Nikon D4s: Thoughts, Test Shots, and Quick Review

Nikon D4s: Thoughts, Test Shots, and Quick Review

Court Leve is a sports, wedding, portrait, and pet photographer. His work has been published in National Geographic Adventure, Powder, Ski, Skiing, Freeskier, Parade Magazine, ForbesLife Mountain Time, Spirit Magazine, Southwest Art, and more. He is a regular contributor to the BL Blog.


Nikon D4s: Thoughts, Test Shots, and Quick Review
by Court Leve

Like most new iterations of Nikon’s pro bodies, the D4s is yet another leap forward in imaging. In my case, coming from a D3s to a D4s ,the improvements are quite noticeable. If you are a current D4 user, the differences will be more subtle but still noteworthy especially for those shooting video.  read more…

Two Lighting Styles in 1 Shot with the Pocket Wizard MultiMax

Two Lighting Styles in 1 Shot with the Pocket Wizard MultiMax

Alexis Cuarezma is a San Francisco-based photographer who specializes in both on-location and in-studio portraiture. An alumnus of the Eddie Adams Workshop, Cuarezma has done assignments for the LA Times, the New York Times, HBO, and a number of international publications. He recently did a shoot with Shayne Skov for Sports Illustrated at Stanford University, where he had precious little time to essentially do two shoots at once. read more…

The Bokeh Effect: How Sensor Size Affects Background Blur

The Bokeh Effect: How Sensor Size Affects Background Blur

Of all the things that photographers argue about in our secret monthly meetings, sensor size and its impact on our work is perhaps one of the most heated topics that can come up. From the true “bigger is better” snobs (“Sensors? Bah! 8X10 film is where it’s at!”) to the ones who prize portability above all (“Micro-Four-Thirds rules!”), the debate between advocates of MFT, APS-C, and full-frame sensors often reaches religious fervor.

Contentious topics related to sensor size include resolution, high-ISO performance, and dynamic range, but the quality and characteristic of bokeh, or out-of-focus backgrounds, is perhaps the most fiercely contentious. While there’s no contest that the bigger sensors can clearly produce much smoother and, well, blurier (not a word, I know), it’s also an unfair statement that the smaller sensors like the ones in Olympus and Panasonic Micro-Four-Thirds cameras can’t produce good bokeh. read more…

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