Seventeen magazine has issued a “Body Peace Treaty” where they promise not to change face or body shapes in their images. Is this the start of a trend? I hope so – but really, a “Treaty?” This isn’t international diplomacy, folks.
From time to time, we offer up Op-Ed pieces on various aspects of photography for your consideration. Please note that these articles are the personal opinion of the writer, not necessarily of BorrowLenses.com.
I’m going to start this post off by sharing a video created by Zack Arias.
Next up, read this post, also from Zack: “Wedding Photographers Deserve Our Respect.” Now, the video here introduces a different topic, but at the beginning of the video, Zack actually talks about tipping your hat to wedding photographers. White the rest of the video is something that you absolutely, positively, mush watch. I won’t even try and summarize it for you – just go watch and read, then come back here. I’ll wait. (more…)
The phrase “Thing of beauty” doesn’t do this video justice.
Turning San Francisco into your own personal rally car track is epic enough (just how did they get the streets that deserted?!). Capturing the run on over 100 cameras? That’s just icing on the cake. That’s the crew just rubbing your face in the awesomeness of this event.
Photographically alone, it’s a feat of epic proportions. Ken’s crazy skills with that Fiesta notwithstanding, acquiring footage from all those cameras as he streaks through SF is kind of a big deal. All of it has to be ingested, logged, tagged, and then edited. That’s the truly incredible part – someone sat down and cut all that together.
Excuse my while I pick my jaw up from the floor.
Speaking of cool, there’s a scene where Travis Pastrana does a cameo on his dirt bike in the video above. BL’s own Emotive Image (www.facebook.com/emotiveimage) was shooting X-Games just a little while ago, and saw Travis Pastrana rockin’ some of our long Nikon glass.
We’ve been waiting for this bit of kit for a long, long time. The 1Dx is finally here, and we run through a bunch of the features of Canon’s flagship body. This full-frame camera is set to replace the 1D mkiV and the 1Ds mk III. We show off the high frame-rate, some AF features, compare ISO settings and give a general rundown of this exciting new professional DSLR.
Last week, we told you about a free set of overlays you can use in your videos to simulate looking through a DSLR. Now, Luke Neumann, the filmmaker who created those overlays, has more freebies for your use. For the month of July, he’s giving away a free orchestral track for use in your movie every day. The first, “Edge of Reason,” is embedded below, and I’ve already got it for use in a future film.
As a filmmaker, I’ve been shooting with the Technicolo Cinestyle for some time now. Recently, however, I switched to Stu Maschwitz’s Prolost Flat style. The reason? It’s the only style I can create and adjust entirely in-camera, without needing to load up Canon’s awful EOS utility on my computer – especially since I’ve lost the disk for it a LONG time ago. Besides, I figure if Stu, Vincent Laforet and Philip Bloom all use it, there’s something to it.
Finally, I was going to do this for a Tip of the Week segment, but Olivia Speranza over at OliviaTech beat me to it – and did a darn fine job while she was at it. Learn how to use AF microadjust to get your autofocus bang-on every time.
That’s it for this week’s Cool Stuff. As always, questions and feedback are welcome in the comments below.
Hate dealing with model releases? This new iPhone app from photographer Catherine Hall might just be the thing you need to make the process of creating, signing, and storing release forms as simple and painless as possible.
In this week’s Photo Finds article, we take a look at fashion photographer Melissa Rodwell’s work. If you’re interested in getting into the field, this is one photographer you should be paying attention to.
Welcome to Cool Stuff, a weekly feature where we post our favorite links from the past week, including our favorite articles and how-tos, videos, images and more.
You know we’re getting the much-hyped Sony FS-700, and if you follow us on Facebook, you know that we’ve already used it to do an awesome little take on Reservoir Dogs. If you haven’t, here it is for your viewing pleasure.
Of course, if you’re looking for a good review of the FS700 while you wait for ours, here’s one you should see. Al Jazeera’s Matthew Allard used the camera on assignment in Mongolia, and this is his review.