There’s no shortage of lighting modifiers for small flashes like the Nikon SB–910 on the market today. From the Apollo softboxes we rent, to grid kits, snoots, umbrellas, and beauty dishes, small flash has really come into its own, especially for photographers working on location.
Now there’s a new accessory for Strobist-style shooters that will let you use a much wider variety of softboxes with your existing small flashes, including the high-end modifiers from companies like Profoto. I used it with two Profoto softboxes a couple of weeks ago for a portrait, with excellent results.
Shutterfly provides award-winning photo books, iPhone cases, photo prints, and other great photography keepsakes so that photographers of all levels can share their personalized memories with the world. In their Storytelling series, they share the images and techniques of photographers to help inspire others. In this guest post, Shutterfly shares the work of a creative baby photographer.
What Does Your Baby Dream About?
“Adele Enersen imagined what her daughter dreamt about and used her creative muscle to capture those scenes with her camera while the child slept. The resulting collection of inspiring photographs that show baby Mila as everything from Thumbelina to Rapunzel are bound in the new book, When My Baby Dreams in Fairy Tales. These are her words and images…”
Did you miss out on the early sign-up for Google Glass? You’re in luck because BorrowLenses.com has you covered! Google is keeping these special specs super exclusive but we’re not.! Google Glass takes pictures and video through voice commands and comes equipped with GPS, WiFi, and Bluetooth on an Android OS that is pairable with iPhones. We tried out Google Glass back in 2012 during the G+ Photographer’s Conference in San Francisco and now you can rent a pair.
Seán Duggan is a fine art photographer, author, educator and an Adobe Certified Photoshop Expert with extensive experience in both the traditional and digital darkroom. His Lightroom Viewfinders series provides photographers with the tools they need to effectively take Lightroom on the road with them during their photographic travels. In episode 1, Duggan goes over the basics of cataloguing and backing up your files.
Merging a Travel Catalog with your Main Catalog
by Seán Duggan (reprinted here with permission)
Lightroom is an essential tool for the traveling photographer, allowing you to not only work on your images as your trip unfolds, but also to just enjoy them more while you’re still on the trip. Reviewing images at the end of each day, editing them, working on sequences and image pairings, is also a great way to notice visual themes and trends in your own image making during the trip. You may not always be conscious of these as you are taking the photos, but taking note of these potential creative paths during the image review process can suggest new directions, as well as help you clarify existing ideas for the types of images you want to make.
In the Lightroom Viewfinder episode below, I provide an overview of my Lightroom travel catalog setup (including regular backups and keeping the drives safe from loss while on the road). Then I’ll show you how to import the data from the travel catalog into the main Lightroom catalog back home when the trip is over. I also address the all-important practice of moving files within Lightroom so the program always knows where they’re at.
Stay tuned for next week’s Lightroom Viewfinders topic “The Island of Lost Files: Find Those Missing Files and Get Your Lightroom Catalog Back in Order!”
In the meantime, check out Duggan’s other photo tips over on his blog.
The image above was not shot on a white background. It has a minimal level of adjustment in Lightroom to it, mostly to clean up the edges, but that’s about it. It was taken in front of the greyish-blue wall in the lobby of the BorrowLenses.com offices in San Carlos.
The thing about a relatively light-colored background is that it lends itself to a surprisingly large number of options for photographers. Though grey backgrounds work best for this, you can with some tweaking, turn just about any light-colored background — grey, blue, beige — completely black, as I demonstrated in this article on how to kill your background completely.
In this article, I’ll show you how to blow out that background completely to make it look like you’re shooting in front of a white backdrop.