Tip of the Week: Edit Video in Adobe… Lightroom?

Tip of the Week: Edit Video in Adobe… Lightroom?

You can now apply certain presets to video in Lightroom 4.

You can now apply certain presets to video in Lightroom 4.

It’s no big secret that video is now something even still photographers need to pay attention to. If you do photography for a living – or want to do photography for a living – then at some point, the specter of video is going to raise its head and you’ll have to deal with it, or risk falling behind your competition.

Since photographers are dabbling in video, it’s no surprise that a software application formerly dedicated to still photographers is itself now dabbling in video. The latest version of Adobe Lightroom, released this month, now offers DSLR video shooters the ability to do some video edits and effects without having to leave the program.

Among other things, you can do basic cuts and trims, apply color and exposure settings, and sync those settings between clips.

The folks over at Adobe – specifically, Adobe’s Senior Digital Imaging Evangelist, Julieanne Kost – have a great video showing you some of the things you can do to your video with Lightroom 4. Take a look – I think you’ll be surprised at how much you can do.

As an aside to our Aperture fans – yes, Aperture has had many of these features (and I’ve happily used them for a while) for some time now. It’s just nice to see Lightroom catching up.

Canon 5DMarkIII Review by OliviaTech.com

We spent a day with OliviaTech testing out the capabilities of the new Canon 5DMarkIII. We took it into a full production setting to shoot a music video and then into her studio to compare the ISO sensitivity, rolling shutter, and aliasing vs its predecessor, the Canon 5DMarkII. Check out the video review below and her full write up here.

Longer video clips available for you to download at Canon 5D Mark II vs Canon 5D Mark III Video Clips.

Tip of the Week: Understanding Sensor Crop Factors, Part 1

Tip of the Week: Understanding Sensor Crop Factors, Part 1

Different sensor sizes, compared

Different sensor sizes, compared

Every week, we post a photography-related tip on our blog. These tips are typically inspired by questions we get from our customers. Sometimes we might feature a technique tip, and sometimes a gear recommendation. If there’s something specific you’d like to see in this section, let us know. Email us at blog@borrowlenses.com.

You’ve likely heard the term “Crop Sensor” before, and if you’re new to the world of digital photography, then you may only have a rudimentary understanding of what that means.

In Part 1 of this series, we take a look at three different types of sensors and the practical effect they have on lens selection. In Part 2, we’ll take a look at what this means for depth of field, and that “bokeh” thing everyone’s talking about.

What’s a “Crop Sensor” camera anyway?

To understand what a “Crop Sensor” camera is, you first have to understand what a “Full Frame” sensor camera is, and that takes us back to the days of film photography. read more…

Tip of the Week – Copyright Your Images

Tip of the Week – Copyright Your Images

The "Photographers Survival Manual," by Ed Greenberg and Jack Reznicki.

The "Photographers Survival Manual," by Ed Greenberg and Jack Reznicki.

Every week, we post a photography-related tip on our blog. These tips are typically inspired by questions we get from our customers. Sometimes we might feature a technique tip, and sometimes a gear recommendation. If there’s something specific you’d like to see in this section, let us know. Email us at blog@borrowlenses.com.

Imagine this scenario: you’re out shooting and take an amazing, once-in-a-lifetime image of the San Francisco skyline. Pleased with your work, your rush home and put it up on your Flickr account, your 500px gallery and your Goolge+ page. It’s up on Facebook, you’ve Tweeted it, it’s out there for the world to see.

Six months later, your photo is on the cover of a magazine. You didn’t give them permission to print it, and you certainly didn’t get paid for it.

read more…

The BigmOS: A Review Of Sigma’s Stabilized 50-500mm Lens

The BigmOS: A Review Of Sigma’s Stabilized 50-500mm Lens

The Sigma 50-500mm OS Lens

The Sigma 50-500mm OS Lens

Introduction

BorrowLenses.com has carried the non-stablized version of the Sigma 50-500 for some time now. That lens, nicknamed the “Bigma” has been something of a cult favorite, despite its many failings. We recently introduced what I consider to be its older, more grown-up sibling, the Sigma 50-500mm lens with Optical Stablization, to our inventory as well. I took the Canon version of this lens, nicknamed the “BigmOS”, out for a spin to put it through a few paces.

Let’s get this out of the way immediately: when you use a lens like the Sigma 50–500mm f/4.5–6.3 APO DG OS HSM (there’s a mouthful for you), you really do have to keep your expectations in check. If you can remember that any lens with a 10x zoom factor is going to compromise quality and adjust the bar accordingly, you’ll walk away with some pretty decent images.

read more…

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