Behind The Shot is a recurring feature where we dig deeper and find the backstories that accompany amazing photos. Do you have an awesome photo or know of one that we might want to feature? Send us an email!
Photographer: Michael Chen
Settings: ISO 1600, f/9, 1/250 – Flash Power @ 1/16
Backstory: One of the most frequently asked questions that I’ve been getting is how I shot the hummingbird nests with the mother feeding her chick. Most of the time, I actually trigger a camera remotely using Pocket Wizard MultiMAX transceivers. A remote camera allows me to keep some distance between me and the nest, lessening the amount of attention I draw to the nest area. In general, nesting hummingbirds in a suburban environment do not mind a human presence and adapt quickly to a humans that they perceive as nonthreatening; however, one’s presence will draw and hold the attention of predators, such as crows and jays, and make it easier for the nest to be discovered. The angles I can shoot from are also expanded by using the remote camera, as I can squeeze the camera and lens into places where it would be hard for me to be looking through the viewfinder.
Here, I’ve taken advantage of a nearby tree house-type structure and have placed the still camera on a tripod; the tree house allows me to simply use a tripod instead of having to be more creative in safely suspending the camera up in a tree. The lens on the Nikon D3 camera is a Nikon 400mm f/2.8D AF-S; the tripod used here is a Gitzo 3-series. I used a TC-14E II 1.4x teleconverter on the 400mm f/2.8 to fill more of the frame with the hummingbird and her nest, though I ultimately still had to crop off quite a bit of empty space. Two SB-900 flashes, also triggered by the Pocket Wizard MultiMAX transceivers (using the relay mode function), freeze the motion of the mother and chick, and allowing me to shoot at f/16 for sufficient depth of field to keep everything important in focus. The flashes are held in place by Manfrotto Magic Arms and allow me to position the flashes wherever I need them.
After I set everything up- carefully and hopefully unnoticed by predators- all I have left to do is find a place to stay out of sight while being able to observe when the mother has returned to the nest, and then trigger the camera to make some images. Remaining vigilant and patient at the same time is key to capturing the mother feeding the chick, as while the mother will feed the chick many times per hour, the actual moment of feeding is quick and fleeting; one can easily miss the mother entirely even while positioned close to the nest.
Check out more of Michael’s work on his website.
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The Blackmagic Pocket Cinema Camera is one of the newest additions to our inventory, and is already in demand — every single unit we currently have in our inventory is checked out for the next two weeks at least, so get your orders in as soon as possible. This tiny little package packs a wallop when it comes to delivering outstanding image quality, and as of a couple of weeks ago, it is also the smallest camera in the world that shoots RAW video. read more…
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Here are a few more things you should keep in mind when shooting with the Medium Format gear, especially with the 80MP IQ280 Phase One back.
Jay Cassario is a wedding, engagement, and portrait photographer with additional passion for landscape and star photography, which has earned him publications by National Geographic. He is a regular contributor to SLR Lounge.
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