year he did a Red Bull photo shoot with Harrison Barnes and was kind enough to share some insight and images from the shoot with BorrowLenses! BL: What is your background as a photographer? Milan:  I have been shooting professionally since about 1998, and specialize in everything from action sports to portraits and commercial product photography. The diversity in shooting comes from my photojournalism background, which I studied at Cal State Long Beach under award-winning photojournalist Wayne Kelly. I absolutely love all aspects of photography, and still pinch myself daily that I’ve made a career out of my favorite artistic form. BL: How many years have you been photographing for? Milan: I’ve been shooting now for over 20 years! BL: How did you originally get into photography? Milan: I got into it because I was also into all of the action sports that I now shoot. I began taking pictures of my friends, and it just snowballed from there. Once I discovered my love for photography, I switched my college major and completely immersed myself in it. BL: Why do you like renting from BorrowLenses? Milan: My experience was absolutely exceptional with Borrowlenses! From the exceptional customer service I experienced, to their awesome website, BorrowLenses had me covered every step of the way. The gear was top-notch and definitely the cleanest and best-kept rental gear I’ve had in a long time. BL: What goes through your mind when you get an assignment that isn’t motorsports related? Milan: I...
SmugMug Films Showcase the World’s Most Exciting Photographers

SmugMug Films Showcase the World’s Most Exciting Photographers

We are ecstatic about the new SmugMug Film series that showcases the world’s most epic and exciting photographers working today. The dedication and drive of these photographers is demonstrated in the short videos that give a behind-the-lens look at the people who capture beauty and wonder each day with their cameras. Each video is hand made by SmugMug’s very own staff using some of BL’s gear. They sometimes brave harsh conditions in order to capture the spirit of the photographer’s working style – other times they get to bask in the sun and absorb some of the fun that photographers help create. SmugMug created this series to inspire passion and encourage you to get out and push yourself to new photographic limits. SmugMug Films was created to inspire, celebrate, and share the love for the the art of photography. The featured photographers have pushed all limits to pursue a passion and capture images of raw beauty in unimaginable places. Check out more of the amazing photographers of the world by subscribing to SmugMug Films’ YouTube channel to get first access to each new episode. Watch these extraordinary people follow their dream to create breathtaking images that stop us in our tracks. The next time you are lacking photography inspiration check out some of these SmugMug Films to get your creativity flowing and challenge yourself to a new...
Get the Perfect Light Writing Sparkler Shot

Get the Perfect Light Writing Sparkler Shot

Every wedding photographer is always seeking to get the perfect image that will capture the unique setting, timing, and location of the big day. Bobby and Tanya of Frozen Exposure Photography + Cinematography have written up a quick tutorial on how to create unique wedding portraits using sparklers. Check it out and make your own photos shine! Want to Re-Enact This Shot? Brides: The “Light Writing Sparkler Shot” is always a favorite and such a cool way to celebrate, photographically, your new last name, or if your new last name is hard to write in “sparkler,” then spelling out “Love” is gorgeous, too! This shot is even MORE fun when another couple helps with the writing! Especially if that couple is recently married or engaged! Frozen Exposure recommends getting this photo in the middle of the reception, when everyone else is comfortable and after the “cake shot” so that you can be outside and have at least 15 minutes for this shot to be set up, laid back and fun. It really turns out to be a special moment between the couple, and if you have some or all of the bridal party together helping, then it’s always super fun when everyone runs to the camera after the shot, sees how perfect it turned out, and jumps up and down screaming. This is always a moment of major camaraderie. Photographers: Make sure to use the 36 inch sparklers  to prevent the sparkler from running out on you mid-word. Always remember to try this shot at a very low key time when the bride and groom are happy and ready to get 15 minutes away from...
Part 2: Basic Steps and Lessons of Using Tilt/Shift Function

Part 2: Basic Steps and Lessons of Using Tilt/Shift Function

This is part 2 of a series on tilt-shift lenses. Be sure to also check out part 1: Will Learning Tilt-Shift Lenses Improve Your Photography. John Cooper specializes in corporate, industrial, and commercial photography for various business communities in Texas and teaches basic skills to other burgeoning photographers. If you are just starting out, or looking for a refresher, check out his advice below. You can also read more tips for architectural photography from John on our blog.  Basic Steps for Using Tilt-Shift Controls Select your perspective and lock down your tripod. Making sure you are level to the horizon; compose the scene straight on using the “live-view” mode. Set to bracket exposure. I use one full stop since the light measurement goes crazy with everything moving around. Bracketing with tilt-shift, I feel, is mandatory. Select f/8. Remember that aperture settings do not affect DOF on tilt-shift lenses. If your focus plane has been aligned with the sensor plane, then focusing on that plane will result in total plane focus regardless of aperture. I use f/8 because it consistently produces the sharpest image on the wide angle lenses I use. There are 3 controls and 5 knobs or buttons on all tilt-shift lenses to control everything you do. The Lens Rotation control is the button at the rear of the lens. Depressing it allows the lens to move a full 360° and always remains parallel to the camera’s sensor. Loosen all control knobs and start composing! Throw caution away and have some fun. It will take a long time but you will soon see this “plane of focus” I keep talking about. Compose...
Part 1: Will Learning Tilt-Shift Lenses Improve Your Photography?

Part 1: Will Learning Tilt-Shift Lenses Improve Your Photography?

John Cooper specializes in corporate, industrial, and commercial photography for various business communities in Texas and teaches basic skills to other burgeoning photographers. If you are just starting out, or looking for a refresher, check out his advice below. You can also read more tips for architectural photography from John on our blog. Here is his advice on whether tilt-shift lenses are worth it for photographers. Part 1: Will Learning Tilt-Shift Lenses Improve Your Photography? by John Cooper Are tilt-shifts worth it? It depends on what ‘it’ is. Most will argue that software editing can replicate the effects of a tilt-shift lens – so why bother? We need to first understand three key facts: An SLR camera focuses to a plane, not a point, even though you can select the precise place you want to focus on. Depth-of-field and depth-of-focus (DOF) mean the same thing in this discussion. The slight difference between the two does not affect the tilt-shift principles discussed here. The only way to control DOF on any SLR camera without a tilt-shift lens is by aperture. The sketch below shows how the Sensor Plane (SP) is always parallel to Plane of Focus of the lens. This remains constant for all lenses except on tilt-shift lenses. All SLR camera lenses, except the tilt-shift lenses, focus ONLY “front-to-back”. Whatever position your camera is in, relative to the subject, will produce a DOF “plane”. If your subject is parallel to your camera’s sensor plane, then everything will be in focus. If your subject is on a diagonal then only the plane you focus on will be sharp. The images below illustrate the...
A Photographer’s Guide to Modern Urbexing

A Photographer’s Guide to Modern Urbexing

Jamie MacDonald is an Olympus Trailblazer who shoots nature and wildlife in the Mid-Michigan area exclusively with the Olympus Four Thirds and Micro Four Thirds camera systems. He is also a contributor for Small Camera Big Picture. As a nature and landscape photographer he enjoys exploring new areas that have often been abandoned. Learn the tools of the trade to modern “urbexing” in the article written below by Jamie MacDonald. He has also been featured on our blog discussing a new light painting tool to create a successful light painted photo.  A Guide to Urban Exploration: By: Jamie MacDonald Urban exploration, or as it is more commonly known, “urbexing”, is the act of exploring properties that have been either abandoned or forgotten by the general public. Places that are often explored are abandoned factories, hospitals, housing complexes, and even old theme parks. For photographers, urbexing is not just about the exploration, it is often about capturing scenes full of complex detail and light, photographing scenes of decay and destruction in a way that many find hauntingly beautiful. In the following article I will discuss many of the things you will need to have a successful urbex trip. And as always, there are some rules to be followed, and a nice big disclaimer too. Disclaimer: Urbexing quite often can involve being on private property. And though many of the locations that are popular for urbexing look like no one owns them, they just may be. So by entering into any building or onto any property be aware that you may be trespassing. I take no responsibility for that. Now that we have the disclaimer out of the...
Adding Value to Your Image Archive with Keywords

Adding Value to Your Image Archive with Keywords

Seán Duggan is a fine art photographer, author, educator, and an Adobe Certified Photoshop Expert with extensive experience in both the traditional and digital darkroom. His Lightroom Viewfinder series provides photographers with the tools they need to effectively use Lightroom for organization, editing, and printing.  Adding Value to Your Image Archive with Keywords by Seán Duggan Maintaing a well organized image archive is an ongoing project. There is always work to do, whether it involves importing and editing new photos, or organizing and culling older images. One of the most important ways that you can “upgrade” your image catalog is by regularly adding keywords to your photos. In this article we’ll take a look at some essential keyword strategy for your photo library. Adding Value to Your Archive Keywords not only ensure that you can easily find the photos you’re looking for, but they also can significantly add value to your image archive. That value can be something that will impact you on a personal level, for the simple reason that you will enjoy your archive much more when you can easily find a photo when you need it. Value can also be measured in financial terms, because an image archive that makes good use of keywords will allow you to respond quickly to opportunities for monetizing your photographs. The more information you can add to your images that describes the scenes and people they contain, the more potential value they have. Starting Points: Basic Keywords How many keywords you apply to your photos, and what type of keywords, really depends on how you use your images. A portrait or wedding photographer...
8 Helpful Tips for Firework Photography

8 Helpful Tips for Firework Photography

Each year millions of people pack up their cars and head to a local destination to watch the sky light up and crackle. Firework shows are not only a desired destination for families but also for photographers looking to capture that perfect firework photo to add to their portfolio. This year we want to help you capture a special photograph by offering you a couple tricks that will prepare you for the beautiful lights in the sky on the Fourth of July.  8 Helpful Tips for Firework Photography Make sure to bring a tripod when preparing to photograph fireworks! Firework photography requires long exposures and slow shutter speeds. Using a sturdy tripod and a shutter release cord can keep your camera motionless and prevent you from ending up with blurry photos. It is a good idea to have a remote since you won’t know exactly when the fireworks will go off.  Always use manual focus instead of auto focus. For many cameras it can be difficult to use autofocus in low light situations. To prevent missing great firework shots try adjusting your camera to manual focus. Remember if you change focal lengths throughout the firework show it will mean you need to adjust your manual focus on most lenses.  Opt away from using a flash when shooting fireworks. No matter the power of the camera flash or add-on flash it will not be enough to reach the fireworks. Go flash less for the highest quality and clearest photos.  4. If you’re having trouble adjusting the camera settings try starting at the lowest ISO possible and a slow shutter speed. The low ISO will keep...