Interested in car photography? Jim Frenak, lead photographer at FPI Studios, recently shot the new 2014 Chevy Impala for Chevy’s West Coast PR blog. Read about how FPI Studios got the shot by pre-planning with a shot list and employing a couple of popular techniques for capturing a sense of motion. From the original blog post by Jim Frenak (and edited by Sara Leeper), reprinted with permission:
Want to know what the best Nikon camera is for night photography? David Kingham is a landscape photographer who focuses on the night sky. Kingham puts all of the major Nikon bodies to the test in this guest blog post.
The Best Nikon for Night Photography
by David Kingham
Ever since Nikon released their new camera bodies last year I have been debating which body to upgrade to. I am an avid night photographer and have strong interests in how the bodies will perform for this specialized field. Night photography (especially for capturing the Milky Way) requires extremely high ISO’s of at least 3200 and up to 12,800. With the D700 I am generally limited to ISO 3200 and sometimes push the limits of the camera at ISO 6400. I rented some cameras from BorrowLenses.com to compare and, hopefully, find the ultimate Nikon camera for night photography. read more…
Unlike your computers, tablets, and smartphones, the clock in your camera doesn’t typically do the “Spring forward, Fall back” routine required to keep its clock accurate. If you don’t go in manually to change the time and date on you camera, the EXIF data it stamps your files with will have an inaccurate time/date stamp.
While it’s not the end of the world if your photos show a time that’s an hour off, having your clock accurate is always a good thing. Knowing the exact time an image was taken can help you if you want to replicate the exact atmospheric conditions in a landscape shot at a later time, for example. Having accurate timestamps is especially important if you’re doing any kind of geo-tagging of your images using a GPS tracker or your iPhone to record a GPS track file and apply it to your DSLR photos in Lightroom or Aperture.
When you think of fast-action photography, the D800E isn’t exactly the first camera that comes to mind – and with good reason. At a top speed of 4 frames per second and a buffer that will fill up pretty quickly with those massive 36MP files, it’s not a camera that lends itself to that kind of photography easily.
If you’re in a pinch, however, and need to be able to use the D800E (or the D800) for a bit of fast-action work, there are a few things you can do to get a bit more performance out of this camera.
I photographed the staff headshots for both BorrowLenses.com and Zenfolio.com using just a white wall as my background. Lighting basic higher-key headshots is an essential skill for most photographers. Here is a step-by-step guide for how I lighted the scene to create that seamless “white room” effect. read more…