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Tip of the Week: Behold the Frankencam!

Tips & Tricks
The Frankencam: A Canon 5D Mark II with a Nikon 14-24 f/2.8G lens

The Frankencam: A Canon 5D Mark II with a Nikon 14-24 f/2.8G lens. Image Copyright © Sohail Mamdani

The practice of swapping lenses between platforms via adapters isn’t something new. Back in October 2011, for example, we wrote about using Canon, Nikon, and Leica lenses with Micro 4/3 cameras. Similarly, you can use an adapter to mount Nikon lenses onto Canon cameras, but until recently, this was limited to a smaller subset of Nikon lenses.

The “D” lenses from Nikon, the ones with manual aperture rings like the Nikon 35mm f/2, could be used via an adapter on Canon cameras. You could manipulate the aperture manually on the lens, and set the shutter speed on your camera. DSLR video shooters quickly took to these lenses for this very reason.

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Canon 5DMarkIII Review by OliviaTech.com

Gear Talk

We spent a day with OliviaTech testing out the capabilities of the new Canon 5DMarkIII. We took it into a full production setting to shoot a music video and then into her studio to compare the ISO sensitivity, rolling shutter, and aliasing vs its predecessor, the Canon 5DMarkII. Check out the video review below and her full write up here.

Longer video clips available for you to download at Canon 5D Mark II vs Canon 5D Mark III Video Clips.

Cool Stuff, Feb 13 – Feb 21, 2012

Cool Stuff

Welcome to Cool Stuff, a weekly feature where we post our favorite links from the past week, including our favorite articles and how-tos, videos, images and more.

That’s it for this week’s Cool Stuff. If you have something you think should be included, let us know! Email us at [email protected]

The BigmOS: A Review Of Sigma’s Stabilized 50-500mm Lens

Gear Talk

We take the Sigma 50–500mm f/4.5–6.3 APO DG OS HSM (there’s a mouthful for you) our for a spin to put it through a few paces. Read this review to find out how it did – and why I would rent this lens again.

Pros You Should Know: Juan Pons

Photographers
Wildlife and Nature Photographer Juan Pons

Wildlife and Nature Photographer Juan Pons

“Pros you should know” is an ongoing Q&A series with photographers that the folks here at BorrowLenses.com admire and follow.

Juan Pons has been a photographer for more than 20 years. Born and raised in San Juan, Puerto Rico, Juan is a fantastic nature and wildlife photographer and educator. An avid conservationist, Juan’s passion for the environment is evident through his images, many of which he donates to non-profit organizations focused on nature conservation. He leads workshops in Yellowstone, Bosque Del Apache, and many other locations around the world, and is co-host of the Digital Photo Experience podcast, which is definitely worth a listen for photo enthusiasts.

We asked Juan to take a bit of time from his busy schedule and answer a few questions for us, and he was kind enough to acquiesce, and to provide us with some of his amazing photography (more of which can be found on his blog) for this piece.

1. How did you get started in photography?

I was very fortunate that the high school I attended had an excellent photography teacher and program. Ms. Solorow was incredibly inspirational and taught us not just the basics and mechanics of photography, but that we should always be experimenting and stepping out of our comfort zones photographically.

Bohemian Waxwings in Yellowstone

Bohemian Waxwings in Yellowstone

2. How has photography changed the way you see the world around you?

The primary reason I decided to concentrate on wildlife and nature photography is because it allows me to slow down and examine wildlife and nature much more intimately than I would have otherwise. I am a firm believer that you must know your subject well in order to capture their essence photographically and since i have always been very drawn to wildlife and nature, photography gave me the perfect opportunity to explore those subjects much more carefully.

3. What is your favorite subject, and why?

It’s probably obvious by now but my favorite subject is wildlife, and although I do have my favorite species I like photographing anything that moves, from large mammals like Bison in Yellowstone National Park to insects in a local park or botanical garden. As to why, I would have to say that I never cease to be amazed by natures handiwork, wether its the beauty of a delicate flower, or the cunning of a red fox.

4. Is there a market that you want to break into or simply just try?

Coyote near Gardiner, MT

Coyote near Gardiner, MT

I have been very deliberate in what I like to do with my photography so I feel like I am doing what I like to do best. However I have been wanting to try outdoor action sports photography. My problem right now is finding the time.

5. What client/project are you most looking forward to shooting next year?

I have recently moved to Maine, and although I am very familiar with Acadia National Park and the island it’s located in, there are incredible wildlife opportunities in the interior of the state. So I am very much looking forward to exploring and getting to know some of these areas with the goal of putting in place a number of wildlife photography workshops closer to home.

6. What do you derive inspiration from?

This one is easy, most of my inspiration come from nature itself, however I very much enjoy looking at other photographer’s work, certainly the work of other professional photographers, but I specially enjoy seeing the work of amateur photographers. The reason is that amateurs work is almost completely driven by their passion and oftentimes you can see this in their work. In addition, the work of amateur photographers can sometimes be equated to seeing thru a child’s eye, meaning that they will have a different and new perspective than those of us with more experience and I find that very refreshing.

Glacier National Park

Glacier National Park

7. Where do you go for inspiration when you reach a creative plateau?

Outdoors, I do not necessarily have to visit a National Park like Acadia, although that is nice, but sometimes inspiration can be gleaned from some of the simplest scenes and subjects. I find that trying to capture a different perspective on ordinary and everyday subjects can get my juices flowing.

8. What’s your favorite piece of gear? Why?

It would definitely have to be my tripod. I often say that I feel naked when I go out shooting without a good tripod. I find that the tripod slows me down and makes me more deliberate in my photography.

9. Where do you see the future of photography technology taking us? How will the next generation take photos?

The sky is truly the limit, I believe we are living in the golden age of photography. At no other time have we enjoyed the choices we have in photography, and not just in terms of gear, but also in terms on how we share our work with the world.

10. What do you do when you’re not shooting?

Most people think that being a professional photographer means you are out shooting all the time, and while that may be true for some, for most of us photography is a business and as with any business there is a lot of other work you need to do to be successful. Things like logistics, accounting, marketing, interfacing with clients, selling, etc.

However beside my photography business I very much enjoy Kayaking, Downhill skiing, biking, hiking and camping. But most of all I enjoy spending time with my 7 year old son.

11. What is the biggest challenge you face currently in your photography that you are trying to overcome, and what are you doing to overcome it?

For me it’s always marketing and selling of myself. This is my least favorite part of my photography business, but without it I know I would not have a photography business so I do it. Eventually I will want to hire someone to help tackle my marketing much more effectively.

Bass Harbor Lighthouse, Acadia National Park

Bass Harbor Lighthouse, Acadia National Park

12. What’s the best piece of advice you can give someone just entering the photography business?

I get this question all the time, and the best thing I can tell someone wanting to get into this business is to think long and hard about what photography means to them. Most amateur photographers do it for the passion, the release that photography gives them as well as a way to relax and put aside, at least for some time, the stresses of their regular life and daytime job. There is a real danger of taking something that you do to feel better and relax and make it your primary source of income and apply to it all the stresses of having to make a living at it. As I said above, being a professional photographer does not mean you are taking pictures all day every day, the vast majority of the time will be spent taking care of the business side of photography.

If after reflecting on this you determine that you still want to be become a professional, then go for it! Work hard at it, be tenacious, be determined to succeed. I believe that there is still a lot of opportunities out there, you just have to be creative and resourceful and most important remember that this is a very rapidly changing field, so you need to be flexible and always be learning. Best of luck!

 

You can learn more about Juan at his website, at http://juanpons.org. The Digital Photo Experience podcast that Juan co-hosts can be found at http://dpexperience.com.

 

All images Courtesy and Copyright © Juan Pons.

Cool Stuff, January 30, 2012

Cool Stuff

Welcome to Cool Stuff, a weekly feature where we post our favorite links from the past week, including our favorite articles and how-tos, videos, images and more.

That’s it for this week’s Cool Stuff. If you have something you think should be included, let us know! Email us at [email protected]

Cool Stuff – January 26, 2012

Cool Stuff

Welcome to Cool Stuff, a weekly feature where we post our favorite links from the past week, including our favorite articles and how-tos, videos, images and more.

That’s it for this week’s Cool Stuff. If you have something you think should be included, let us know! Email us at [email protected]

Cool Stuff – January 9, 2012

Cool Stuff

Welcome to Cool Stuff, a weekly feature where we post our favorite links from the past week, including our favorite articles and how-tos, videos, images and more.

That’s it for this week’s Cool Stuff. If you have something you think should be included, let us know! Email us at [email protected]

Would you rent the Canon C300?

BL News
The Canon C300

The Canon C300

As many of you know, Canon has introduced the C300; its first camera in the new Cinema EOS line of products. Since its introduction, the Canon C300 has garnered a lot of criticism, especially when viewed in light of the RED Scarlet, which was announced in its final form that same day.

The $20,000 price tag on the C300 gave a lot of photographers pause, especially when you compared it to the Scarlet’s $14,000 production-ready package (or just under $10,000 for the body alone). There were other considerations, too; the Scarlet shot 24fps at 4K resolution to the C300’s 1080p. The Scarlet can autofocus Canon lenses; the C300 is manual-focus only. The Scarlet shoots in REDCode, which is kind of like shooting 24 RAW images per second at 14 megapixels each.

Clearly, the RED is the superior camera.

Or is it? (more…)

Tip of the week: How to Visualize and Shoot in B&W

Tips & Tricks
Nik Silver Efex Pro / Alien Skin Exposure

Nik Silver Efex Pro / Alien Skin Exposure

Every Thursday, we post a photography-related tip on our blog. These tips are typically inspired by questions we get from our customers. Sometimes we might feature a technique tip, and sometimes a gear recommendation. If there’s something specific you’d like to see in this section, let us know. Email us at [email protected]

Black and white photography is one of the oldest forms of photography; yet its popularity seems to have been on the uptick of late. With plugins like Alien Skin’s Exposure and Nik’s Silver Efex Pro 2, digital photographers now have some amazing tools at their disposal to create black and white images of varying types.

But the problem with shooting for black and white is knowing what will look good as a monochrome image. It can take photographers years to look at a scene and know what it will look like when rendered in monochrome. The old adage of “If it doesn’t look good, just convert it to B&W and call it art,” doesn’t hold very true. Rather, the axiom “GIGO (Garbage In, Garbage Out)” is much more accurate. You have to know what will stand out as a black and white image, and that’s what this week’s tip is about.

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Cool Stuff – December 14, 2011

Cool Stuff

Welcome to Cool Stuff, a weekly feature where we post our favorite links from the past week, including our favorite articles and how-tos, videos, images and more.

That’s it for this week’s cool stuff. If you have something you think should be included, let us know! Email us at [email protected].

From the “You don’t need a $10,000 camera” department…

Cool Stuff

Here’s something to remind you that you don’t need thousands of dollars’ worth of equipment to do something truly captivating. David HJ. Lindberg’s video of running through mud puddles (below) was shot with a Canon T21 and a 50mm f/1.8 lens.

The Beauty of Mud (4000 fps) from David HJ. Lindberg on Vimeo.

We really have gotten to the point where ingenuity, perseverance and creativity don’t need to be accompanied by tons of money. The photo gear that David used (T2i and 50mm f/1.8) can be rented for about $60 for three days from BorrowLenses. We also have the T2i for sale for just $450, if you want to buy it. Bottom-line: You’re not really limited by gear anymore – just grab your camera and lens and get out there!

One Fisheye to Rule Them All!

Gear Talk

After spending some quality time with Canon’s newest L-series lens, the EF 8-15mm f/4L Fisheye USM, we can safely say it is the undisputed king of the fishes. It’s so versatile that it replaces at least five other lenses: the Sigma 8mm, Peleng’s 8mm, Tokina’s 10-17mm, Canon’s own 15mm and the Zenitar 16mm. It covers the same focal length as all five of these lenses (for the most part) while being sharper across the zoom range, delivering crisp, contrasty images that are to be expected from a lens bearing Canon’s lofty “L” designation. With this lens in your bag, there’s little reason to consider another fisheye lens, regardless of what camera body you are using. (more…)

Tip of the week: Making sense of PocketWizards, Part II

Gear Talk Tips & Tricks

Every Thursday, we post a photography-related tip on our blog. These tips are typically inspired by questions we get from our customers. Sometimes we might feature a technique tip, and sometimes a gear recommendation. If there’s something specific you’d like to see in this section, let us know. Email us at [email protected]

In Part I of this series, we talked about the standard types of PocketWizards, covering the Plus II and Multimax triggers. Now, we’ll tackle the newer, more complex types of PocketWizards, called the ControlTL series.

About the ControlTL series

ControlTL stands for “Control The Light”, and it’s PocketWizard’s way of giving photographers even greater power over their lighting setup. There are several items that make up the system, from triggers designed specifically for studio flashes like the Paul C. Buff Einstein E640 lights, to small flash-specific triggers like the Nikon SB-900 and Canon 580EXII.

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Weekly Recap – November 7, 2011

Gear Talk

Welcome to the Weekly Recap. Today’s post recaps new and newsworthy items related to photography from around the web for the week ending on November 6, 2011.

  1. In case you missed it, Canon made its Hollywood debut last week. Lots of hoopla and a $20,000 camera in EF (standard Canon lens mount) and PL-mount version. Martin Scorcese and Vince LaForet both made appearances.
  2. Not to be outdone, outspoken and brash CEO Jim Jannard of RED trumped their introduction with his own – a $10,000 RED Scarlet-X that shoots 4K resolution at up to 30p.
  3. Of course, Canon added a very Jobsian “One more thing” nugget at the end of its presentation, announcing an HDDSLR that would capture 4K footage at 24fps in MotionJPEG.
  4. Lawsuits against photographers filed by angry clients isn’t exactly old news, but this one takes the cake. Actually, this guy wants his photographer to pay for his cake. And the rest of his wedding, apparently, so he can restage the whole thing SIX years later. After he’s been separated from his wife. It was enough for Anderson Cooper to add him to the Ridiculist.
  5. What is it these days with the law and photographers? First there’s the guy above, suing for $48,000. Then, an Oakland cop fires a rubber bullet at a photographer. And somewhere along the way, a Milwaukee photojournalist was arrested while covering an Occupy Milwaukee protest. Photography is not a crime, people!
  6. At least the folks in New Hampshire have it right. A judge there dropped wiretapping charges against a man for recording a police officer during a traffic stop.
  7. Going back to new gear releases, Panasonic unveiled the GX1, it’s newest Micro 4/3 camera. The category continues to grow…
  8. Our friends at DPS have a list of their top 10 photographic accessories, as presented by their readers.
  9. The folks at DIYPhotography have a rundown of the latest, greatest, most cutting edge camera flash technology – from 150 years ago.
  10. And finally, because everyone who shoots Canon knows that white lenses are better than black, one photographer painted his sub-$100 50mm f/1.8 lens white, with a red ring. Presenting: the 50mm f/1.8L (not really ‘L) lens.