10 Essential Tips To Get Great Blue Angels Photos

10 Essential Tips To Get Great Blue Angels Photos

This weekend is Fleet Week here in San Francisco and given numerous emails I’ve received about photographing the event I thought I would consolidate my tips to photographing the Blue Angels. Following these 10 Blue Angels photography tips as originally found on my blog  should put you on the fast track to walking away with some great photos. Logistics – Be Prepared In San Francisco that means get to the show very early. Parking is always a challenge and will test your patience. Don’t let the search for parking ruin your day. If you want to avoid that aggravation then take public transportation and/or park far away. Bring a lunch or a snack. Get the nutrients and fluids you need in your system ahead of time so you can keep your eye on the show and not your bag of chips. Finding an unobstructed view can be a challenge. Arriving early will not only enable you to find the best location possible but will give you the time to scout out various spots to set up. Know Where Center-Point Is Center-point is the physical location that all Blue Angels maneuvers are centered around. This is the mark they aim to criss cross over and navigate around. For Fleet Week here in San Francisco that point is in front of Aquatic Park. Knowing this location is critical if you plan to capture the Blue Angels Criss-Cross maneuver. Location, Location, Location! As with realestate location is everything. In San Francisco for Fleet Week there really isn’t a bad spot. I have taken photos of the Blue Angels from a variety of locations...
Sharpness You Can See: Canon EF 24-70mm f/2.8L USM II

Sharpness You Can See: Canon EF 24-70mm f/2.8L USM II

The much anticipated release of the Canon EF 24-70mm f/2.8L USM II has been the source of much discussion and debate. While the lens has some notable differences than the original Canon EF 24-70mm f/2.8L USM (we’ll cover those at the end) the #1 attribute of note is its sharpness. How much sharper could it be you ask? We ran tests to gauge image sharpness for each lens here at BorrowLenses.com headquarters and we were blown away by what we saw. The original Canon EF 24-70mm f/2.8L USM was considered to be a very sharp lens and what we found in our tests was that Canon made significant improvements in sharpness and chromatic aberation reduction in the Canon EF 24-70mm f/2.8L USM II. Seeing is believing, so check out the comparison images below to see for yourself how much sharper the lens is compared to the older model. Note: The images below are essentially thumbnails that will show differences in lens distortion, vignetting,  pincushioning, and in extreme cases sharpness. To properly see the differences in sharpness and chromatic aberration we recommend you click on the download link at the end of this post to view the full size images. Our Testing Methodology We placed the optical axis of the lens perpendicular to our Edmund Optics Resolving Power chart.  This alignment neutralizes any sign of tilt that would misalign the plane of focus and exaggerate any softness in focus in the outer corners.  Each lens was tested on a Canon 1D X with center point focus, mirror lockup and triggered after a 2 second delay to minimize any vibration that would add motion blur. Camera and lenses were...
5 Things I Learned at the Google+ Photographer’s Conference

5 Things I Learned at the Google+ Photographer’s Conference

Last week we had a great time at the Google+ Photographer’s Conference. As an event partner and sponsor we had a chance to meet a lot of great photographers in attendance. The conference had a great energy to it. With photographers being so active and social on Google+ it was rather effortless to pick up conversations in person with photographers of all stripes and experience levels. It was for this reason alone that attending was an amazing experience. Beyond meeting with great photographers there was a lot of great information shared amongst attendees and speakers alike. The 5 takeaways that I came back with that all photographers on Google+ could stand to benefit from included: 1. Focus on Community The community on Google+ feels like the Flickr photography community of old. There is a constant flow of photos with many photographers you’ll find familiar and many more that will likely be new to you. It’s a great time to explore and network with photographers of all backgrounds, experience levels and expertises. In fact there are numerous sub-communities on Google+ focusing on various photography niches. Google+ makes it super easy and fast to find information in alignment with your photographic and non-photographic interests. What made the Google+ Photographer’s Conference so special is the fact that this virtual community became tangible. If you follow someone on Google+ it was all the reason you needed to introduce yourself. It was great to be able to pick up conversations previously confined to posts and comments. Getting out to talk and photograph with your compatriots from abroad made for an extremely special time. 2....

Product Update: D800 and D4 Lock-Up Fix

News has been circulating today about a newly identified bug with the Nikon D4 and D800 that may negatively impact photographers employing certain settings. To give you a deeper insight to the problem, a short term fix and a likely long term solution our resident technical expert and repair manager Michio Fukuda  has the following to report:   The Bug Nikon’s newly released D4’s and D800’s have had an alarming number of complaints regarding an intermittent issue causing the bodies to lock up under normal user conditions. Nikon has officially addressed the issue, in a recent conversation with PDN (Photo District News) on 5.3.2012,  and DPReview has since confirmed this bug.  The problem encountered again and again is that the body will become completely unresponsive until the battery is removed and re-installed, but should return to good working order once this is done.   The Fix Nikon stated that the issue is present for only a small users who have ‘Highlights’ and ‘RGB Histogram’ display options turned on.  They also communicated that they are in the process of developing the permanent fix and have instructed users on a temporary fix for the interim. The temporary “band-aid” fix is to turn off the ‘Highlights’ and ‘RGB Histogram’ display options in the ‘Playback Display Option’s sub-menu of  the ‘Playback’ menu.   Here is the step by step process to implement the temporary fix:   Step 1 – Press the menu button.   Step 2 – Scroll down to “Playback display options” and press the center button on the directional pad to access that menu.   Step 3 – Once inside the playback menu, scroll down to “highlights” and “RGB histogram”.   Step 4 – Deselect the “highlights” and “RGB...