The Ultimate Lightweight Camera for Night Photography

The Ultimate Lightweight Camera for Night Photography

David Kingham is a landscape photographer with years of experience photographing the night sky. He is constantly searching for the ideal lenses and cameras for shooting the stars under a variety of conditions. Kingham seeks out great equipment for star shooters of every level with budgets large and small. In this review, he tackles the problem of weight. Find out if diminutive heavy hitters, like the a7 and Df, are worth their weight in night time shooting prowess. The Ultimate Lightweight Camera for Night Photography by David Kingham Weight is the enemy of every hiker and backpacker. I spend my days hiking to remote locations in the mountains and desert. The weight of my gear is always a burden even though I have minimized what I carry. When Sony announced the a7R and a7, I was excited beyond belief. It sounded like the answer to all my prayers! Then Nikon came out with the Df, yet another lightweight option! What to do? I put them to the test, side-by-side, of course. Other Night Photography Heavy Hitters To compare these results with other Nikons, take a look at my previous post where I test out the best Nikon for night photography. Keep in mind the Df has the same sensor as the D4. The Nikon D610 is another good lightweight choice, and you can see why in this post. I have been shooting with the Canon 6D with great success and highly recommend it for night photography. I included it in this test as a baseline since I consider it to be one of the best on the market, plus...
Get a Gear Education from Pro Photographers at SmugMug Academy

Get a Gear Education from Pro Photographers at SmugMug Academy

Knowing what to expect from a camera or lens is tricky, which is why renting is so invaluable to photographers big and small. However, it’s still hard to know what you’re getting even when renting, which is why we’re stoked about SmugMug Academy – a simple and personal review site put together by people who are passionate about photography. It maintains the core values of SmugMug by providing a resource maintained by folks who actually shoot from subjects ranging from landscapes to kids sports. You do not have to have a SmugMug account to take advantage of the reviews. The page is designed to inform and is open to everyone. Each review is equipped with a bio about the reviewer so that you can get a sense for who they are and what they like to shoot. This can help you divine if a piece of gear is right for your style of shooting. SmugMug Academy is more than just reviews. You can get business tips, shooting guidelines, and video tutorials there, too. Think of SmugMug Academy as the site equivalent of just being able to ask your photography friend, “Should I rent this lens?” BorrowLenses.com has not asked these photographers to write in any particular way, rent certain items over others, or to boast certain gear as being favorable. They are photographers writing about our gear as they see it from their own shooting experiences in a simple and honest way and they review items as they use them for real events like vacations, hockey games, or candids. Keep this page handy for future reference. It is being...
7 Tips for Better Compositions

7 Tips for Better Compositions

John Cooper specializes in corporate, industrial, and commercial photography for various business communities in Texas and teaches basic skills to other burgeoning photographers. If you are just starting out, or looking for a refresher, check out his advice below. 7 Tips for Better Compositions by John Cooper What makes one photo better than another?  Good photographs have compositions comprised of visual elements that abide by certain design principles.  Photography, it is said, is the subjective application of objective tools. Here is a cheat sheet on how to get better photographs. It is not an analysis of art theory or physics.  However, I urge you to research those topics if your passion is photography. In the meantime, here are 7 quick ways to make better photos.  You “make” photos, by the way – you do not merely “take” them. You Can’t Fix Blur Yes, we can put a man on the moon but we still cannot focus a blurred image.  The rule of thumb for hand-held shots is to use a shutter speed that is faster than the reciprocal of the lens’ focal length.  Using a 200mm telephoto, for example, would require you to use faster than a 1/200th second shutter speed.  A 50mm would require faster than 1/50th and so on.  Image stabilization has changed this up to 2 stops but it’s not worth the risk, in my opinion.  Remember, you can’t fix blur no matter what version of Photoshop you may have.  Increase your ISO and/or open you aperture or use a tripod.  Do whatever it takes to get tack sharp focus every time the shutter actuates. Understand...
5 Reasons to Reject an Image

5 Reasons to Reject an Image

Journalist and adventure photographer Jay Goodrich is always looking for new approaches to producing images, which means getting plenty of practice in rejecting photos that fail to rise above the mundane. Learn how you can quickly separate the good from the bad in your own body of work and increase the quality of your portfolio. 5 Reasons to Reject an Image by Jay Goodrich With the age of digital photography now becoming a mainstream part of society, how do you decide what photos are good to keep and what ones should be thrown in the trash? While we need reasons to reject an image, we don’t necessarily want to form a hypothesis of rules. If you ever take a workshop with me you will quickly realize that I choose to disregard rules in almost every aspect of my life and my photography. And I believe that creativity cannot be contained within a set of rules. Rules force us to follow a standard of practice, and while that may work for controlling crime, slowing down speeders, and successful scientific discovery, it completely ruins the concept of creativity. While my way of teaching others how to create a compelling image differ from the norm due to my educational background as an architect, there are areas of image making where decisions have to be made. So in a world of creative decision making that has many drinking the Kool-Aid of free expression, how do I decide on what work to keep? Here are 5 reasons to reject an image that I have discovered work best in most image making scenarios. Just like...
Staying Inspired as a Photographer

Staying Inspired as a Photographer

Being a photographer is so much bigger than practicing lighting techniques, being up-to-date on the newest and most powerful gear, or knowing what post-production actions are best for you. All those things are wonderful parts of the puzzle but being a photographer is so much more. We all have similar hurdles to clear before we feel comfortable calling ourselves “photographers”. Here is some advice of how conquer those hurdles. Don’t Give Up Sounds obvious, right?  It’s really easy to throw in the towel when we get frustrated. Not being able to create what you envision in your head is the time when most people to the right and left of you decide that photography isn’t for them because the work isn’t as good as their ambition. To quote Ira Glass of This American Life: “It’s [your work] trying to be good, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. Do a lot of work. It is only by going through a volume of work that you will close the gap and your work will be as good as your ambitions. It’s gonna take awhile and it’s normal, you’ve just gotta fight your way through.” Have Other Interests The better and more popular your photography becomes the more people will want to work with you. This is great, right? It will also begin to feel more like real work. Often a creative person’s expression is also their therapy. Have other hobbies to offset your hard work as a photographer, whether it is...