In-Camera Time-Lapse Photography Resource and Guide

In-Camera Time-Lapse Photography Resource and Guide

Fast-disappearing are the days of having to have a separate interval timer to create time-lapses. Many cameras now have built-in intervalometers. The following is a guide to setting up the time-lapse function for most cameras. 1. What is a Time-Lapse? 2. What Gear Do I Need for a Time-Lapse? 3. Notable Cameras with Built-in Interval Timers 4. What Settings Do I Need for a Time-Lapse? 5. For How Long Should I Make My Time-Lapse? 6. Time-Lapse Instructions By Camera 7. How to Put Together Your Time-Lapse What is a Time-Lapse? Time-lapses are comprised of a bunch of pictures of the same thing taken over a long period of time. You then display them quickly in sequence when you’re done. The result is a little “movie” that displays a slow passage of time quickly. Time-lapses are a great way to show how a kid grows, how a flower dies, how stadiums fill up, how the weather changes, and even how the Earth rotates! Most of time, though, you just want to show something simple made interesting, like the sun setting rapidly or the bustle of traffic. Time-lapses also make good scene fillers for larger visual projects. Pay attention and you’ll start noticing them everywhere, from the credits of TV shows to commercials and music videos. What Gear Do I Need for a Time-Lapse? Before we get into interval sequencing, it is important to understand some basic fundamentals of time-lapse photography. Consistency is key. You will need the following: • A tripod or other very stable environment. • A lens with manual focus. • Distance from random light sources (for example, don’t turn your...
Latest Gear at BorrowLenses – July Edition

Latest Gear at BorrowLenses – July Edition

Canon finally has an affordable 4K camera, Tokina’s got some cool Cine zooms for you, and we have the latest addition to the Leica family. It’s that time of the month again folks: here’s the July edition of all the fresh new gear at BorrowLenses! Hive Lighting Wasp Plasma PAR Light Kit Plasma lighting is catching on big-time these days. These kits from Hive Lighting draw relatively little power and, according to Hive, output the equivalent of 400–4,000 watt HMI lamps. Best of all, they have adjustable color temperatures and intensity, giving you a range of between 4,600K to 7,000K. Depending on the accessories you mount, they can put out a blistering 5,000 foot-candles of power at 10 feet. Doing the math, that’s… let’s see… carry the one… a lot of f-stops. Really. The Wasp Par kit comes with one par light, 4 lenses to give you a variety of lighting options, a set of scrims and barn doors. SmallHD Sidewider EVF We recently got the SmallHD 502 monitor into our inventory, and this flip-out frame and loupe is the perfect compliment to that monitor. It mounts – somewhat counterintuitively at first – sideways to the frame, which actually allows you to place the monitor parallel to your camera and gives you more of a run-and-gun-style add-on, which documentary filmmakers will appreciate. Interestingly, unlike other EVF/loupes, this one moves the monitor away from in front of your face, providing you with better situational awareness of your environment. The unit rents with the EVF loupe, a diopter assembly that lets you adjust it from –2 to +4, and a carrying...
Latest Gear at BorrowLenses – June Edition

Latest Gear at BorrowLenses – June Edition

We’re feeling like standing outside the door of our San Carlos or Waltham headquarters and yelling, “New gear! Get your new gear! Fresh off the FedEx truck, new gear!” Since our bosses ruled that out, we’re taking to the blog to tell you about all the cool toys we just got in. Without further ado, here’s some of the latest gear to rent at BorrowLenses. Rokinon 135mm T/2.2 Cine DS lens for Canon We love the Rokinon Cine primes. They’re a fraction of the cost of a Canon or Zeiss cine prime to rent, and while those lenses have unsurpassed optical properties and other great qualities going for them, the Cine DS line from Rokinon still has a certain soft spot that calls to the small indie startup we once were. The 135mm from Rokinon has the same great characteristics that the rest of the Cine DS line has: small size, solid optics, and a de-clicked aperture that allows for smooth transitions from wide open to stopped down all the way. Furthermore, the gears for the focus and aperture rings are in the same place for all the lenses in the Cine DS series, making it easier to swap lenses on a rig without repositioning follow focus gears, etc. Canon 50mm f/1.8 STM Speaking of great lenses, the “nifty fifty” from Canon hasn’t changed much for, well, ever. Until now. The new iteration of this lens has the STM, or stepping motor focus system that is slowly making its way into Canon’s autofocus lenses. The STM allows for whisper-quiet autofocus and smooth and precise movements when shooting video. Pair...
Behind The Scenes: Gold Suit Man Brings Luck to Golden State Warriors

Behind The Scenes: Gold Suit Man Brings Luck to Golden State Warriors

Matt Maniego, a freelance filmmaker and photographer based in San Francisco, was recently asked to document the National Championship Finals for NBA’s Golden State Warriors. His films and features have been featured by the “Big 3” Bay Area Pro Sports teams: San Francisco Giants, the 49ers, and the Golden State Warriors. Here he takes us Behind the Shot as he documented the GS Warriors win the first NBA title in 40 years: BL: How did you get in the exact position to grab this shot? MM: On assignment with the Warriors, they wanted me to follow a season ticket holder, Oliver Wald, nicknamed the “Gold Suit Man”. He became a known figure by Warrior fans after being featured on TV in last year’s playoffs. We documented his typical game day: pre-game rituals, his commute to the game, and his famous in game dance moves. It was great to capture Oliver during the game, but the best moment was after the Warriors had won. BL: Was it planned or perfect timing? MM: The moment was pretty much perfect timing. We shot a bunch during the game, but when the confetti starting raining down, I said to myself, “Please do the Scutaro.” If you don’t know what “Scutaro” means, it was a shot made famous by Marco Scutaro in the 2012 NLCS. Here is a photo of that moment: I think my psychic powers kicked in because he did the very thing I asked. He did the Scutaro! Before this show however, I instinctively switched to super slow mo on the FS7 (180fps) and made sure I was shooting pretty shallow to give more...
Time Lapsing Against the Clock: How to Shoot a Time Lapse with a Stadium Full of Warriors Fans

Time Lapsing Against the Clock: How to Shoot a Time Lapse with a Stadium Full of Warriors Fans

Matt Maniego, a freelance filmmaker and photographer based in San Francisco, was recently asked to document the promotional efforts of NBA’s Golden State Warriors. His specialty time lapse work has been featured by the San Francisco Giants, the 49ers, and the Golden State Warriors, as well as the Pac-12 Network, Comcast SportsNet, and the NFL Network, just to name a few. Here he takes us along for the ride and shares his tips for getting the perfect time lapse. Time Lapsing Against the Clock by Matt Maniego At this very moment, Oracale Arena, aka ‘Roaracle’, is not just audibly the loudest arena in the NBA but is also visually. A sea of bright yellow t-shirts cover each and every seat in the house and I have been asked to capture how these yellow shirts made it from the boxes, to the seats, and eventually onto 20,000 Warrior fans. BEHIND THE SCENES My team and I had 4 hours to capture the evolution of the promo shirts. With that large an area I split my team into two, with one remaining to capture the behind-the-scenes footage. Our main goal was to capture captivating time lapses. To accomplish this feat under pressure we brought with us: Canon 5D Mark III Canon 5D Mark II Canon 6D Canon 7D Canon 16-35 f2.8L II Canon 24-70 f2.8L II Rokinon 14mm f2.8 Emotimo TB3 Dynamic Perceptions Stage Zero Dolly Dynamic Perceptions Stage One Dolly Induro AT413 Tripods x 5 Fancier Ballheads x 5 64GB Compact Flash x 5 Canon Remote Trigger (for backup) If you’re not familiar with time lapse lingo, the rigs you see in the above video are “Motion...