Ken Block Makes Your Jaw Drop

The phrase “Thing of beauty” doesn’t do this video justice. Turning San Francisco into your own personal rally car track is epic enough (just how did they get the streets that deserted?!). Capturing the run on over 100 cameras? That’s just icing on the cake. That’s the crew just rubbing your face in the awesomeness of this event. Photographically alone, it’s a feat of epic proportions. Ken’s crazy skills with that Fiesta notwithstanding, acquiring footage from all those cameras as he streaks through SF is kind of a big deal. All of it has to be ingested, logged, tagged, and then edited. That’s the truly incredible part – someone sat down and cut all that together. Excuse my while I pick my jaw up from the floor. Speaking of cool, there’s a scene where Travis Pastrana does a cameo on his dirt bike in the video above. BL’s own Emotive Image (www.facebook.com/emotiveimage) was shooting X-Games just a little while ago, and saw Travis Pastrana rockin’ some of our long Nikon glass. Check out the video and watch for Travis’...
Get Your Gear On With the Canon 1Dx

Get Your Gear On With the Canon 1Dx

We’ve been waiting for this bit of kit for a long, long time. The 1Dx is finally here, and we run through a bunch of the features of Canon’s flagship body. This full-frame camera is set to replace the 1D mkiV and the 1Ds mk III. We show off the high frame-rate, some AF features, compare ISO settings and give a general rundown of this exciting new professional DSLR. The 1Dx is available for rent now at http://www.borrowlenses.com/product/Canon_EOS_1D_X_Digital_SLR “Bullet-Time Backflip” sequence...
Tip of the Week – Fast and Easy Model Releases with Top Model Release

Tip of the Week – Fast and Easy Model Releases with Top Model Release

Every week, we post a photography-related tip on our blog. These tips are typically inspired by questions we get from our customers. Sometimes we might feature a technique tip, and sometimes a gear recommendation. If there’s something specific you’d like to see in this section, let us know. Email us at blog@borrowlenses.com. Model releases are often the bane of photographers’ lives. We go through a great deal of effort to put a killer shoot together, then fail to get a model release, rendering the shoot unusable till we get one. Photographers have ended up losing court cases and jobs over missing releases or improper wording in releases, which is why it’s extremely important to get your releases in order right away. If you’re an iPhone or iPad user, there’s a new app that’s been getting a lot of buzz from pros like Scott Kelby and Scott Bourne. Created by photographer Catherine Hall, Top Model Release is an iPhone app that makes getting signed model releases from your subjects almost trivial. The app is very straightforward. On first launch, you fill out your own contact information, which the app stores. Once you do that, you’re taken straight to the main screen where you can chose from one of three model release types. There’s an Adult release, a Minor release for children that requires their guardian’s signature, and a Property release for when you’re shooting architecture, for example. From there, you then fill out the model’s information. I like that I can grab that info from the iPhone’s contacts database, and it fills in almost all the fields for me, save...
Photo Finds: Fashion Photographer Melissa Rodwell

Photo Finds: Fashion Photographer Melissa Rodwell

Welcome to Photo Finds, a feature where we point you to some of the best photography around the web. This week, we bring you the work of fashion photographer Melissa Rodwell. I’ve been following Melissa’s blog since 2010 when it first came to my attention through David Hobby’s Strobist blog. Since then, I’ve read practically every post and watched every BTS (Behind The Scenes) video that Melissa has done, picking up a tip (or three) every single time. Let’s get one thing out the way first. A lot of photographers say they are fashion photographers. What they really mean is that they’d like to be fashion photographers but, as Zack Arias points out, just taking a pretty picture of a pretty girl in pretty clothing isn’t fashion photography. To shoot fashion, you have to live it, breathe it, consume it. You have to truly love the subject and understand it. Just as importantly, you have to shoot for fashion. By those simple standards, Melissa Rodwell is most definitely a fashion photographer. Melissa’s client list is pretty darn impressive. Among others, she counts as her clients Ralph Lauren, KURV, Mademoiselle, and Harper’s Bazaar. She has shot in locations all over the world, from New York to Dubai, and has exhibited her work in Australia and Amsterdam. She has repeatedly broken out of her role as a fashion photographer to work on personal projects. Now, there are a lot of fashion photographers out there. The major markets are flooded with people looking for work in that industry. There are, however, two things that make Melissa pretty unique and cause her to stand out in...
Photo Finds, June 15, 2012 – Matt Furman

Photo Finds, June 15, 2012 – Matt Furman

Welcome to Photo Finds, a feature where we point you to some of the best photography around the web. The business of photography isn’t an easy one. If you’re a pro, you have to deliver – and you have to do it consistently, day after day. Even more difficult is the fact that you have to stay fresh, flexible, stay in tune with the styles of the day, and evolve with time. Few photographers can do this over any length of time. Matt Furman, a commercial and editorial photographer based in New York city, is one of these few. With a client roster that includes Forbes, CFO Magazine, American Airlines, Billboard, and Barron’s, Matt’s work reflects a sort results-oriented aesthetic that stops far short of being “typical.” I first came across Matt’s work in an interview he did for the awesome website “Feature Shoot.” That article is a must-read, by the way; it gives you an insight into Matt’s shooting practices and the kind of constraints he often works under. Those constraints are what makes his work so interesting. When someone says, “I’m a commercial photographer,” my mind immediately goes to a setup with massive lights (at least six of them) and a whole crew of assistants and gophers. In reality, Matthew often works with just one or two lights, utilizing location, ambient lighting, and other visual tools to add interest and drama to his images. Take his image of AMC network president Charlie Collier, for example (below). Here, Matt uses a zombie dummy from the popular AMC show “Walking Dead” to add that additional punch in what might otherwise be a standard...