Recently, I completed a shoot for an article written by our own Alex Huff for 500px’s ISO blog. For it, I returned to my trusty old 5D Mark II and an even older lens: a Nikon 100mm f/2.8 AiS lens that’s at least 30 years old.
For me, the results were well past what I’d expected from the setup.
It’s safe to say that an African safari is on most wildlife photographers’ destination wish list. It is a trip many will never get the chance to do due to the extensive travel and time requirements as well as the significant financial expense. However, for those lucky enough to set out on the incredible journey it’s not as simple as picking a destination, hotel, and plane ticket. There is a significant amount of preparation and planning that must be done ahead of time. Borrowlenses.com advocate and wildlife photographer David Bernstein recently returned from his epic safari trip and graciously shared a few tips he learned along the way. Bernstein started out using a humble Rebel series camera and over time grew into being what he calls a “photo-naturalist”, taking pictures of landscapes and wildlife with an affinity for birds. This article is meant to help you plan for an African photo-focused safari and address many of the things to consider before embarking on the journey of a lifetime.
Colorado-based DP and Director Danny Schmidt recently traveled to Colombia on behalf of National Geographic to obtain footage of the albino brown spider monkey. Equipped with a slew of video gear from Borrowlenses and a qualified crew, they had 8 days to gather the footage needed to tell the story of this beautiful and endangered species.
The pace of gear releases in our industry seems to be constantly increasing these days. Every month, we have new photo or video gear coming into our offices so we thought we’d start putting together a roundup of everything new we have available to rent. Here’s what’s come in during the last month or so:
Ian Coble is a commercial sports photographer based in Seattle, WA. His imagery and style have been used in campaigns for Patagonia, Columbia, Atlas Snowshoes, Brooks Running, Smith Optics, Cascade Designs, Red Bull and many others. Below he shares his tips for getting the perfect snow sports shot.
Photography Tips: Getting the Perfect Ski Shot
by Ian Coble
Taking photos on your adventures can be incredibly rewarding but it can also be incredibly frustrating. You spend all day shooting your friends on an amazing outing and come home eager to look at your work. But as you review your images you find that they’re blurry, underexposed, or just plain boring—definitely not the way that you remember the excitement of the day. This tutorial will help you minimize those frustrations with some tech tips to follow the next time you take your camera on a ski or snowboard outing. Continue on for some expert advice just in time for the spring skiing season (and an unexpected dump in Tahoe)!
Many photographers merge into a great photographic passion first by their inspirations of concert and band photography. Musicians and photographers are like cousins; we are enthused by the instruments we use, constantly searching for ways to make our mark, and feed off one another’s talent to express emotion. If you are among those who aspire to shoot concerts you may know already that the task is one of the most challenging in the industry, especially for beginners learning their craft. If you have interest in this fun yet competitive field and are just beginning or interested in improving – look no further! We have interviewed some of Borrowlenses.com‘s resident concert photographers for their tips and tricks including what equipment they recommend, how to get the best shot possible, and the leg work it takes to grant you access to get the optimal shot.