5 Lies Your Camera Likes to Tell

5 Lies Your Camera Likes to Tell

Think your camera is your best friend? Think again. Heed these 5 warnings and better equip yourself with the knowledge needed to walk away with better images! Your camera is a marvel of amazing technology but you still need to use your brain when you shoot. Even if you’re in full Auto mode, don’t assume your camera knows what’s best for you! Here are five common bloopers and how to avoid getting tripped up on your next shoot. Lie #1: It’s Exposed Your camera has several automatic metering modes to help you catch the right amount of light without you needing to whip out the calculator. Are you using the right one? Spot, center-weighted, and multi-zone metering are great for many situations–so be sure you know which one is best for you. For example, you may want to over-expose when shooting in situations like snow to be sure you get that fluffy, clean white stuff you’re used to seeing. No one likes gray snow. Finally, let your artistic creativity be your guide. There’s no shame in flooding your summer portraits with light or even leaving in a bit of flare if you’re going for a sun-soaked, dreamy mood. Similarly, underexposing your shots is your key to super-dramatic clouds, abstract shadows, and gritty street shots. Click here for more info on metering modes and how they affect exposure. Lie #2: It’s in Focus Despite the reassuring “beep-beep!” of your AF system, there’s still a lot that can foil your focus. The most common culprit is motion blur if it’s too dark in the room. As a rule, you want your shutter speed to be...
BorrowLenses Education: Featured Photographer Jim Goldstein

BorrowLenses Education: Featured Photographer Jim Goldstein

Technique, knowledge, inspiration – gain it all from seasoned photographers with years of experience and many tips to share with both burgeoning photographers and pros looking to gain a new perspective. Visit our entire collection of interviews, which are full of amazing images and valuable advice. Jim Goldstein is a professional photographer, based out of San Francisco, California, who specializes in outdoor and nature photography. Jim infuses elements of the natural world into his commercial and editorial work to express his passion about nature and the environment. A member of the American Society of Media Photographers (ASMP), Jim produces the highest quality photography for both commercial clients and fine art photography collectors. BL: What is your photographic specialty and how did you become interested in it? Goldstein: Landscape and outdoor photography has been my primary focus for over 15 years. Since I was a kid I’ve long been interested in sciences such as geology, astronomy, biology, etc. From the time I could read I’ve been avidly studying these areas in books and magazines such as National Geographic, old Time Life books, and even almanacs. I was a bit of a nerd. Later in college I studied these subjects more seriously and began reading Outdoor Photographer and other photography magazines. Between my studies and taking in the inspiring work of Art Wolfe, Galen Rowell, Ansel Adams, and others I knew, I wanted to master the art of photography. BL: How long have you been teaching and/or writing about photography and how would you describe your teaching/writing style? Goldstein: I’ve been writing about photography since 2006 when I launched my blog. I’ve also written for magazines such...
Behind the Scenes of a Saloon Shoot with Photographer Peter Phun

Behind the Scenes of a Saloon Shoot with Photographer Peter Phun

Peter Phun is a freelance photographer in Riverside California. An alumni of Kent State University in photojournalism, he was among the first at his local paper to make the transition from film to digital with zero training. Phun is currently an adjunct instructor of photography at Riverside Community College. Go behind the scenes with Phun and a couple of 1940s-inspired models to discover how you can make the most of  lighting a shoot in a dark and relatively cramped environment. A Few Photo Tips from a 1940s Theme Shoot at Lake Alice Saloon and Eatery reprinted with permission by Peter Phun In a bar, there are surprisingly many, many shiny and reflective surfaces. To help combat this, a softbox is a better choice than an umbrella. The light falls off very dramatically and won’t scatter the way it does in an umbrella. I especially like the Photoflex OctoDome NXT  for this.  To go inside the OctoDome, I rented a Canon 600EX-RT Speedlite from BorrowLenses to help save space. Lighting conditions inside most bars are poor so you may need to use your fastest lens, especially if you are only using flash for accent lighting. I used a 50mm f/1.2 on my  Canon 5D Mark II set to ISO 400. I usually prefer to fire my Speedlites on manual power because I like to have a consistent output. From the ST-E3-RT radio transmitter attached to my camera’s hotshot, I was able to dial in my flash setting without having to walk over to either Speedlite to make changes in power. For this shoot, I chose a 2:1 lighting ratio using just 2 Speedlites. I wanted my back light to put out 1 stop...
BorrowLenses Education: Featured Photographer Neil Creek

BorrowLenses Education: Featured Photographer Neil Creek

Technique, knowledge, inspiration – gain it all from seasoned photographers with years of experience and many tips to share with both burgeoning photographers and pros looking to gain a new perspective. Visit our entire collection of interviews, which are full of amazing images and valuable advice. Neil Creek is a photographer with ten years of experience and a passion for teaching. He has helped tens of thousands of people improve their photography with his eBooks, successful video training courses, photography workshops, and years of photography blogging. As a professional photographer specializing in portrait photography, Neil has picked up lots of ideas, techniques and problems to watch out for that are usually learned the hard way. Neil has a talent for taking difficult-to-understand concepts and making them accessible. BL: What is your photographic specialty and how did you become interested in it? Creek: It’s very difficult for me to pick a single speciality. I love several different kinds of photography and some I have more opportunity to do than others. For example, I do a lot of professional portrait photography but I also really love landscape and night sky photography even though I don’t get as many opportunities to do those. I think that my passion for a subject, and the opportunities to follow those passions, ebb and flow over the years. At any particular time I focus most on my greatest passion and, at the moment, that’s dramatic portraits that tell a story. BL: How long have you been teaching and/or writing about photography and how would you describe your teaching/writing style? Creek: I suppose I have been teaching photography for as long as...
Sample Images: Benefits of Shooting Olympus and Four Thirds/Micro Four Thirds

Sample Images: Benefits of Shooting Olympus and Four Thirds/Micro Four Thirds

Mirrorless cameras and the Micro Four Thirds (MFT) system are gaining in popularity. From Panasonic’s GH3 to the Blackmagic, more and more cameras are coming out in MFT mount. Olympus originally pioneered the Four Thirds system and, along with Panasonic, announced a new Micro Four Thirds standard in 2008. This new system increased in quality while decreasing in bulk. Olympus Micro Four Thirds Cameras and Lens Variety Olympus carries three main breeds of camera: Digital SLR, OM-D, and the Pen. Their DSLRs are Four Thirds Mount and the OM-D and Pens are Micro Four Thirds. While Four Thirds and MFT lenses cannot be used interchangeably, what is nice about  MFT is that it aims to be a universal mounting system for mirrorless cameras. There are several brands outside of Olympus that make MFT lenses that mount well on the OM-D and Pen cameras. This opens up your lens experimentation options. For instance, while manual-focus only, the Voigtlander Nokton 25mm and 17.5mm lenses for MFT open up to a very wide 0.95 f/stop, a rare feature. You can also use extremely low-profile pancake lenses, such as the Panasonic Lumix 20mm f/1.7 for MFT. For reach, there is the Panasonic 45-200mm Mega Optical Image Stabilization lens or Olympus’ own fast 75mm  f/1.8, whose 9-blade diaphragm produces excellent bokeh. If you are into experimenting with many lenses at once without being married to 1 particular brand and without killing yourself trying to carry them all, then give the MFT system a shot. Keep in mind when choosing your MFT lens that MFT sensors have a crop factor of 2.0 (as opposed to...