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Gear Talk

Sample Images from the Nikon 800mm f/5.6

Gear Talk

I’ve been out testing the Nikon 800mm f/5.6 lens we just got in, and have a few sample images to share. I went out to the Redwood Shores region of the San Francisco Bay Area to shoot the skimmers that show up around here every spring, and got a handful of other birds as well. The full-up review is coming soon, so stay tuned for that. (more…)

The Best Lenses for Night Photography: A Case for Rokinon Primes

Gear Talk

David Kingham is a landscape photographer who focuses (pun intended?) on the night sky. He set out to find the best astrophotography and night photography lenses for their price point. Discover why Rokinon lenses may transform how you shoot.


The Best Lenses for Night Photography

by David Kingham

Prime vs Zoom

What do you want in a lens for night photography? The most important factor is how much light a lens will let in so that we can shoot at lower ISOs– this means apertures of f/2.8 or greater (f/1.4 being preferred). Most zoom lenses only go to f/2.8 and, while they are perfectly okay for night photography, they are not the ultimate lenses to use.

Enter the prime lens! A prime lens is a fixed-focal-length lens that is designed to have much larger apertures. If you have looked into the major manufacturers’ primes (Nikon, Canon, Zeiss) you may be thinking I’m crazy right now because they are expensive (unless, of course, you rent them)! I went on a search for lenses with the ultimate quality-to-price ratio.

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The Poor Man’s Tilt-Shift: Freelensing Your Way to a Specialty Lens

Gear Talk Tips & Tricks

While we’ll never condone the wanton destruction of a lens (especially one of ours), sometimes a little home reverse engineering can do wonders–or at least make for a fun weekend project. This is exactly what photographer Jay Cassario did over at Lightshop. He took a $120 lens and converted into a tilt-shift, saving himself about $1,000. Of course, he could have just rented a tilt-shift lens from us but that is not the point! Read all about Jay’s  (more…)

Playing with Nikon’s Big Guns.

Gear Talk
Nikon D4

Nikon D4

Not so long ago, I did a post about Canon’s new “Big Guns”, the 600mm f/4 II and the 1Dx. We’re now waiting for Nikon’s newest super-tele, the 800mm f/5.6, to ship, but I thought I’d take the newest flagship camera from Nikon out for a spin with the venerable 600mm f/4 that they’ve had out for a while.

 

Nikon 600mm f/4

Nikon 600mm f/4

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BorrowLenses.com Fun at the 2013 NAB Show: Day Three

BL News Gear Talk

BorrowLenses.com is at the 2013 NAB Show in Las Vegas! If you are here, too, please come visit us in booth #C9550! We have great cameras for folks to try out and other surprise goodies, including a chance to win a free rental from us! Not at NAB? That’s ok – take a virtual tour with us below. Here are some of the shots we were able to take during quick breaks. See more here and here.

BorrowLenses.com Fun at the 2013 NAB Show: Day Two

BL News Gear Talk

BorrowLenses.com is at the 2013 NAB Show in Las Vegas! If you are here, too, please come visit us in booth #C9550! We have great cameras for folks to try out and other surprise goodies, including a chance to win a free rental from us!

Not at NAB? That’s ok – take a virtual tour with us below. We’ll be posting pictures and videos all week so be sure to check our blog for more fun footage!

New Zacuto Stabilization Shoulder-Mount Rigs Available to Rent at BorrowLenses.com

Gear Talk

Zacuto makes high-quality, USA-manufactured videography and photography accessories and stabilization rigs for pro-level cameras and DSLRs alike. Shoot like a pro for a fraction of the price! Get familiar with our new kits.

Small Flash, Big Box: Using the LumoPro Flash Bracket

Gear Talk The LumoPro Flash Bracket

There’s no shortage of lighting modifiers for small flashes like the Nikon SB–910 on the market today. From the Apollo softboxes we rent, to grid kits, snoots, umbrellas, and beauty dishes, small flash has really come into its own, especially for photographers working on location.

Now there’s a new accessory for Strobist-style shooters that will let you use a much wider variety of softboxes with your existing small flashes, including the high-end modifiers from companies like Profoto. I used it with two Profoto softboxes a couple of weeks ago for a portrait, with excellent results.

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Blowing out the Background

Gear Talk Tips & Tricks
Ben on a greyish-blue background.

Ben on a greyish-blue background.

The image above was not shot on a white background. It has a minimal level of adjustment in Lightroom to it, mostly to clean up the edges, but that’s about it. It was taken in front of the greyish-blue wall in the lobby of the BorrowLenses.com offices in San Carlos.

The thing about a relatively light-colored background is that it lends itself to a surprisingly large number of options for photographers. Though grey backgrounds work best for this, you can with some tweaking, turn just about any light-colored background — grey, blue, beige — completely black, as I demonstrated in this article on how to kill your background completely.

In this article, I’ll show you how to blow out that background completely to make it look like you’re shooting in front of a white backdrop.

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The Best Nikon for Night Photography

Gear Talk

Want to know what the best Nikon camera is for night photography? David Kingham is a landscape photographer who focuses on the night sky. Kingham puts all of the major Nikon bodies to the test in this guest blog post.

Daylight Savings Time is Here: Don’t Forget to Change Your Camera’s Clock

Gear Talk

Set time and date manually

Unlike your computers, tablets, and smartphones, the clock in your camera doesn’t typically do the “Spring forward, Fall back” routine required to keep its clock accurate. If you don’t go in manually to change the time and date on you camera, the EXIF data it stamps your files with will have an inaccurate time/date stamp.

While it’s not the end of the world if your photos show a time that’s an hour off, having your clock accurate is always a good thing. Knowing the exact time an image was taken can help you if you want to replicate the exact atmospheric conditions in a landscape shot at a later time, for example.  Having accurate timestamps is especially important if you’re doing any kind of geo-tagging of your images using a GPS tracker or your iPhone to record a GPS track file and apply it to your DSLR photos in Lightroom or Aperture.

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Shooting Fast Action with a D800E

Gear Talk

Nikon D800E

When you think of fast-action photography, the D800E isn’t exactly the first camera that comes to mind – and with good reason. At a top speed of 4 frames per second and a buffer that will fill up pretty quickly with those massive 36MP files, it’s not a camera that lends itself to that kind of photography easily.

If you’re in a pinch, however, and need to be able to use the D800E (or the D800) for a bit of fast-action work, there are a few things you can do to get a bit more performance out of this camera.

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Kodak’s First Canon-based DSLR: A 1.3 Megapixel Slice of Photographic History

Gear Talk

Learn more about the EOS-DCS 3, Kodak’s very first Canon-based digital SLR–a 1.3 megapixel, no-LCD, nearly 4-pound behemoth that cost around $16,000!