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Posts by: Sohail

Cool Stuff – Week of October 8, 2012

Cool Stuff

Welcome to Cool Stuff, a weekly feature where we post our favorite links from the past week, including our favorite articles and how-tos, videos, images and more.

  • From the “Will Make Your Jaw Drop” department comes this film about the earth’s changing climate. Gawk at the trailer below; plenty of neat stuff to keep us photo geeks drooling, with some amazing imagery to boot.
  • Stanley Kubrick was one of the film industry’s greats. While filming Barry Lyndon, he shot with Zeiss lenses that could shoot at f/0.7. Have a look at this short documentary talking about that.
  • Our friends over at FStoppers have an awesome bit about how photographer Douglas Sonders shot a car ad for Honda in New York City for the 2013 Accord – at 48 hours’ notice, with no permits whatsoever. Fantastic look behind the scenes.
  • Not too long ago, David Hobby over at Strobist mentioned a piece by the folks at Broncolor on the fast flash durations of their Scoro heads and how they could be used to freeze water in mid-splash. This left a lot of folks asking, “Couldn’t you do that with an Einstein E640, which is a LOT cheaper? Now, David Hobby brings us the answer: Yep!
  • We get a lot of questions from budding professional photographers on shooting for portfolios. Well, the folks at DIY Photography have a great tip – Go to a convention, crash a party!

And now, for the BorrowLenses.com rundown!

That’s it for this week’s (slightly delayed) Cool Stuff. As always, questions and feedback are welcome in the comments below.

The Switch: Moving from Canon to Nikon, Part II

Gear Talk

I’ve had the D800 for about 2 weeks now, and have shot with it in the studio, out in the Marin Headlands, and a variety of other spots. In this article, I’ll focus on my initial experiences with the Nikon setup, a few of the challenges I faced, and some observations along the way.

Cool Stuff – Week of September 29, 2012

Cool Stuff
Light Painting on film by artist Eric Staller.

Light Painting on film by artist Eric Staller.

Welcome to Cool Stuff, a weekly feature where we post our favorite links from the past week, including our favorite articles and how-tos, videos, images and more.

  • If you haven’t seen this yet, you totally should. Light painting is all the rage right now, but these were done by artist Eric Staller way back in the 1970s with a Nikon film camera. Um, wow.
  • The way we see it, just about anything from Joe McNally automatically gets a mention in Cool Stuff. Here, he goes over some of his images published in NatGeo. An hour with Joe McNally? Um, yeah!
  • The awesome folks at Vimeo have thrown a lot of video-related tutorials out there for you budding filmmakers. Now, they’ve got one up that should make a few lightbulbs go off in your heads too. Here’s how to use your car as a massive motorized dolly.
  • We’re fans of photographer Jay P. Morgan of The Slanted Lens. Not only is he a working pro, he takes time to help educate the rest of us on various tips and techniques. Here’s his latest, a tutorial on simple corporate portraits.
  • And speaking of photographers we admire, Zack Arias was featured on Complex magazine’s blog as part of a new series called Shots Fired.

And now, for the BorrowLenses.com rundown!

That’s it for this week’s Cool Stuff. As always, questions and feedback are welcome in the comments below.

The Switch: Moving from Canon to Nikon, Part 0.5

Gear Talk

This is a quick ‘n dirty post that’s part of my “Switch” series. Part 1 of the series can be found here.

I was in the studio, working on a quick lighting test. The subject was a violin positioned on a tall chair, and I was moving in and out, shooting the whole thing, then switching to some detail work. I had two SB-910′s on stands, with gels and, occasionally, a Lastolite Ezybox Hotshoe on one of them.

The shot you see below was taken with the D800 I currently have for testing, with a Nikon 105mm f/2.8G Micro lens.

The SB-910 shining on it has the aforementioned Lastolite softbox on it, as well as a chocolate gel. There is absolutely no post-production on the shot.

I am really, really liking the tones coming off that Nikon. They are, in a word, luscious.

What blew me away was when I zoomed in at 100% to look at the object in focus, the second knob from the left. Click on the image below to embiggen; the smaller size won’t show you what I’m talking about.

Wow. I mean, yeah, I’m going to have to repeat this experiment with a Canon 5D Mark III and the famed 100mm f/2.8L macro as well, but, well, wow.

I’ve always known that this would a rough experiment. I knew I’d have my preconceptions challenged. I guess I was hoping it wouldn’t be this hard.

Cool Stuff – Week of September 22, 2012

Cool Stuff

Welcome to Cool Stuff, a weekly feature where we post our favorite links from the past week, including our favorite articles and how-tos, videos, images and more.

And now, for the BorrowLenses.com rundown!

That’s it for this week’s Cool Stuff. As always, questions and feedback are welcome in the comments below.

The Switch: Moving from Canon to Nikon, Part I

Gear Talk

This is Part I of a series on moving from an all-Canon setup to an all-Nikon setup for four weeks. Will I go back to Canon at the end of four weeks? I have no idea…

The Gear List

The Gear List

“I’m going to check out a bunch of Nikon gear and go shoot with it for four weeks. Then I’ll write a series of articles about it.”

I grinned at Jim Goldstein, BorrowLenses.com’s VP of marketing, and my nominal boss. He stared back at me, first with a blank expression, then with a knowing glint in his eye.

“You’re looking to switch, aren’t you?” he asked. “And you want to use this idea for a series to test the waters on the other side, dontcha?”

He kinda had me there. I’d been eyeing that D800 ever since it was announced, and was eager to give it a try. More importantly, I really was thinking of switching sides. (more…)

The Leica Diary, Part V – Final Thoughts

Gear Talk

After about four weeks of shooting with the Leica M9 and various lenses, I came to a dismaying conclusion.

I am not a street photographer. I don’t like street photography. I get nervous, am unsure, and take terrible street photos.

And, for most of the time that I had the M9, I was trying to be a street photographer.  (more…)