Visual Vitamin D: Inspiration for Spring Shooting

Visual Vitamin D: Inspiration for Spring Shooting

Longer days, weddings, and vacations – there is a lot to look forward to in spring (unless you’re a night-photographing curmudgeon workaholic – you know who you are). Here are some inspirational images from our friends that exude “spring” to them in their own way. Hopefully they will inspire you to stay out late (or stay inside the studio – the sun is overrated anyway) and shoot, shoot, shoot! “For me, spring means I’m one step closer to being able to shoot outdoors underwater again. Cast off the shackles of winter and stuff them away with your winter coat and boots! Rejoice that you no longer have to stress about your car not being plugged in overnight and you can use those precious neurotransmitters dreaming up new ways to break your creative mold. Spring is for new growth, so try new things and push your limits!” – Renee Robyn “Spring is a time of rebirth and regrowth. The weather, so often inclement, forces many to stay inside. Explore during those brief moments when the weather pauses. Discover unique and interesting ways to compose something that you know has been photographed before. Use the built up energy of waiting for winter to end to explore with new eyes and new creativity. And don’t forget to look somewhere on the ground near you for all of that water that has been falling from the sky to reflect that momentary break.” – Jay Goodrich “Once during a cold winter I decided I wanted to photograph some beauty shots by a blooming tree. Then spring came. I watched trees getting dressed in gorgeous colorful...
Capturing the Surf: an Interview with Photographer Seth Migdail

Capturing the Surf: an Interview with Photographer Seth Migdail

Seth Migdail is a surf photographer based in the San Francisco Bay Area. A regular at Mavericks, his work has been featured in a number of outlets, including Surfline.com and theinertia.com. I sat down with Seth to talk about his work, his process, and what it takes to break into the insular surfing community. How did you get started in photography? I grew up as an artist, doing drawing and painting. I found photography in college, and ended up dumping two years worth of art school and pursued that. I have a fine art background, a BFA in photography, so I came up in the analog world. I shot a lot of large format, medium format – that’s how I got started. Back then, in fine-art school, you take a lot of time to try and find your identity. It took me a while, but I eventually did. I did a lot of documentary photography, what I’d call “social landscapes.” I got a solid foundation in the craft that way. I also did a lot of work in the studio. What is your favorite subject, and why? Definitely surfing. I found surfing when I moved out to California. Growing up in New York, I hadn’t surfed at all, and I only discovered it when I moved up to San Luis Obispo. I’d actually put photography aside for a few years and kinda became a surf bum down there. When I moved up to the Bay Area, I suffered an injury that kept me out of the water, and I started shooting again. At the time, Mavericks was just re-forming...
What It’s Like to Win a Canon 5D Mark III

What It’s Like to Win a Canon 5D Mark III

On the eve of our big camera giveaway winner announcement (update: giveaway is over, see latest promotions on our Facebook page) we reached out to a prior year’s winner to see how she has faired since winning a brand new Canon 5D Mark III from BorrowLenses.com. Rachel Coward is a photographer and editor at TulsaKids Magazine, an award-winning parenting publication in Tulsa, Oklahoma. Previously she was a staff photographer and editor at the Columbia Missourian and a photographer for the University of Missouri’s alumni magazine. BL: You had your choice of a Nikon D800 or the Canon 5D Mark III. The prior year’s winner chose the Nikon. What made you choose the Canon? Rachel: Tomayto, tomahto. My very first camera was my parent’s Canon AE-1 film camera, so Canon is what I learned on from the beginning. It really just comes down to personal preference. If I didn’t have brand loyalty, I’d still probably choose the Mark III because of the video capabilities. BL: Where was your photography business at this time last year versus where it is now? Rachel: A year ago I had just graduated from the University of Missouri School of Journalism, where I studied photojournalism and loved every minute of it. Go Tigers! This time last year, I had just begun working as a full-time freelance photographer and my main gig was making pictures for Mizzou Magazine, the alumni magazine for the University of Missouri. I’m continuing to work as a freelancer now and my business has certainly grown. I’ve learned a lot about what it takes to make it as a professional photographer in a very competitive market. There’s a lot...
Photographing Your Dinner: Restaurant Dos and Don’ts

Photographing Your Dinner: Restaurant Dos and Don’ts

Are you a food-for-pleasure type of person?  If the answer is yes, then I can say with confidence that we may all be guilty of snapping a few pics of our meals from time to time. Some of us seek out new and exciting restaurants that offer avant-garde food and interior design.  Others rejoice in old school pleasures of down home diners and off-the-beaten-path food attractions. Whatever your guilty pleasure is, here are a few tips and tricks to heighten your “foodie” photography. 1) Ask Your Server if Photography is OK Chefs tend to be fun and playful characters with creativity in the kitchen that at times can inspire more than just an appetite. Food has long been photographed but taking pictures when your food arrives to the table is a newer fad. According to the New York Times, there has been a growing backlash of taking pictures of your meals while dining out. Restaurants and Chefs have been “burned” by disruptive behavior that interrupts the dining experience and have discovered less-than-appetizing images of their dishes online. This has become a big enough problem that there is an upswing in restaurants who have put restrictions on the photography allowed to be taken – even stealthily on your phone. This movement has gone as far as banning people from taking pictures inside the restaurant all together! The best way to avoid any embarrassment, as well as increase your level of comfort if you are moved to photograph your meal, would be to ask your server first.  The establishment will appreciate your consideration and will most often give you the thumbs up....
Fuji X-T1: First Impressions

Fuji X-T1: First Impressions

One of the most eagerly awaited cameras of the year arrived earlier this month, and I took some time to put it through its paces. A more detailed review will follow, but I’ve worked with it long enough to put forth a few first impressions. The tl;dr version of it is this: the Fuji X-T1 is the best camera Fuji has ever made, and is the best mirrorless camera on the market. In my personal opinion, anyway. I’ve been a Fuji fan since the X100s came out, and eventually started using the X-E1 and X-E2 as my primary stills cameras (with a D800E for specific projects requiring high megapixel images and the Canon 5D MKIII for video). When the X-T1 was first announced, I looked at the images leaking onto the web and my first impression was, “WTF??” Looking at it, you can see that it kind of harkens back to retro SLR cameras. To me, it looks a bit like a blunt-top version of the Fuji STX series of film SLRs, and at least at first, it wasn’t something that caught my attention the way the rangefinder aesthetic of the previous X cameras did. Then I got one in my hands and my first thought was, “uhhh… what…?” On the one hand, this is most definitely a Fuji camera. It has loads of dials means you rarely have to drop into a menu once you set it up right. There’s a nice, firm heft to it that we’re used to with the X-E and X-Pro series. It’s small and light despite feeling dense. It is, in other words,...