Mirrorless Magic: Spending Time With the Olympus OM-D
When we recently received the Olympus OM-D E-M5 (there’s a mouthful for you) in our warehouse, I wasted absolutely no time in snagging one of the bodies and taking it for a whirl. My “whirls” usually last a few weeks so that I can put the camera to use in a variety of different ways, and given the feedback I’d heard from other photographers about this diminutive body, I was eager to put it through its paces.
Two weeks later, I have my conclusion: Olympus has an absolute winner on its hands.
The Micro-Four-Thirds platform isn’t a closed-loop system. Olympus and Panasonic both make bodies for it, and there’s even an MFT-based version of the enormously popular Blackmagic Cinema Camera on the way. Panasonic, particularly, has two lenses that I decided were going to be my go-to lenses for this test: the 12–35mm f/2.8 and the 35–100mm f/2.8 lenses.
The Gear – OM-D, Panasonic 12–35mm and 35–100mm
Together, these cover the equivalent of the 24–70 and 70–200mm lenses in 35mm terms, giving me the focal lengths used by most photographers. Because the OM-D features a 5-axis, in-body stabilization, that entire focal length is stabilized as well. (more…)