Why the Sony RX100 III Point & Shoot is a Vacation Must-Have

Why the Sony RX100 III Point & Shoot is a Vacation Must-Have

Do you agonize over sacrificing quality in favor of comfort when packing camera gear for vacation? I tossed my hefty Nikon D800 aside and rented the Sony RX100 III from BorrowLenses.com for vacation. I wasn’t going to shoot much so if the camera sucked then no harm, no foul. The camera definitely didn’t suck. Sony’s third iteration of an already well-regarded model opened my eyes to just how far point and shoots have come. I didn’t expect to write this blog post so I don’t have very many traditional “camera review” photos. What I have, however, will demonstrate how one can get big results from a camera the size of a deck of cards. Part I: Sample Shots Night Photography They’re no National Geographic contenders but considering that I wasn’t expecting anything from laying my camera on the ground with a 15 second exposure, I am impressed. Being somewhere with very little light pollution (Rarotonga in this case) helps. The noise is bad in the clouds but I am really cranking it at ISO 5000. I didn’t spend time perfecting exposure times but I urge you to take this camera out and test its limits on night sky photography. Capturing average night scenes was fruitful as well. This is where we ate dinner every night. Taken handheld at 1/30th of a second, f/1.8 at ISO 800.The Macro Mode on the RX100 III is pretty good, too – even in low light! Macro Photography I didn’t play with this feature a whole lot but what I saw was promising. It’s no Olympus but that’s hardly a fair comparison. This is a point and...
The Importance of Being Archived

The Importance of Being Archived

Our friends at SmugMug really care about photography and the importance of taking pictures in everyday life. This is part 2 of a 3 part series on improving your online life as a photographer, whether that is by improving your website or backing up your files. Here are some tips on how to avoid a personal, digital meltdown and keep your memories safe against fire, flood, hard drive crashes, and other unexpected blips in the matrix. SmugMug’s 9 Must-Haves for a Successful Photography Website reprinted with permission  We see so many websites each and every day and love hearing about how people are using their online websites and how having an online presence affects so much of what they do. Not long ago we shared 6 top mistakes people make when they put together a website but this time we’re addressing a topic that most people probably don’t want to even consider: backing up your photo and video files. A hard demon to face but we’ll show you why it pays to prepare for a potential doomsday disaster. The Worst-Case Scenario Imagine this: you’re booting up your laptop, ready to email your recent trip photos to your friends, and all of a sudden you get the BSOD. In one split second, poof! Your hard drive is gone. As you wipe the sweat from your face, you realize – oh no! All the photos and videos I shot, all the things that I lived and saw in those two weeks abroad, those were the only copies I had. And they’re gone. Forever. Why Back Up? The subject of backing up your files...
Nikon D4s: Thoughts, Test Shots, and Quick Review

Nikon D4s: Thoughts, Test Shots, and Quick Review

Court Leve is a sports, wedding, portrait, and pet photographer. His work has been published in National Geographic Adventure, Powder, Ski, Skiing, Freeskier, Parade Magazine, ForbesLife Mountain Time, Spirit Magazine, Southwest Art, and more. He is a regular contributor to the BL Blog. Nikon D4s: Thoughts, Test Shots, and Quick Review by Court Leve Like most new iterations of Nikon’s pro bodies, the D4s is yet another leap forward in imaging. In my case, coming from a D3s to a D4s ,the improvements are quite noticeable. If you are a current D4 user, the differences will be more subtle but still noteworthy especially for those shooting video.  It’s hard to believe a camera can make the D3s feel somewhat antiquated but the D4s does just that. While the D3s is more than capable for just about any situation, the D4s ups the ante yet again. The main areas of improvement are autofocus, low light capabilities, faster frames per second, and better handling. First is the handling of the camera. The added sub buttons are a welcome addition. The reach is shortened and response time quicker when selecting autofocus points.  The body has a few different tweaks and has a great solid feel. The new autofocus is simply amazing, extremely fast and accurate. While shooting a free skiing event I was capturing athletes coming towards me blind over a jump. I was able to instantly capture the skier in mid air while traveling towards me using my 80-400mm at 400mm and achieve nearly a 100% focus accuracy rate. Also helpful was the improved frame rate of 11fps and a nearly non-existent blackout time while...
Two Lighting Styles in 1 Shot with the Pocket Wizard MultiMax

Two Lighting Styles in 1 Shot with the Pocket Wizard MultiMax

Alexis Cuarezma is a San Francisco-based photographer who specializes in both on-location and in-studio portraiture. An alumnus of the Eddie Adams Workshop, Cuarezma has done assignments for the LA Times, the New York Times, HBO, and a number of international publications. He recently did a shoot with Shayne Skov for Sports Illustrated at Stanford University, where he had precious little time to essentially do two shoots at once. Cuarezma has a passion for bold visuals, bright colors, and high contrasts. However, his assignment called for “gray seamless”. To accommodate both Sports Illustrated and his personal style, Cuarezma harnessed the light grouping abilities of the Pocket Wizard MultiMax. He assigned all of the lights Sports Illustrated wanted for a uniform, seamless look to one channel and the punchier lighting setup to another channel and used the MultiMax’s Speed Cycler feature to fire off the two setups in succession. “As soon as I saw this, in my mind I knew I could use this. I didn’t care to fire off strobes at 10 FPS, however, I did care about being able to fire off 2 different sets of lights back-to-back because they don’t have to be the same setup/look. I have a Canon 1D Mark IV that can fire off 10 FPS. So that’s taking a frame every 100 milliseconds. In theory that’s 2 separate images in 200 milliseconds and with the Speed Cycler feature that could be 2 completely different looks shot nearly simultaneously.” Cuarezma set off to draw a lighting diagram for his assistants and to make this concept a reality. So long as the transmitting MultiMax is set...
Stock Photography that Gives Back: Winners of the Call to Action Contest

Stock Photography that Gives Back: Winners of the Call to Action Contest

StudentStock isn’t your average stock photography site. It’s populated by imagery created by students of all ages and a certain percentage of the proceeds goes towards scholarships. Started by a couple of photography teachers, StudentStock is a launchpad for students who are creating great work but need a platform for selling. It helps beginning photographers grow their skills, develop a sense of what sells, and, ultimately, be a part of the stock photography marketplace that is often so hard to find success in. The following photographers are on that path to success. They recently won the Call to Action photo contest, put on by StudentStock with support from BorrowLenses. See their winning entries below! 1st Place: Kirk Yarnell – California State University, East Bay Taken in Bend, Oregon during a roundup, Yarnell captured this back in 1994 so, yes kids, this was taken on film! Yarnell has been shooting since 1980 and currently lives in Mt. Shasta, California. 2nd Place: Shannon Fuller – Butte College Fuller tried to get this shot with 4 different dogs before getting the exact one she was looking for. She used a Nikon 70-200mm to capture this moment from a distance to avoid getting soaked herself! She froze the action at 1/1600th of a second. 3rd Place: Ben Meester – Butte College After a storm, Meester set out to one of his favorite back-country spots in Tahoe to get this shot. He used a Canon 14mm for an effective vista of the first run of the day. Runner Up: Aaron Alvarez – Santa Ann College Taken at Newport Beach, CA with a Canon 5D...