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Leverage Multiple Camera Platforms with Adapters

Gear Talk

Recently, I completed a shoot for an article written by our own Alex Huff for 500px’s ISO blog. For it, I returned to my trusty old 5D Mark II and an even older lens: a Nikon 100mm f/2.8 AiS lens that’s at least 30 years old.

For me, the results were well past what I’d expected from the setup.

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Planning for Safari: Photography Tips and Tricks

Tips & Tricks

It’s safe to say that an African safari is on most wildlife photographers’ destination wish list. It is a trip many will never get the chance to do due to the extensive travel and time requirements as well as the significant financial expense. However, for those lucky enough to set out on the incredible journey it’s not as simple as picking a destination, hotel, and plane ticket. There is a significant amount of preparation and planning that must be done ahead of time. Borrowlenses.com advocate and wildlife photographer David Bernstein recently returned from his epic safari trip and graciously shared a few tips he learned along the way. Bernstein started out using a humble Rebel series camera and over time grew into being what he calls a “photo-naturalist”, taking pictures of landscapes and wildlife with an affinity for birds. This article is meant to help you plan for an African photo-focused safari and address many of the things to consider before embarking on the journey of a lifetime.

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Chasing Monkeys in Colombia for Nat Geo

Behind The Shot

Colorado-based DP and Director Danny Schmidt recently traveled to Colombia on behalf of National Geographic to obtain footage of the albino brown spider monkey. Equipped with a slew of video gear from Borrowlenses and a qualified crew, they had 8 days to gather the footage needed to tell the story of this beautiful and endangered species. 

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Latest Gear at BorrowLenses

Gear Talk

The pace of gear releases in our industry seems to be constantly increasing these days. Every month, we have new photo or video gear coming into our offices so we thought we’d start putting together a roundup of everything new we have available to rent. Here’s what’s come in during the last month or so:

Profoto B2 AirTTL Location Kit

LG9c36101f-492b-4043-b355-dfc77ab35963

Profoto gear just keeps getting better and better. The guys over at Resource Mag Online have put up a nice video review that you can check out here, but here’s the short and sweet: It’s Profoto’s legendary quality meets portability meets TTL metering for Canon and Nikon shooters. You can, of course, also hook up your standard PocketWizards for manual triggering as well. This is a fantastic light for location shooting when you want a bit more power than a standard speedlight.

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Cool Stuff — March 29, 2015

Cool Stuff

Welcome to Cool Stuff, a recurring feature where we post our favorite links, including our favorite articles and how-tos, videos, images and more.

Cool Stuff articles are culled from BLFlip, the official Flipboard Magazine of BorrowLenses.com. If you’ve got an iOS or Android device, you can download the Flipboard app for free now.

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Cool Stuff — March 15, 2015

Cool Stuff

Welcome to Cool Stuff, a recurring feature where we post our favorite links, including our favorite articles and how-tos, videos, images and more.

Cool Stuff articles are culled from BLFlip, the official Flipboard Magazine of BorrowLenses.com. If you’ve got an iOS or Android device, you can download the Flipboard app for free now.

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Canon Rebel SL1 Impressions

Gear Talk

Having been exposed to the most lusted after, review topping gear such as the 1DX and super telephoto lenses on a daily basis, a person tends to start looking for interesting gear experiences with less common choices. Take the Rebel SL1, for example (yes, we ARE aware of the huge gap in performance expectations). We have been using this body for some time now behind-the-scenes and despite its undesirable plastic build, tiny pentamirror viewfinder, and ridiculously small size, we started to um…like it! Here is why we would recommend trying this body out the next time you are considering something new for casual everyday shooting, travel photography, portraits, or landscapes.

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Canon 70D – Continuous Autofocus With STM Lenses

Gear Talk

Have you ever tried to autofocus in Live View with a DSLR? Pretty crummy, right? The Canon 70D changes that a bit with what they call Dual Pixel CMOS AF. This fairly new technology allows smooth, continuous autofocus (Canon calls is Movie Servo AF) while recording video. Continue on to view the test footage recorded when paired with Canon’s STM lenses.

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Red Bull GRC Action Sports Photography with Garth Milan

Photographers

Action sports photography has taken me all over the world, and my latest trip was to Sin City, where I spent two days shooting the final round of the 2014 Red Bull GRC series for, you guessed it, Red Bull. The event was just off of the Strip at the Linq Casino and Resort, at the base of the newly constructed High Roller Ferris wheel.

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A Comparison of 50mm Lenses

Gear Talk
There has been a sizable number of 50mm lenses that have flooded an already saturated market in the past 5 years. For example, there is the affordable and dependable Nikon AF-S 50mm f/1.8G (~$200), the much talked-about Sigma 50mm f/1.4 Art (~$1,000), and the luxurious Carl Zeiss 55mm f/1.4 Otus (~$4,000). What are the major differences between these (other than the Zeiss being a 55mm) and the collection of other 50mm lenses out there? When is it better to splurge rather than shoot more modestly? We quickly put 19 lenses to the test, old and new, to see how they compare to one another.  All images were captured on the Sony Alpha a7R with a Metabones Canon EF to Sony NEX Smart Adapter IIIMetabones Nikon G to Sony NEX Adapter, and a Sony LA-EA3.

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Have All Your Holiday Pictures Become The Same? Try Telling A Photo Story

Photographers Tips & Tricks

The holiday season is in full swing and for many of us it is a time to spend with friends and family, some of whom we may not get to see often. Is it great to have that group shot of long lost friends or 3 generations of family in one frame? YES! But why not test your skills this year at telling a photographic story. Follow these simple steps to communicate just how beautiful, exciting, or sentimental your time was spent over the holidays. Doing so just might jog those memories ever more clearly in the years to come and leave you with something to always cherish.

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Part 1: Will Learning Tilt-Shift Lenses Improve Your Photography?

Gear Talk

John Cooper specializes in corporate, industrial, and commercial photography for various business communities in Texas and teaches basic skills to other burgeoning photographers. If you are just starting out, or looking for a refresher, check out his advice below. You can also read more tips for architectural photography from John on our blog. Here is his advice on whether tilt-shift lenses are worth it for photographers.


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Breaking the Rules to Get the Most Out of Natural Light

Tips & Tricks

In photojournalism school, students are taught to underexpose when out in the field in order to achieve the richest colors and most intense contrast possible in a photograph. The trick, conventional wisdom explains, is to bring the exposure back up in post processing. I shot this way for years and it always treated me well. I’m still a big fan of the ‘underexpose method’ when shooting landscapes and documentary stories. The technique brings out the drama of what you’re trying to capture; old, wrinkly faces look like they belong to lost souls with millions of years of stories to tell, a canyon or mountain scape appears to be straight out of a dream with rainbow-like colors and dark, cloud-filled skies seem to hover over every crevice of the earth. Depth and drama are what this technique creates  — perfect for telling stories with a ‘wow’ effect. (more…)

Behind The Shot: Sparring Bears

Behind The Shot

Behind The Shot is a recurring feature where we dig deeper and find the backstories that accompany amazing photos. Do you have an awesome photo or know of one that we might want to feature? Send us an email!

Aikenhead, Sparring Bears Photographer/Filmer/Editor: Lisa Aikenhead

Gear: Canon 5D Mark II, Canon EF 100-400 f4.5/5.6L IS USM lens, Gitzo tripod, Really Right Stuff Ballhead (more…)

The Bokeh Effect: How Sensor Size Affects Background Blur

Gear Talk

Of all the things that photographers argue about in our secret monthly meetings, sensor size and its impact on our work is perhaps one of the most heated topics that can come up. From the true “bigger is better” snobs (“Sensors? Bah! 8X10 film is where it’s at!”) to the ones who prize portability above all (“Micro-Four-Thirds rules!”), the debate between advocates of MFT, APS-C, and full-frame sensors often reaches religious fervor.

Contentious topics related to sensor size include resolution, high-ISO performance, and dynamic range, but the quality and characteristic of bokeh, or out-of-focus backgrounds, is perhaps the most fiercely contentious. While there’s no contest that the bigger sensors can clearly produce much smoother and, well, blurier (not a word, I know), it’s also an unfair statement that the smaller sensors like the ones in Olympus and Panasonic Micro-Four-Thirds cameras can’t produce good bokeh. (more…)