BL Blog


Canon 70D – Continuous Autofocus With STM Lenses

Gear Talk

Have you ever tried to autofocus in Live View with a DSLR? Pretty crummy, right? The Canon 70D changes that a bit with what they call Dual Pixel CMOS AF. This fairly new technology allows smooth, continuous autofocus (Canon calls is Movie Servo AF) while recording video. Continue on to view the test footage recorded when paired with Canon’s STM lenses.


The Sony FE PZ 28-135mm f/4 G OSS Lens is Ready for Your Next Video Shoot

BL News Gear Talk

We have a new cine lens for rent – the FE PZ 28-135mm f/4 G OSS. It’s ideal for both the Sony FS7 and the Sony a7S but will mount on any E mount camera. It is ideal for run-and-gun style shooting, documentary filmmaking, and any other cinematic use where portability is important. Here are some features that really stand out about this lens and why should you shoot with it. (more…)

Creative Jump Start: Shooting with Fisheye and Ultra Wide-Angle Lenses

Gear Talk Photographers Tips & Tricks

Seán Duggan is a fine art photographer, author, educator, and an Adobe Certified Photoshop Expert with extensive experience in both the traditional and digital darkroom. His Jump Start series provides photographers with the informative ideas to effectively experiment with alternative photographic equipment.


Reviewing the Sigma 15mm f/2.8 and Nikon 16mm f/2.8 Fisheye Lenses for Night Sky Landscape Photography

BL News

David Kingham is a lanscape photographer who focuses on the night sky. He field-tested some of our fisheye lenses to see which one is most suitable for this kind of work.

Wide Without the Weird: Zeiss’ New Low-Distortion 15mm f/2.8 Distagon T* ZE for Canon

Gear Talk

The new Zeiss 15mm f/2.8 Distagon T* ZE for Canon is an ultrasharp, full frame lens that controls distortion much better than its other ultrawide peers. Check out our test images to see why.