BL Blog

Adobe Lightroom Tips for Beginners: Merging a Travel Catalog with your Main Catalog

Tips & Tricks

Seán Duggan is a fine art photographer, author, educator and an Adobe Certified Photoshop Expert with extensive experience in both the traditional and digital darkroom. His Lightroom Viewfinders series provides photographers with the tools they need to effectively take Lightroom on the road with them during their photographic travels. In episode 1, Duggan goes over the basics of cataloguing and backing up your files.

Merging a Travel Catalog with your Main Catalog
by Seán Duggan (reprinted here with permission)

Lightroom is an essential tool for the traveling photographer, allowing you to not only work on your images as your trip unfolds, but also to just enjoy them more while you’re still on the trip. Reviewing images at the end of each day, editing them, working on sequences and image pairings, is also a great way to notice visual themes and trends in your own image making during the trip. You may not always be conscious of these as you are taking the photos, but taking note of these potential creative paths during the image review process can suggest new directions, as well as help you clarify existing ideas for the types of images you want to make.

In the Lightroom Viewfinder episode below, I provide an overview of my Lightroom travel catalog setup (including regular backups and keeping the drives safe from loss while on the road). Then I’ll show you how to import the data from the travel catalog into the main Lightroom catalog back home when the trip is over. I also address the all-important practice of moving files within Lightroom so the program always knows where they’re at.

Stay tuned for next week’s Lightroom Viewfinders topic “The Island of Lost Files: Find Those Missing Files and Get Your Lightroom Catalog Back in Order!”
In the meantime, check out Duggan’s other photo tips over on his blog.

Blowing out the Background

Gear Talk Tips & Tricks
Ben on a greyish-blue background.

Ben on a greyish-blue background.

The image above was not shot on a white background. It has a minimal level of adjustment in Lightroom to it, mostly to clean up the edges, but that’s about it. It was taken in front of the greyish-blue wall in the lobby of the BorrowLenses.com offices in San Carlos.

The thing about a relatively light-colored background is that it lends itself to a surprisingly large number of options for photographers. Though grey backgrounds work best for this, you can with some tweaking, turn just about any light-colored background — grey, blue, beige — completely black, as I demonstrated in this article on how to kill your background completely.

In this article, I’ll show you how to blow out that background completely to make it look like you’re shooting in front of a white backdrop.

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Capture Motion in Car Photography with these Shot List Tips

Tips & Tricks

Interested in car photography? Jim Frenak, lead photographer at FPI Studios, recently shot the new 2014 Chevy Impala for Chevy’s West Coast PR blog. Read about how FPI Studios got the shot by pre-planning with a shot list and employing a couple of popular techniques for capturing a sense of motion.

Cool Stuff – Week of March 24, 2012

Cool Stuff

Welcome to Cool Stuff, a weekly feature where we post our favorite links from the past week, including our favorite articles and how-tos, videos, images and more.

  • The shootout at Gulf Photo Plus is always a fantastic thing to watch. Luminaries such as Greg Heisler, Zack Arias, and David Hobby have been past participants. Here’s the latest one.
  • Joe McNally talks to Marc Silber about lighting. A good, quick 4-minute video that’s more about philosophy than technique.
  • Speaking of Joe McNally, if you haven’t seen his photo from the top of the Burj Khalifa in Dubai, here it is.
  • Now, we’re not going to be able to provide the castle, the swimming pool, the giant print or the model, but we will soon have the Hasselblad H5 line of cameras in our rental inventory. Here’s what photographer Henrik Sorenson did with one of these gorgeous machines.
  • And finally, via our friends at PetaPixel, the story behind some amazing portraits taken with an iPhone and a $10 lamp.

 

That’s it for this week’s Cool Stuff. As always, questions and feedback are welcome in the comments below.

The Best Nikon for Night Photography

Gear Talk

Want to know what the best Nikon camera is for night photography? David Kingham is a landscape photographer who focuses on the night sky. Kingham puts all of the major Nikon bodies to the test in this guest blog post.

BorrowLenses.com WPPI Recap: Pro Photographer Speakers, Prizes, and More

BL News

BorrowLenses had a great time at the Wedding and Portrait Photographers International Conference last week in Las Vegas! We spoke with hundreds of people and gave away nearly a thousand dollars’ worth of prizes over the three-day event. Check out our pictures!

Cool Stuff – Week of March 17, 2013

Cool Stuff

Welcome to Cool Stuff, a weekly feature where we post our favorite links from the past week, including our favorite articles and how-tos, videos, images and more.

  • There are a few photographers whose work we love so much, we’ll drop everything to watch them make toast. Or, as we see with a younger Annie Leibovitz here, to watch them talk about their work.
  • Ditto for Greg Heisler. There’s no question that we’d close up shop to watch this master talk about his work. As with Annie above, this one’s a flashback, both of them courtesy of our friends at PetaPixel.
  • Curious about who’s paying for photography these days? We are. Which is why we’re pleased as punch that someone’s talking about it (kinda) openly. Here’s “Who Pays Photographers.”
  • Look, don’t expect us to carry this in our inventory anytime soon, okay? Here’s a photographer using a Nikon 1200-1700mm lens to photograph the new pope. Why won’t we carry it? Because we like our shippers’ spinal columns too much.
  • Like them, love them, hate them, whatever. The guys at DxOMark aren’t afraid to be vocal about their choices, and they’ve started a new series of articles about the best lens choices for their top-ranking camera, the Nikon D800.

That’s it for this week’s Cool Stuff. We hope you got a chance to see us at WPPI if you were out there! As always, questions and feedback are welcome in the comments below.