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Gear Talk

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Gear Talk
The Induro AT413, an excellent tripod for outdoor shooting.

The Induro AT413, an excellent tripod for outdoor shooting.

This is how the life of a photographer goes sometimes. You’re driving home on Highway 13, right around dusk. You glance off to your left and note that the moon, at an 8% crescent is going to set shortly, and it’s probably going to do so right behind the San Francisco skyline.

So what do you do? Well, if you’re me, you step on it and race for Grizzly Peak Road, a scenic, meandering two-lane stretch of tarmac that winds through the hills above Oakland and Berkeley while offering some spectacular views of the Bay Area, including the Bay Bridge, the San Francisco skyline, Oakland, Berkeley, and sometimes, the Golden Gate Bridge, too.

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The Switch – Moving from Canon to Nikon, Part IV

Gear Talk

This is Part IV of a series on moving from an all-Canon setup to an all-Nikon setup for four weeks. Will I go back to Canon at the end of four weeks? I have no idea…

On this edition of “The Switch”, I took a brief sojourn back to Canonland with the 5D Mark III and a gaggle of Canon lenses.

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Kino Flo Celeb 200 DMX LED Lighting Kit

Gear Talk

One of the newest lighting rigs we have here at BorrowLenses is the Celeb 200 LED from Kino Flo. The Celeb features 100 watts of lustrous, soft white light, which can be programmed to display a range between 2700K to 5500K, without changing the light output.

Get the Scoop on Fashion Photography

Gear Talk

The world of fashion photography is an insular one, and newcomers to this field are often left floundering in more ways than one. From the basics of technique, to simple advice on how to break into the field, working with models, and managing and handling a business, aspiring fashion photographers often lack a decent starting point.

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Wide Without the Weird: Zeiss’ New Low-Distortion 15mm f/2.8 Distagon T* ZE for Canon

Gear Talk

The new Zeiss 15mm f/2.8 Distagon T* ZE for Canon is an ultrasharp, full frame lens that controls distortion much better than its other ultrawide peers. Check out our test images to see why.

Controlling Power on a Profoto Pack, Part II

Gear Talk
The Profoto Acute2R 2400

The Profoto Acute2R 2400

Last time, we covered how to control the power on a Profoto pack with a single head attached. In this article, we’ll cover the configurations for two heads.

As I mentioned in Part 1 of this piece, these Profoto power packs are a bit… confusing. Profoto is pretty-much the gold standard of the industry, and their Acute2 packs, which we rent, are considered to be the go-to workhorses for many photographers working with Profoto systems – and with good reason.

In Part 1 of this tip, we looked at how to control the output of the Profoto Acute2R 2400 with just one head connected to it. In this part, we’ll look at adding additional heads to the power pack.
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The Switch – Moving from Canon to Nikon, Part III

Gear Talk

This is Part III of a series on moving from an all-Canon setup to an all-Nikon setup for four weeks. Will I go back to Canon at the end of four weeks? I have no idea…

In this part, I’m going to focus on just one thing: Nikon’s external flash system.

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