The Hasselblad Is Here: First Impressions and Sample Shots

The Hasselblad Is Here: First Impressions and Sample Shots

The Hasselblad H5D40 medium-format digital camera is here, so of course we had to give it a go. We pressed a number of our staffers into service as models, and went through an impromptu portrait session. Sample images as well as first impressions after the jump. First, the sample images… Ryan Tubongbanua Andrew Wills Alex Huff Courtney Newvine and Jo Deguzman Shooting with the Hasselblad H5D40 was a mixed bag in that it was at once familiar and foreign. I’ve shot medium-format digital and film before, mostly on the Phase (digital) and Hasselblad 500C (film). So I was familiar with the H5D40’s basic operation. The shoot was set up in our lobby. We used a large Elinchrom 74″ Octa as the light source, with one 500 w/s Elinchrom BXRI monolight in it, plus a second BXRI scraping across the collapsible background for some of the shots. Both were triggered using the Skyport transceiver included with the Elinchrom BXRI kit. Here are a few initial impressions. Flash sync is up to 1/800th. This is awesome, since it completely eliminates ambient light.  The 120mm f/4 Macro lens I shot with is crazy-sharp. The dynamic range and detail are everything that Hasselblad has promised (more on this in future articles about this new platform). Watch your highlights. There’s a handy histogram in the top LCD that shows you this, so it’s relatively easy. Get a tripod. I shot handheld, but this is a heavy platform. If I was shooting at a lower shutter speed (say, like 1/200th), I’d probably see some camera shake. Since the flash can sync up to 1/800th, it didn’t...
Nikon’s Biggest Gun: A Review of the New 800mm f/5.6E FL ED VR Lens

Nikon’s Biggest Gun: A Review of the New 800mm f/5.6E FL ED VR Lens

Introduction Until recently, Canon’s 800mm f/5.6 lens has been about the longest lens currently in production by one of the big manufacturers. The longest lens on the Nikon side has been the 600mm f/4, which I took out for a spin not too long ago. Now, Nikonians have their own cannon (yes, pun intended) to play with. The Nikon AF-S 800mm f/5.6E FL ED VR lens is finally shipping, and we’ve got them in our inventory for rental. I took this behemoth out for a test to see just what Nikon packed into it. Last week, I posted sample images from that shoot; here’s the full review. A Bad Start My experience with the 800mm began poorly. I took the lens out with a D4, an Induro AT–413 tripod and a Custom Brackets gimbal head to one of my favorite birding spots in the Redwood Shores region of the San Francisco Bay Area. Every spring, these black-and-white birds call Black Skimmers show up around here, and make for some excellent photo opportunities. They gather around the shoreline, and fly low over bodies of water, letting their lower beaks dip into the water as they fly, trying to snap up small fish. Get lucky, and you can walk away with an image of one with its beak creating a wake through water, which is what I was aiming for. Well, things didn’t start out well. I set up everything, balanced the lens on the gimbal, and started shooting. Immediately, I noticed that the lens was incredibly slow to focus. For static subjects, it was fine – you could zero in...
Sample Images from the Nikon 800mm f/5.6

Sample Images from the Nikon 800mm f/5.6

I’ve been out testing the Nikon 800mm f/5.6 lens we just got in, and have a few sample images to share. I went out to the Redwood Shores region of the San Francisco Bay Area to shoot the skimmers that show up around here every spring, and got a handful of other birds as well. The full-up review is coming soon, so stay tuned for that. Black Skimmer   Images © Sohail Mamdani. All rights...
Playing with Nikon’s Big Guns.

Playing with Nikon’s Big Guns.

Not so long ago, I did a post about Canon’s new “Big Guns”, the 600mm f/4 II and the 1Dx. We’re now waiting for Nikon’s newest super-tele, the 800mm f/5.6, to ship, but I thought I’d take the newest flagship camera from Nikon out for a spin with the venerable 600mm f/4 that they’ve had out for a while.   Initial impressions Shooting with the Nikon D4, with regards to ergonomics and handling, was a substantial change from the D3s. It’s not as angular as that body, something I think Nikon’s been changing lately. The buttons have more feedback to them, and don’t feel soft. The body itself is more bulbous and contoured (dare I say, more Canon-like?), and feels way better in my hands than the D3s. The shutter button is angled down a bit, allowing my finger to lie on it in a more natural fashion. One annoyance is that the AE-L button has been replaced with a little joystick, and I miss that. There’s also a live-view button inset into a rocker switch that lets you move it between photo and video modes, as well as the 8-way d-pad that’s carried over from the D3s. All in all, I liked the changes to body. It’s a more pleasant camera to shoot. In the field My experience didn’t start off well – which was my own dang fault. I’d set the Nikon’s CH (Continuous High) mode to 11 frames per second. Why this wasn’t set to the max by default puzzled me, but I shrugged it off and went out to the Coyote Hills Regional Park in nearby...
Small Flash, Big Box: Using the LumoPro Flash Bracket

Small Flash, Big Box: Using the LumoPro Flash Bracket

There’s no shortage of lighting modifiers for small flashes like the Nikon SB–910 on the market today. From the Apollo softboxes we rent, to grid kits, snoots, umbrellas, and beauty dishes, small flash has really come into its own, especially for photographers working on location. Now there’s a new accessory for Strobist-style shooters that will let you use a much wider variety of softboxes with your existing small flashes, including the high-end modifiers from companies like Profoto. I used it with two Profoto softboxes a couple of weeks ago for a portrait, with excellent results. The acecssory is called the Lumopro Speedring Bracket, and it’s basically a softbox speedring modified to let you use one or two flashes in a standard softbox. If you’re not familiar with speedrings and softboxes, take a look at the article “Understanding Softboxes” on our blog. It describes what speedrings are, and how they are used with various modifiers. The Lumopro bracket is essentially a speedring with two adjustable arms protruding from it. A standard stud allows you to to mount the speedring onto a swivel adapter so you can tilt your setup to angle it. I was doing a shoot for costume designer Katherine Nowacki, who needed a bright, airy headshot for her website. I placed her on a balcony with setting sun directly behind her to act as a rim light. My initial idea was to use a reflector to get some fill light into her face, but then decided I wanted something more powerful to balance out the ambient. I went with two Profoto softboxes, a 3’ Octabox and a 1×4’...