Industry Info: Our Favorite Infographics from 2014

Industry Info: Our Favorite Infographics from 2014

As resolutions begin to wane, now is a good time to look back at 2014 and glean some instructive trends in photography and videography from the past year. Here are some of our favorite infographics, charts, and general industry knowledge from 2014: DSLR & Digital Camera vs Smartphone Photography from Treat.com Phone shooting is on the rise and DSLR sales are sluggish – that’s not news – but the numbers are still interesting. Click the image to see the entire infographic from its original source. Camera ownership on Flickr: 2013-2014 This series of graphs shows brand popularity from last year. All we can say is…poor Pentax. Click graphic below for more. What Gear is Stolen Most and Where You’re Most Likely to Get Robbed from Lenstag.com (via PetaPixel) Shows exactly what the title says. Be careful on your next trip to Italy…click the graphic to see the rest. Here’s 2013’s, too. Occupational Employment and Wages from the U.S. Bureau of Labor Statistics Still waiting on 2014’s report but nothing has likely changed much from this 2013 report. See the entire report by clicking the graphic below. We Experiment On Human Beings! OkCupid’s Massive User Picture Data This is an excuse to list an old set of graphs from 2010 because they still prove to be strange and fascinating. OkCupid’s analysis of its users teaches all of us something (even if that something is shame). The Top 30 Most Socially Influential Photographers from eyefi This is probably the silliest collection of anything in the photography world from 2014 but, hey, BorrowLenses’ own Jim Goldstein made the list and it was way too...
The Sony FE PZ 28-135mm f/4 G OSS Lens is Ready for Your Next Video Shoot

The Sony FE PZ 28-135mm f/4 G OSS Lens is Ready for Your Next Video Shoot

We have a new cine lens for rent – the FE PZ 28-135mm f/4 G OSS. It’s ideal for both the Sony FS7 and the Sony a7S but will mount on any E mount camera. It is ideal for run-and-gun style shooting, documentary filmmaking, and any other cinematic use where portability is important. Here are some features that really stand out about this lens and why should you shoot with it. Focal Length: 28 – 135mm. Versatile range that prevents you from having to change lenses. Maximum Aperture: f/4. Fast enough for most low-light and out-of-focus needs. Designed for full frame Sony E mount cameras. Pair this with Sony’s a7 line. Compatible with crop sensor E Mount cameras. Pair this with the FS700, FS7, or any E mount camera. 1.31′ Minimum Focusing Distance. Relatively close range for a lens reaching up to 135mm. Auto Focus with Manual Focus Override. Fine-tune your focusing without using an AF/MF switch. Image Stabilization (Optical SteadyShot, or OSS). Allows you to gain more stops without sacrificing sharpness when shooting at lower shutter speeds. Super Sonic wave Motor. Silent autofocusing – essential for video. The FE PZ 28-135mm f/4 G OSS is light weight and partially manufactured with polycarbonate, making this lens more impact resistant and also better protected from the sun. It also helps save on weight. You can select between clicked and de-clicked aperture for ultimate control. Having a de-clicked aperture makes it great for run-and-gun shooting and adjusting exposure mid-take like when there is a major shift in exposure walking from indoor to outdoor lighting. This lens was designed side-by-side with the FS7, which boasts internal firmware to correct for aberrations, making this lens...
Creative Jump Start: Shooting with Fisheye and Ultra Wide-Angle Lenses

Creative Jump Start: Shooting with Fisheye and Ultra Wide-Angle Lenses

Seán Duggan is a fine art photographer, author, educator, and an Adobe Certified Photoshop Expert with extensive experience in both the traditional and digital darkroom. His Jump Start series provides photographers with the informative ideas to effectively experiment with alternative photographic equipment. Creative Jump Start: Shooting with Fisheye and Ultra Wide-Angle Lenses by Seán Duggan On my recent Autumn & Aurora Discoveries workshop in Iceland, I decided to step outside my usual focal length comfort zone and do some experimenting with a 15mm fisheye lens on my full-frame Canon DSLR. BorrowLenses.com is a great resource that makes it easy to take different gear for a test drive and I really appreciate the large selection they have. Sometimes a lens is needed for a very specific purpose but at other times I’ll try out a lens simply because it offers such a different perspective from the lenses I normally use. This was the case with the 15mm f/2.8 lens. Most of my wide-angle shots are made at the 24mm focal length, with occasional images made with a 16–35mm. I knew, however, that the 15mm would offer a much different perspective than the 16mm. It is technically only one millimeter of focal length difference but the level of distortion is significantly more with the 15mm lens. Although the super wide angle-of-view was quite useful for some shots, it was actually the distortion that I was most interested in. Shooting straight at the horizon yielded an image that was very wide with not too much distortion but tilting the camera either up or down yielded a very pronounced curvature of the horizon. Tilting up...
What do Meditation and Macro Photography Have in Common?

What do Meditation and Macro Photography Have in Common?

Macro photography is much like a meditation practice: there must be a willingness to experiment outside your comfort zone, practiced patience, and a dedication to learning. The genre has been a popular niche for decades and now with easier accessibility to the tools it takes to create this kind of photo, there are a few ideas it is best to understand first. With its popularity there is a lot of technical information available that can be difficult to understand when you are first starting out. Whether you are shooting detailed still lives or capturing your environment in a new perspective, there are certain things to consider that will aid in your success and help you avoid defeating frustration. Understanding the most important questions to ask yourself and why its important to know the answers before you even pick up your camera is the first step. Let’s take a closer look at the best tools of the trade, tips, and tricks to get started in macro photography. What Exactly Is Macro Photography? Macro photography has been in pop vernacular for some time now and is the close-up photography of very small subjects captured life size. You will often hear the terms magnification rate or reproduction rates when referring macro photography, which translates the size in which the subject is being captured in relation to their actual size. A ratio of 1:1 is imagery true to life in size, 1:2 is half it’s size in reality, and so on. You can tell the ratio you are able to shoot by reading the markings on the side of a macro lens. For...
Underwater Housing Units and Sound Blimp Compatibility Guide

Underwater Housing Units and Sound Blimp Compatibility Guide

Underwater housing units allow you to shoot photos and video up to 33′ under water while the sound blimps reduce shutter sounds by up to 90%. So whether you’re doing ethereal, watery fashion shoots, capturing athletes in strong surf, or being as inconspicuous as possible at a special event, we’ll have you (and your gear) covered with AquaTech. All About Our Waterproof Housings We carry underwater housing units for the following cameras: Elite 6D for Canon 6D Elite 70D for Canon 70D Elite 5D III for Canon 5D Mark III Elite 7D2 for Canon 7D Mark II Elite D7100 for Nikon D7100 Elite D750 for Nikon D750 Elite 800 for Nikon D800/D800E/D810 Elite GH4 for Panasonic GH4 Elite a7 Series 1 for Sony a7, a7R, a7S Elite a7 Series 2 for Sony a7II, a7RII, a7SII Delphin 1D for Canon 1D X/1D C Delphin D4 for Nikon D4/D4s   For those who are new to the underwater shooting world (and it’s a fun world) you can’t just get one of the housings above. You must also get a housing for your lens to connect to the body housing. Here is a run down of the lens ports we now have and what lenses they go with: P-65 Canon 24mm f/2.8 Canon 24mm f2.8 IS Canon 28mm f/1.8 Canon 35mm f/2.8 Canon 35mm f/2 IS Canon 50mm f/1.8 Canon 50mm f/1.4 Nikon 20mm f/2.8 Nikon 24mm f/2.8 Nikon 28mm f/2.8 Nikon 35mm f/2 Nikon 50mm f/1.4 Nikon 50mm f/1.8 Sigma 30mm f/1.4 EX (Nikon or Canon Mount) Nikon 17-55mm f/2.8 (Needs a 70mm Extension Ring. Don’t worry, we rent that, too!) Tokina 11-16mm f/2.8...
A Review of Fuji’s X-trans CMOS II Sensor and X-mount Lenses

A Review of Fuji’s X-trans CMOS II Sensor and X-mount Lenses

David Kingham is a landscape photographer with years of experience and a known track record of going great lengths to capture spectacular landscapes. He is constantly searching for the ideal camera and lens combo to facilitate longer travel with more energy when he arrives. Find out how Fuji’s new mirror-less line of cameras and interchangeable X-mount lenses tested for his needs. As a landscape photographer that hikes a considerable amount I am always looking for ways to lighten my load on and off the trail. After switching to full frame DSLRs years ago, I had never considered the Fuji system due to the cropped (APS-C) sensor. Despite being convinced I’d never go back to a crop sensors, I couldn’t help my curiosity after hearing so many great reviews coming from Fuji converts. Borrowlenses.com was kind enough to send me the following bodies and lenses to review: Fuji X-T1  Fuji X-E2  Fuji 14mm f/2.8 Fuji 10-24 f/4 Fuji 18-55  Fuji 55-200 Fuji 18mm f/2 Zeiss Touit f/2.8 Note: All images are jpegs straight from the camera unless otherwise noted.   X-T1           I immediately fell in love with the Fuji X-T1 camera after using it for just a few minutes. I was first taken by the ergonomics of the camera: small, light, and the grips are placed perfectly to where I never feel uncomfortable holding it. The multitude of dials allow the user quick access to adjust settings, and I was especially taken by the feature of having the ISO and shutter speed as dials. I’ve never shot with a rangefinder, but I now know why most...