Your Gear Guide for Better Wedding Photography

Your Gear Guide for Better Wedding Photography

Find your perfect match in time for your next (or first) big wedding shoot. Many of you are probably worried about not bringing the right equipment with you. We have thousands of items for you to rent but only certain items are ideal for weddings. This list will help you narrow it down to just the essentials to fit your shooting style. Take note of these 10 tips that will help you complete your skills. Ten Gear Tips for a Better Wedding Day Photography Workflow: 1. Zoom with a View: Using Long Focal Lengths 2. Safety in Numbers: Spring for a Second Body 3. Fall in Love with Battery Grips 4. Something Borrowed, Something Blue: Mixing Artificial with Natural Lighting 5. Enjoy the Silence: Quiet Shutter Options 6. Portable Prowess 7. N+1 Yourself: Using Dual Memory Cards 8. Up Close and Personal: Macro Lenses 9. Practice Mindfulness: Gear Security 10. Going Slim to Win: Consider Mirrorless Zoom with a View: Using Long Focal Lengths Longer lenses tend to keep your subject’s facial features in proper proportion, which is more flattering. There are a couple of fast telephoto zooms we rent that allow you to shoot with a wide-open aperture for a very pleasing out-of-focus background without sacrificing the convenience of being able to shoot at a variety of lengths. Plus, having a longer lens means you have to stand further from your subject. Sometimes this allows the couple to relax a little bit and act more naturally for their portrait. We Recommend: • Canon 70-200mm f/2.8 IS II • Nikon 70-200mm f/2.8 VR II • Sony 70-200mm f/2.8G SSM II for Sony A Mount • Olympus 40-150mm f/2.8 PRO for...
Leverage Multiple Camera Platforms with Adapters

Leverage Multiple Camera Platforms with Adapters

Recently, I completed a shoot for an article written by our own Alex Huff for 500px’s ISO blog. For it, I returned to my trusty old 5D Mark II and an even older lens: a Nikon 100mm f/2.8 AiS lens that’s at least 30 years old. For me, the results were well past what I’d expected from the setup. To marry that Nikon lens to my 5D Mark II, I used this Nikon G lens to Canon adapter. I added a lens hood I own to the setup to avoid some glare I was getting off an overhead light and this is what it looked like: As I said, the results were well past what I’d expected. Turns out, that lens was superb on my 5D and the shot of model Xela Gaerlan (below) that ended up on the blog is one of my favorites. Now, this isn’t the first time I’ve used a Nikon lens on my 5D. In fact, I wrote about this a couple of years ago. Moreover, I’ve also written in the past about using multiple lens types on Micro 4/3 cameras too. When I looked at my shooting kit now, however, I felt like it was time to visit the topic once more, especially given how much the adapter market has evolved. I own a 5D Mark II and a Sony a7S. When it comes to lenses, however, I own one Canon 50mm f/1.8 lens (which I never use) and five Nikon-mount lenses. I had a Canon 24–70 at some point, but it’s lying at the bottom of the San Francisco Bay near the...
Planning for Safari: Photography Tips and Tricks

Planning for Safari: Photography Tips and Tricks

It’s safe to say that an African safari is on most wildlife photographers’ destination wish list. It is a trip many will never get the chance to do due to the extensive travel and time requirements as well as the significant financial expense. However, for those lucky enough to set out on the incredible journey it’s not as simple as picking a destination, hotel, and plane ticket. There is a significant amount of preparation and planning that must be done ahead of time. Borrowlenses.com advocate and wildlife photographer David Bernstein recently returned from his epic safari trip and graciously shared a few tips he learned along the way. Bernstein started out using a humble Rebel series camera and over time grew into being what he calls a “photo-naturalist”, taking pictures of landscapes and wildlife with an affinity for birds. This article is meant to help you plan for an African photo-focused safari and address many of the things to consider before embarking on the journey of a lifetime. Planning for Safari: Photography Tips and Tricks by David Bernstein Travel Agents for the Win If this is your first safari then do not plan it by yourself! There are many highly-rated travel companies that specialize in organizing African safaris. Their goal is to provide you with an unbelievable experience tailored to what you want and hope to see. I always felt comfortable planning my own itineraries on photo excursions because of all my previous travel experience, however, I decided to use a travel company to plan and organize my first safari and I wouldn’t have done it any other way. They guided...
Latest Gear at BorrowLenses – May Edition

Latest Gear at BorrowLenses – May Edition

The pace of gear releases in our industry seems to be constantly increasing these days. Every month, we have new photo or video gear coming into our offices so we thought we’d start putting together a roundup of everything new we have available to rent. Here’s what’s come in during the last month or so: Profoto B2 AirTTL Location Kit   Profoto gear just keeps getting better and better. The guys over at Resource Mag Online have put up a nice video review that you can check out here, but here’s the short and sweet: It’s Profoto’s legendary quality meets portability meets TTL metering for Canon and Nikon shooters. You can, of course, also hook up your standard PocketWizards for manual triggering as well. This is a fantastic light for location shooting when you want a bit more power than a standard speedlight. Elinchrom 800W/s D-Lite RX4 Monolight Kit   Since we’re on the subject of lighting, the guys at Elinchrom haven’t been standing still either. We now have one of their newest lights in stock, and it’s available as a kit that comes with light stands, small softboxes, and the Skyport SPEED transmitter for triggering these flashes. We love these lights, and you can pair them with Elinchrom’s legendary Deep Octa or 6′ Light Bank for some incredible lighting. Fuji XF 16-55mm f/2.8 R LM WR Lens Fuji keeps making waves with their incredible line of X-series cameras and lenses, but this particular one is really the one Fuji shooters have been waiting for. The equivalent of a 24-82.5mm lens on a full-frame camera, this zoom is weather-sealed...
Photography Tips: Getting the Perfect Ski Shot

Photography Tips: Getting the Perfect Ski Shot

Ian Coble is a commercial sports photographer based in Seattle, WA. His imagery and style have been used in campaigns for Patagonia, Columbia, Atlas Snowshoes, Brooks Running, Smith Optics, Cascade Designs, Red Bull and many others. Below he shares his tips for getting the perfect snow sports shot. Photography Tips: Getting the Perfect Ski Shot by Ian Coble Taking photos on your adventures can be incredibly rewarding but it can also be incredibly frustrating. You spend all day shooting your friends on an amazing outing and come home eager to look at your work. But as you review your images you find that they’re blurry, underexposed, or just plain boring—definitely not the way that you remember the excitement of the day. This tutorial will help you minimize those frustrations with some tech tips to follow the next time you take your camera on a ski or snowboard outing. Continue on for some expert advice just in time for the spring skiing season (and an unexpected dump in Tahoe)! Communicate Your Plan The number one piece of advice I can offer is to plan your shots and communicate that plan to whomever you’re shooting. Just having someone ski down past you while you snap photos is a quick way to guarantee sub-par shots. Talk to your subject before you have them ski down. Tell them what you’re looking for and your chances of getting a shot will drastically go up. Granted, this takes more time and some subjects may get frustrated by the delays. But if you’re after amazing photos, it’s absolutely required. I’ve never had an athlete complain about the...