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Latest Gear at BorrowLenses

Gear Talk

The pace of gear releases in our industry seems to be constantly increasing these days. Every month, we have new photo or video gear coming into our offices so we thought we’d start putting together a roundup of everything new we have available to rent. Here’s what’s come in during the last month or so:

Profoto B2 AirTTL Location Kit

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Profoto gear just keeps getting better and better. The guys over at Resource Mag Online have put up a nice video review that you can check out here, but here’s the short and sweet: It’s Profoto’s legendary quality meets portability meets TTL metering for Canon and Nikon shooters. You can, of course, also hook up your standard PocketWizards for manual triggering as well. This is a fantastic light for location shooting when you want a bit more power than a standard speedlight.

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A Comparison of 50mm Lenses

Gear Talk
There has been a sizable number of 50mm lenses that have flooded an already saturated market in the past 5 years. For example, there is the affordable and dependable Nikon AF-S 50mm f/1.8G (~$200), the much talked-about Sigma 50mm f/1.4 Art (~$1,000), and the luxurious Carl Zeiss 55mm f/1.4 Otus (~$4,000). What are the major differences between these (other than the Zeiss being a 55mm) and the collection of other 50mm lenses out there? When is it better to splurge rather than shoot more modestly? We quickly put 19 lenses to the test, old and new, to see how they compare to one another.  All images were captured on the Sony Alpha a7R with a Metabones Canon EF to Sony NEX Smart Adapter IIIMetabones Nikon G to Sony NEX Adapter, and a Sony LA-EA3.

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The Best Lenses for Night Photography: A Case for Rokinon Primes

Gear Talk

David Kingham is a landscape photographer who focuses (pun intended?) on the night sky. He set out to find the best astrophotography and night photography lenses for their price point. Discover why Rokinon lenses may transform how you shoot.


The Best Lenses for Night Photography

by David Kingham

Prime vs Zoom

What do you want in a lens for night photography? The most important factor is how much light a lens will let in so that we can shoot at lower ISOs– this means apertures of f/2.8 or greater (f/1.4 being preferred). Most zoom lenses only go to f/2.8 and, while they are perfectly okay for night photography, they are not the ultimate lenses to use.

Enter the prime lens! A prime lens is a fixed-focal-length lens that is designed to have much larger apertures. If you have looked into the major manufacturers’ primes (Nikon, Canon, Zeiss) you may be thinking I’m crazy right now because they are expensive (unless, of course, you rent them)! I went on a search for lenses with the ultimate quality-to-price ratio.

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Reviewing the Sigma 15mm f/2.8 and Nikon 16mm f/2.8 Fisheye Lenses for Night Sky Landscape Photography

BL News

David Kingham is a lanscape photographer who focuses on the night sky. He field-tested some of our fisheye lenses to see which one is most suitable for this kind of work.

Tip of the Week: Understanding Sensor Crop Factors, Part 1

Tips & Tricks
Different sensor sizes, compared

Different sensor sizes, compared

Every week, we post a photography-related tip on our blog. These tips are typically inspired by questions we get from our customers. Sometimes we might feature a technique tip, and sometimes a gear recommendation. If there’s something specific you’d like to see in this section, let us know. Email us at blog@borrowlenses.com.

You’ve likely heard the term “Crop Sensor” before, and if you’re new to the world of digital photography, then you may only have a rudimentary understanding of what that means.

In Part 1 of this series, we take a look at three different types of sensors and the practical effect they have on lens selection. In Part 2, we’ll take a look at what this means for depth of field, and that “bokeh” thing everyone’s talking about.

What’s a “Crop Sensor” camera anyway?

To understand what a “Crop Sensor” camera is, you first have to understand what a “Full Frame” sensor camera is, and that takes us back to the days of film photography. (more…)

Tip of the week: An adaptable camera system

Tips & Tricks
A Zeiss CP.2 lens on an Olympus E-P2

A Zeiss CP.2 lens on an Olympus E-P2

Every Thursday, we will post a photography-related tip here. These tips are typically inspired by questions we get from our customers. Sometimes we might feature a technique tip, and sometimes a gear recommendation. If there’s something specific you’d like to see in this section, let us know. Email us at blog@borrowlenses.com.

Today we’re going to talk about a video camera called the Panasonic AG AF100. The AF100 is from a family of products that adhere to the Micro Four-Thirds standard. So far, Olympus and Panasonic are the two manufacturers making cameras for this standard, but a number of other manufacturers have also signed on to produce add-ons for it. Sigma, Carl Zeiss, Lensbaby and Voigtlander, all venerable manufacturers, have signed on to make lenses for it. (more…)

Best Wide Angle for a Crop Sensor Camera

BL News

At BorrowLenses.com we get a lot of phone calls from potential customers with questions regarding which gear to use for certain types of photography. Of those calls, one of the most prominent is “What is the best wide angle lens to rent for landscapes?” The answer is there are plenty of great lenses to choose from, but which lens is best depends heavily on which camera body you are using. When we ask people what camera they have, the majority respond that they are shooting with a crop-sensor body, and this affects lens selection in a significant way. Crop sensor bodies from Canon include the 10-60D, Rebel series and 7D. On the Nikon side there are the D4/5/6/7/8/90, D7000 and D300 series.

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