In photojournalism school, students are taught to underexpose when out in the field in order to achieve the richest colors and most intense contrast possible in a photograph. The trick, conventional wisdom explains, is to bring the exposure back up in post processing. I shot this way for years and it always treated me well. I’m still a big fan of the ‘underexpose method’ when shooting landscapes and documentary stories. The technique brings out the drama of what you’re trying to capture; old, wrinkly faces look like they belong to lost souls with millions of years of stories to tell, a canyon or mountain scape appears to be straight out of a dream with rainbow-like colors and dark, cloud-filled skies seem to hover over every crevice of the earth. Depth and drama are what this technique creates — perfect for telling stories with a ‘wow’ effect. After starting my own wedding photography business, I slowly learned how to bend and, even break, the rules. My focus shifted from news stories that break your heart to telling the happiest stories imaginable — family moments of pure joy and love as young couples prepare for their next stage of life together. When photographing a wedding, you are trusted to document one of the most precious moments in a person’s life. I wanted to do these people justice by focusing on the beauty within. By capturing them in just the right light, I knew I could help them see their own beautiful depth radiating out. With this new goal in mind, my style began to morph. I no longer cared as much about the...
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