Every week, we post a photography-related tip on our blog. These tips are typically inspired by questions we get from our customers. Sometimes we might feature a technique tip, and sometimes a gear recommendation. If there’s something specific you’d like to see in this section, let us know. Email us at firstname.lastname@example.org.
If you followed this blog for any length of time, you know that we’re big fans of headshot photographer Peter Hurley. Peter is extremely well-know for his ability to get fantastic shots for his subjects. His ability get a range of expressions through rigorous coaching is, I think, what makes his images stand out from the rest.
His lighting setup is also a subject of much discussion. Peter uses Kino Flo lights, which produce a fantastic quality of light. If you’re interested in trying those out, BorrowLenses.com does rent them, though they are in very high demand at the moment.
You don’t have to use Kino Flos, however. I wanted some portraits of fellow BorrowLenses.com staffer Alex Huff, so I decided to try and replicate Peter’s lighting style with strobes.
Here’s a list of the gear you can use for this kind of shoot.
- Generic strip boxes were used for this shoot; however, the following items would make for excellent substitutes.
- Reflector for a bit of bounce underneath the model. A Sun-Bounce Micro Mini would do the trick perfectly.
Now, as you can see in the video above, Peter basically makes a box out of his Kino Flos, then shoots through the box, capturing his subject in a wash of beautiful light.
For my shots, I used Einstein E640 monolights and some generic strip boxes that I own as light modifiers. You can just as easily replicate this look by using two 4×6 Profoto softboxes, along with a 2×3 Profoto softbox – we rent all of those.
Use the longer softboxes as the two vertical sources of light. Then, hoist the third, smaller softbox, up high, as you see in the lighting setup image above.
I also angle the boxes a bit inward and downward, to concentrate the light a bit more. Using a Justin Clam, I hooked up a small speedlight (you can use a fourth strobe, or a speedlight such as a Canon 580EXII or a Nikon SB-910) to the top of the backdrop.
I used it to spray a bit of light onto the background, making sure it went perfectly white, and because wanted a bit of “backspill,” a touch of light that wraps over Alex’s shoulders, onto her collarbone.
All the lights (except the background speedlight, which was set to slave mode and triggered optically) were controlled and triggered by a PocketWizard MiniTT1 with an AC3 Zone Controller on-camera, and PocketWizard PowerMC2 modules in the Einstein lights.
The result (after a wardrobe change) is below. The medium-gray background in the setup above was replaced with a plain white for a more high-key look.
The beauty of using strobes and speedlights for this shoot is that you can really use just about any modifier you want, as long as you end up with a “box” of light. You could do it super-light, with three speedlights going into three or four Apollo umbrella-style softboxes, or you could even use 3-4 Rogue Flashbenders, or 3-4 Lumiquest softboxes; the possibilities are numerous.
So try out your own variation on Peter’s look, and post it in the comments below. We’d love to see what you come up with!
That’s it for this week’s Tip. As always, questions and feedback are welcome in the comments below.
Images Courtesy of and Copyright © 2012, Sohail Mamdani. All rights reserved.
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