The Nikon Df: Thoughts, Test Shots, and Quick Review

The Nikon Df: Thoughts, Test Shots, and Quick Review

Jay Cassario is a wedding, engagement, and portrait photographer with additional passion for landscape and star photography, which has earned him publications by National Geographic. He is a regular contributor to SLR Lounge in addition to the BL Blog. The Nikon Df: Thoughts, Test Shots, and Quick Review by Jay Cassario The Nikon Df is a very unique camera. With its vintage look and highly praised sensor, it had a lot of photographers drooling over it before it even hit the shelves. It also had its critics ripping it apart. It can’t be fairly compared to the D800 or the D4 – it’s not meant to be a D800 or D4. Call it a “hipster” camera if you want but there is a lot more to it than just a pretty retro exterior. The Df takes you back to the film days of the 70’s and buried underneath all of those fancy dials is one of the greatest sensors ever produced by Nikon. The sensor used in the Df is the same FX-format CMOS sensor with EXPEED 3 engine that is in the flagship D4 but at about half the price (as of this writing). While it lacks some of the features of the D4, the Df’s combination of exceptional image quality, industry leading low-light capabilities, and vintage looks makes it a special camera that not only takes amazing photos but leaves you feeling a little more like a true photographer, however romantic that may sound, with every click of the shutter. Disclaimer: I shoot both Canon and Nikon but I won’t be making any comparisons to the Canon bodies I own. I actually sold my...
Top 5 Photography Posts on the BorrowLenses Blog

Top 5 Photography Posts on the BorrowLenses Blog

It’s listicle season and we’re celebrating, too, with our top 5 most popular blog posts of 2013! Each one provides a different tip to help make you a better photographer. We hope these tips will help you reach your goals in the coming year! Want more? Visit the blog every week for great advice, tricks, and even special offers on photography, videography, lighting, and more. You can also find great content on our social media pages: Facebook, G+, Twitter, Pinterest, Instagram, YouTube, and...
BorrowLenses Year in Review: The Cameras of 2013

BorrowLenses Year in Review: The Cameras of 2013

2013 is a record year for new camera models at BorrowLenses.com, which means having the biggest selection of models we’ve ever had. There is something for every kind of photographer, from mirrorless pocket cameras to huge 60+ megapixel medium format DLSRs. We selected a bunch of our favorites from this bountiful season. Discover what’s available for exploration in our year-in-review. Mirrorless/MFT/Compact Panasonic’s GX7 boasts in-body stabilization and Light Speed AF all inside a super stylish design with a comfortable rubber grip. Other notable features include an impressive action-stopping 1/8000th of a second shutter ability and flash syncing at 1/320th of a second and a DSLR-esque twin-dial control system. The fully 90 degree tilting viewfinder is also a welcome feature. The GX7 has this crazy 40 FPS mode when using the electronic shutter. However, to use it you are limited to reduced-resolution JPEGs but it’s still a fun option to have. Autofocus on the GX7 is blazingly fast. AF locks onto the subject immediately even in low light where manual focus is often the only option. Continuous AF, however, still tends to hunt around as one would expect with no phase-detect sensors. Overall, the GX7 is comfortable, cool looking, and accommodates a vast array of MFT-mount lenses that are very fast. Pairs well with: Panasonic 35-100mm f/2.8 Lumix G Vario Zoom Lens Fuji’s X100 set the gold standard for retro design when it first came out. Since then it has continued that tradition, packing increasingly advanced technology into the classically designed mirrorless cameras that take their cues more from rangefinders of yesterday than anything else. The success to the X100 is the “s” variant of...
The Five Best Lenses For the Blackmagic Pocket Cinema Camera

The Five Best Lenses For the Blackmagic Pocket Cinema Camera

I’ve been playing with the BMPCC (Blackmagic Pocket Cinema Camera) for a few weeks now, and have, after much experimentation, finally narrowed the massive selection available for this camera (especially via adapters of various sorts) down to my 5 essential picks. Here they are, in no particular order… Best General-Purpose Lens: Panasonic 12-35mm f/2.8 This is one of those lenses that isn’t just good for the BMPCC; it’s awesome for just about any Micro 4/3 camera. Featuring a focal length of 24-70mm on a standard Micro 4/3 camera like the Olympus OM-D EM-1, a fast f/2.8 aperture, and optical image stabilization, this lens lends itself perfectly for BMPCC shooters. Given the Blackmagic’s 3x crop factor, this lens becomes a still-slightly-wide 36-105mm. Moreover, given the fact that the BMPCC has an active M4/3 mount, the image stabilization works just fine. In short, this is your desert island lens; it’ll work for almost every common scenario you might come across. Best Compact Lens: Olympus 12mm f/2.0   You’d think I’d pick one of the pancake lenses available from Panasonic or Olympus, like the 20mm f/1.7 from Panasonic. To be sure, that’s a solid performer, but I chose the 12mm for 2 key reasons. The first is that it’s still a pretty compact lens, and has a nice, fast f/2.0 aperture with the equivalent of a 36mm focal length. The second is that it’s a lens that lends itself a bit better for the BMPCC in terms of focus. Although the Blackmagic Pocket Camera does have a basic autofocus feature, most video shooters will find themselves using manual focus to nail things...
Things to Know about the Blackmagic Pocket Cinema Camera Raw Update (with Some Sample Footage)

Things to Know about the Blackmagic Pocket Cinema Camera Raw Update (with Some Sample Footage)

The Blackmagic Pocket Cinema Camera is one of the newest additions to our inventory, and is already in demand — every single unit we currently have in our inventory is checked out for the next two weeks at least, so get your orders in as soon as possible. This tiny little package packs a wallop when it comes to delivering outstanding image quality, and as of a couple of weeks ago, it is also the smallest camera in the world that shoots RAW video. We decided to put the BMPCC’s RAW chops to an entirely unscientific test (in low-light, no less) as soon as we had a few spare minutes with a unit in-between your rentals, so check out that video after the jump. Suffice to say that RAW video offers all the advantages that still photographers have enjoyed with RAW images for a while now; the ability to shift white balance, increased exposure latitude, and a fat, robust file that stands up to vigorous post-production. Yet it’s not without its challenges either. Shooting RAW video requires some hefty resources on the shooting and post-production end, and so we thought we’d put together a list of a few things you need to be aware of if you’re going to venture into the land of RAW video. First things first – know WHY you want to shoot RAW. The BMPCC’s ProRes codec is plenty powerful – it has more than twice the bit rate of the Canon 5D Mark III’s All-I codec. Know why you think you need RAW before you shoot it. RAW video takes up a LOT of...
What (Else) to Know When Renting the Hasselblad H4X Medium Format Camera w/ 80MP IQ280 Digital Back

What (Else) to Know When Renting the Hasselblad H4X Medium Format Camera w/ 80MP IQ280 Digital Back

A while back, we did a piece on what to know when renting Hasselblad H4X Medium Format Camera w/ 80MP IQ280 Digital Back. Medium format gear is a pretty different creature from your standard DSLR, even your high-end Canon 1Dx and Nikon D4’s. Like my colleague Alex Huff pointed out, it can be “perhaps a little scary.” Here are a few more things you should keep in mind when shooting with the Medium Format gear, especially with the 80MP IQ280 Phase One back. As Alex mentioned, you will need Capture One to read and work with Phase One’s IQF files. While Capture One is available for free for 60 days, here’s something even better – it’s available for free for an unlimited amount of time in “DB” mode. DB mode restricts you to using Capture One with files from Phase, Mamiya, and Leaf digital backs only, but has the full feature set of Capture One Pro. Alex also mentioned the reverse crop-factor for lenses when you use them with this back. That difference is ridiculously stark when compared to APS-C or even full-frame sensors, let alone Micro 4/3 or smaller. Here’s a shot taken with a 24mm lens. As an image, it’s not particularly remarkable – till you realize that I was standing almost under the tree itself. The reverse crop factor gives you some seriously wide angles. The lenses made by Hasselblad are amazing as far as image quality goes. What they are not, is weather-sealed. I can’t stress this enough, folks – do NOT take these out to Burning Man. Or the beach. I did, and we had...