5 Great Photos Shot with BorrowLenses Gear

5 Great Photos Shot with BorrowLenses Gear

We spent all day caring for lenses, cameras, and more that find temporary homes with photographers all over the world capturing scenes of people, places, and events large and small. Every now and again, we get to see the results on Flickr, Facebook, G+, Twitter, Pinterest, and more. Here are 5 shots we like created with the help of BL gear: We want to see your work! For a chance to have your work shared on our blog, you can private message us on Facebook, G+, Twitter, or Flickr with a downloadable link to your image, a link to your website, and what gear you used! Cover photo by epSos .de...
What to Know When Renting the Hasselblad H4X Medium Format Camera w/ 80MP IQ280 Digital Back

What to Know When Renting the Hasselblad H4X Medium Format Camera w/ 80MP IQ280 Digital Back

Our new Hasselblad H4X Medium Format Camera w/ 80MP IQ280 Digital Back is big, expensive, perhaps a little scary, and worth every penny if using it for the right assignment. We encourage renters to take advantage of Phase One’s training program if you are not already familiar with working with this system. Here’s some advice we’ve collected after using it ourselves. Stay tuned for sample images here on the blog! Difficulty Level Any reasonably seasoned shooter can handle the awesome power of medium format. The settings are just what you’d expect from a camera: AF/MF options, metering options, shutter/f-stop/and ISO control, etc. Working with the RAW files can be a challenge if you don’t have Capture One software. Handling the camera can be a challenge without an assistant because of its delicacy and bulk. In the right environment and with some patience, this camera will definitely introduce you to another level of imagery and is worth getting familiar with. What it Can Do: • Produce 10328 x 7760px images with the massive 80MP sensor. • Sync with strobes and flashes up to 1/800th of a second. • Maintain your focus point throughout camera position changes thanks to True Focus technology. • Shoot at the very low ISO 35. • Make you a sandwich. What it Can’t Do: • Video. • Be super reliable when not tethered. This camera only has 1 CF slot so tethering for image backup is a good idea. Also, the LCD preview isn’t a great visual guide – the Histogram is your friend here if you don’t have access to an external monitor. • Be easily hand-held. It’s...
Rely on Yourself, Not Gear: An Interview with Landscape Photographers Darwin Wiggett and Samantha Chrysanthou

Rely on Yourself, Not Gear: An Interview with Landscape Photographers Darwin Wiggett and Samantha Chrysanthou

Darwin Wiggett and Samantha Chrysanthou are full-time, professional photographers from Alberta, Canada. They are creative partners in life and work and enjoy sharing their photographic knowledge with other passionate shooters. Renowned for their accessible and fun teaching style, Darwin and Sam conduct workshops and teach seminars on all things photographic.

Explore with Any Camera You Have: An Interview with Landscape Photographer Jay Patel

Explore with Any Camera You Have: An Interview with Landscape Photographer Jay Patel

Jay Patel’s appreciation for beautiful places began early in childhood during numerous trips to some of the most breathtaking locations on the Indian subcontinent. His passion for magnificent places now manifests itself in a continuous search to capture nature’s majesty with his camera. Jay’s career in photography began in 2001 when he purchased his first digital SLR. He has since spent time reading photographic articles and studying the styles of great landscape photographers.

SmugMug’s 9 Must-Haves for a Successful Photography Website

SmugMug’s 9 Must-Haves for a Successful Photography Website

  Having a website to showcase your work on, or to allow potential clients to contact you through, is essential. Whether your website is simple and self made, a completely customized WordPress, or a template from SmugMug, there are some basics that all sites need to include in order to be successful. Here are SmugMug’s 9 must-haves for any photography website. SmugMug’s 9 Must-Haves for a Successful Photography Website reprinted with permission  These days, everyone has a website and we think they’re great. But how do you know exactly what your friends, family and fans are really thinking when they see it? And if you’re a pro making money from your craft: Are you sure that your site is doing everything it can to get you clients and seal the deal? How much business are you losing from silly mistakes? After browsing tons of sites and hearing the advice from our marvelous team of Support Heroes, we’ve compiled a list of tips to help you get the best, most effective and appealing website you  possibly can. Period. 1) Your Contact Information Omitting or hiding ways for people to reach you is a grave mistake, one that you may not even know you’re making. Think it through: If someone finds your site and wants to talk with you, how would they do it? If you forget to include your contact information (or hide it several clicks deep), would you expect them to spend more than 5 minutes hunting for it before they give up? Chances are you don’t even have that long before they move on. It’s true that putting your email address...
Moose Peterson’s Shooting Tips for the Nikon 800mm f/5.6 Super Telephoto Lens

Moose Peterson’s Shooting Tips for the Nikon 800mm f/5.6 Super Telephoto Lens

Moose Peterson is a Nikon Legend Behind the Lens, Lexar Elite Photographer, recipient of the John Muir Conservation Award, and a Research Associate with the Endangered Species Recovery Program. Moose has a passion for photographing wildlife and wild places and educating the public about our wild heritage. He has been published in over 142 magazines worldwide and is the author of 26 books, including Photographic FUNdamentals. Moose has shot with a lot of super telephoto lenses and the Nikon 800mm f/5.6 is among his favorites. See why in his quick review with sample images. The Amazing Nikon 800 f/5.6 AFS by Moose Peterson 800mms is a magical focal length that I had longed to see in the Nikon AFS line-up. It is one of Nikon’s sharpest lenses ever. The 800mm f/5.6 delivers such amazing image quality that it’s nearly disconcerting because it shows off any flaws in your photographic technique. You must use proper long lens technique when shooting the 800mm on a fantastic tripod properly situated on Earth. At 800mms, you have a very narrow depth of field especially when you’re shooting up close and personal. 800mm f/5.6 vs the 600mm f/4 The lens itself is just a tad longer and a tad heavier than the 600mm f/4. However, I feel it is also a tad better more balanced and a tad sharper. So with that said, you could go with the 600mm and a 1.4x teleconverter and be in the same ballpark as the 800mm but it’s not quite the same. We are splitting hairs here but that’s what we do in photography – we look for the right...
Break the Rules: An Interview with Landscape Photographer Varina Patel

Break the Rules: An Interview with Landscape Photographer Varina Patel

Varina Patel is a freelance wilderness and landscape photographer. She is drawn to the challenge of finding her next photograph and mastering the skills required to capture it effectively. Her photographs have been published in various magazines, calendars and advertising materials throughout the world. She teaches workshops on landscape photography and processing along with her husband and colleague, photographer Jay Patel.

Quick Look at the Sony HVL-F60M Flash with LED Video Lights

Quick Look at the Sony HVL-F60M Flash with LED Video Lights

Sony has started releasing cameras and flashes with hot shoes that abandon the previous proprietary Minolta-style hot shoe which means the Sony HVL-F60 pairs well with the NEX line, the RX line, and the A99. This is also our first flash gun that is suitable for both photographers and videographers thanks to the inclusion of a mini LED panel on the flash head. Pros Versatility. Even if you aren’t a videographer, the LED option is neat. It can replicate small window light and is easy enough for a complete lighting neophyte. Menus are bright and easy to navigate/read. Accepts an off-camera cable and external battery pack. Built-in bounce, high-speed sync option (up to 1/2000th), TTL. Can be optically fired from your camera’s built in flash and the HVL-F60M can, in turn, fire other flashes. Cons No PC sync cable port. It’s kind of huge. The tilting is in clicks of 90º, 60º, 45º, and 30º and not in between. Can’t be used on your older Minolta-style hot shoes unless you have an adapter. Check this compatibility chart for more info. The off-camera cable and external battery pack ports are only compatible with Sony’s FA-CC1AM and FA-EB1AM, respectively. We’d recommend this flash for any Sony user, especially if you have been looking for something powerful for the little NEX or RX cameras. For the video users, the specs on the LED indicate that you can light your subject at about 6′ away on ISO 3200 and f/5.6. Just how WELL it lights your subject at that distance is uncertain and probably up to personal taste/artistic vision. Rent it and tell us...
5 Lies Your Camera Likes to Tell

5 Lies Your Camera Likes to Tell

Think your camera is your best friend? Think again. Heed these 5 warnings and better equip yourself with the knowledge needed to walk away with better images! Your camera is a marvel of amazing technology but you still need to use your brain when you shoot. Even if you’re in full Auto mode, don’t assume your camera knows what’s best for you! Here are five common bloopers and how to avoid getting tripped up on your next shoot. Lie #1: It’s Exposed Your camera has several automatic metering modes to help you catch the right amount of light without you needing to whip out the calculator. Are you using the right one? Spot, center-weighted, and multi-zone metering are great for many situations–so be sure you know which one is best for you. For example, you may want to over-expose when shooting in situations like snow to be sure you get that fluffy, clean white stuff you’re used to seeing. No one likes gray snow. Finally, let your artistic creativity be your guide. There’s no shame in flooding your summer portraits with light or even leaving in a bit of flare if you’re going for a sun-soaked, dreamy mood. Similarly, underexposing your shots is your key to super-dramatic clouds, abstract shadows, and gritty street shots. Click here for more info on metering modes and how they affect exposure. Lie #2: It’s in Focus Despite the reassuring “beep-beep!” of your AF system, there’s still a lot that can foil your focus. The most common culprit is motion blur if it’s too dark in the room. As a rule, you want your shutter speed to be...