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Gear Talk

Kino Flo Celeb 200 DMX LED Lighting Kit

Gear Talk

One of the newest lighting rigs we have here at BorrowLenses is the Celeb 200 LED from Kino Flo. The Celeb features 100 watts of lustrous, soft white light, which can be programmed to display a range between 2700K to 5500K, without changing the light output.

Get the Scoop on Fashion Photography

Gear Talk

The world of fashion photography is an insular one, and newcomers to this field are often left floundering in more ways than one. From the basics of technique, to simple advice on how to break into the field, working with models, and managing and handling a business, aspiring fashion photographers often lack a decent starting point.

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Wide Without the Weird: Zeiss’ New Low-Distortion 15mm f/2.8 Distagon T* ZE for Canon

Gear Talk

The new Zeiss 15mm f/2.8 Distagon T* ZE for Canon is an ultrasharp, full frame lens that controls distortion much better than its other ultrawide peers. Check out our test images to see why.

Controlling Power on a Profoto Pack, Part II

Gear Talk
The Profoto Acute2R 2400

The Profoto Acute2R 2400

Last time, we covered how to control the power on a Profoto pack with a single head attached. In this article, we’ll cover the configurations for two heads.

As I mentioned in Part 1 of this piece, these Profoto power packs are a bit… confusing. Profoto is pretty-much the gold standard of the industry, and their Acute2 packs, which we rent, are considered to be the go-to workhorses for many photographers working with Profoto systems – and with good reason.

In Part 1 of this tip, we looked at how to control the output of the Profoto Acute2R 2400 with just one head connected to it. In this part, we’ll look at adding additional heads to the power pack.
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The Switch – Moving from Canon to Nikon, Part III

Gear Talk

This is Part III of a series on moving from an all-Canon setup to an all-Nikon setup for four weeks. Will I go back to Canon at the end of four weeks? I have no idea…

In this part, I’m going to focus on just one thing: Nikon’s external flash system.

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The Switch: Moving from Canon to Nikon, Part II

Gear Talk

I’ve had the D800 for about 2 weeks now, and have shot with it in the studio, out in the Marin Headlands, and a variety of other spots. In this article, I’ll focus on my initial experiences with the Nikon setup, a few of the challenges I faced, and some observations along the way.

The Switch: Moving from Canon to Nikon, Part 0.5

Gear Talk

This is a quick ‘n dirty post that’s part of my “Switch” series. Part 1 of the series can be found here.

I was in the studio, working on a quick lighting test. The subject was a violin positioned on a tall chair, and I was moving in and out, shooting the whole thing, then switching to some detail work. I had two SB-910′s on stands, with gels and, occasionally, a Lastolite Ezybox Hotshoe on one of them.

The shot you see below was taken with the D800 I currently have for testing, with a Nikon 105mm f/2.8G Micro lens.

The SB-910 shining on it has the aforementioned Lastolite softbox on it, as well as a chocolate gel. There is absolutely no post-production on the shot.

I am really, really liking the tones coming off that Nikon. They are, in a word, luscious.

What blew me away was when I zoomed in at 100% to look at the object in focus, the second knob from the left. Click on the image below to embiggen; the smaller size won’t show you what I’m talking about.

Wow. I mean, yeah, I’m going to have to repeat this experiment with a Canon 5D Mark III and the famed 100mm f/2.8L macro as well, but, well, wow.

I’ve always known that this would a rough experiment. I knew I’d have my preconceptions challenged. I guess I was hoping it wouldn’t be this hard.