Building on the Sony NEX System

Building on the Sony NEX System

NEX–7

NEX–7

Sony’s NEX cameras have been taking the mirror less camera market by storm of late, coming out with models that repeatedly and substantially improve on their predecessors. And, as these models have evolved, the number – and quality – of add-ons for them have increased as well.

In this article, we’ll take a look at a few ways of building on the NEX series of cameras – which now include some fantastic video-specific offerings from Sony as well.

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Understanding Softboxes

Understanding Softboxes

Off-camera strobes and other forms of lighting have become remarkably approachable over the past few years. The knowledge and information that were once the sole province of pros working with tens of thousands of dollars of equipment in studios or on location is now all over the internet for the taking.

We carry a fair amount of lighting gear, and given that we cater to the novice as well as the pros, we also answer a number of questions about one particular piece of lighting gear: the softbox. Over the phone, via email, and through our social networking outlets, we respond to queries ranging from the number of stops a box’s diffusion fabric will eat, to “What’s a speedring?”

This article is designed to help you understand the various pieces of a softbox and how it is used with a studio light like the Einstein E640 or the Profoto D4 heads we rent.

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The BorrowLenses.com Holiday Gift Guide

The BorrowLenses.com Holiday Gift Guide

Welcome to the first ever BorrowLenses.com Holiday Gift Guide. Here, we’ll be listing some of our favorite cameras, lenses, and accessories that you should consider for the photo geek you’re shopping for. We’ll break this list down by category, so you can easily find something for the shutterbug in your life, no matter what their experience level is.

Let’s start with that all-important question – what camera should I rent?

Cameras

We broke this section down by category, from pro-level to the new mirrorless cameras.

Nikon D800Cameras (pro-level)

  • Nikon D800 or D800E
    • It’s received some of the highest ratings ever given to any camera by testing company DxO, and has been universally lauded as having some of the best dynamic range capabilities ever packed into a DSLR, and is competitively priced, too.
  • Others to consider:

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Cool Stuff – Week of November 25, 2012

Cool Stuff – Week of November 25, 2012

Welcome to Cool Stuff, a weekly feature where we post our favorite links from the past week, including our favorite articles and how-tos, videos, images and more.

That’s it for this week’s Cool Stuff. As always, questions and feedback are welcome in the comments below.

Tilt/Shift: Working With Perspective-Control Lenses, Part 2

Tilt/Shift: Working With Perspective-Control Lenses, Part 2

Nikon 85mm f/2.8D PC-E

Nikon 85mm f/2.8D PC-E

This is Part 2 of a series on using Tilt-Shift or Perspective-Control lenses. In this part, we look at the “Tilt” functionality of these unique lenses. Part 1, which covered “shift” functionality, can be found here.

At some point in time, we’ve all seen photos where the subjects – usually views from high-up of cars, buildings, people, etc. – appear to be miniaturized versions of reality. This is perhaps the most the most often-seen result from using tilt-capable lenses like the Nikon 85mm PC-E.

In this part of our series, we’ll explain how this effect is achieved with tilt-shift lenses.

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Sony Delivers Big-time with the Nex-6

Sony Delivers Big-time with the Nex-6

Sony NEX-6

Sony NEX-6

When rumors of the Sony NEX-6 hit the internet, it was a welcome bit of information for fans who wanted something between the high-end NEX-7 and the more consumer-friendly NEX-5N. There was a real need for a camera that added a few more physical controls for advanced amateurs, for example, who are used to dials and switches to quickly change camera settings, or for a camera with tweaks to the user interface, or – a pretty important feature for me – a viewfinder.

Well, Sony has provided all of those features, and then some with the NEX-6. So, naturally, when we received this shiny new toy, I had to take it for a spin.

Now, the really cool lenses – the 16-50mm and the 10-18mm are very much in demand, and all of our copies were checked out when I wanted to take them for a spin, so I settled on the massive 18-200mm lens and the Zeiss-badged 24mm f/1.8 lens. I shot them in a variety of different conditions, and – spoiler alert – I had an absolute blast.

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